BEGIN:VCALENDAR
PRODID:-//B-Side Presents: Hot Docs 2008//iCal4j 1.0//EN
VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080417T190000
DTEND;TZID=America/New_York:20080417T202500
SUMMARY:Anvil! The Story of Anvil
DESCRIPTION:At the age of 14\, best friends Lips and Robb Reiner make a p
 act to rock together forever. Their band Anvil\, hailed as the "demigods
  of Canadian metal\," influences a musical generation including Metallic
 a\, Slayer and Anthrax. Though Anvil never makes it big\, they never sto
 p playing or believing. Following a calamitous European tour\, Lips and 
 Robb\, now well into their 50s\, set off to record their 13th album\, Th
 is Is Thirteen\, in one last attempt to fulfill their boyhood dream. Whi
 le filmmaker Sacha Gervasi\, a successful screenwriter (The Terminal)\, 
 has an eye for some of the implicit humour here\, what prevails is his r
 espect for the perseverance and passion that drives Anvil. Yes\, they do
  have an actual "11" setting on the volume knob. However\, their stamina
 \, even while hanging onto their day jobs\, makes Anvil the real deal\, 
 and this the rock doc of the year. \n -Sean Farnel
CATEGORIES:Special Presentations
LOCATION:Winter Garden Theatre
URL:http://hotdocsaudience.bside.com/films/anvilthestoryofanvil_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61791797-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080417T213000
DTEND;TZID=America/New_York:20080417T231000
SUMMARY:Air India 182
DESCRIPTION:On June 22\, 1985\, Air India 182 left Montreal\, bound for D
 elhi. It never made it. Four hours after takeoff\, a bomb ripped through
  the baggage compartment and the plane disintegrated\, killing all 329 p
 eople\, mostly Canadians\, on board. The bombing was the result of a Van
 couver-based conspiracy\, whose members were under investigation by CSIS
  in the preceding months. It was Canada's first devastating experience w
 ith international terrorism and\, until 9/11\, was the most lethal act o
 f air terrorism in history. Air India 182 is a first-person account of t
 he Air India conspiracy and its tragic aftermath\, as told by those dire
 ctly involved. They include family members\, investigators\, airport per
 sonnel and rescue workers. Together\, they reconstruct the final weeks\,
  days and hours before the flight disappeared off the radar screens and 
 their lives were changed forever. Sturla Gunnarsson\, one of Canada's pr
 eeminent filmmakers\, presents these events with restraint and respect.
CATEGORIES:Special Presentations
LOCATION:Winter Garden Theatre
URL:http://hotdocsaudience.bside.com/films/airindia182_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61790621-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T113000
DTEND;TZID=America/New_York:20080418T122800
SUMMARY:The Chair
DESCRIPTION:The Chair is a compelling account of the fight of lawyers Don
  Moore and Louis Nizer to save convicted murderer Paul Crump from the el
 ectric chair. The film begins five days before the scheduled execution d
 ate. Their argument supporting sentence commutation is based on testimon
 y from Crump's prison warden and others that Crump had changed for the b
 etter during his nine years in prison. This argument for clemency based 
 on a prisoner's reform would set a legal precedent. The Drew team record
 s some unexpectedly intimate moments. Moore\, full of conviction and ene
 rgy\, has been lobbying the Catholic Church for support. When he receive
 s a call informing him that the church has decided to back Crump's commu
 tation\, Moore breaks down and cries. The Chair is a poignant social doc
 ument still relevant some 50 years later\, when controversy regarding th
 e realities of prisoner reform and the death penalty still exist. \n -Sh
 annon Abel
CATEGORIES:Outstanding Achievement: Richard Leacock
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/thechair_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929772-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T133000
DTEND;TZID=America/New_York:20080418T151000
SUMMARY:Air India 182
DESCRIPTION:On June 22\, 1985\, Air India 182 left Montreal\, bound for D
 elhi. It never made it. Four hours after takeoff\, a bomb ripped through
  the baggage compartment and the plane disintegrated\, killing all 329 p
 eople\, mostly Canadians\, on board. The bombing was the result of a Van
 couver-based conspiracy\, whose members were under investigation by CSIS
  in the preceding months. It was Canada's first devastating experience w
 ith international terrorism and\, until 9/11\, was the most lethal act o
 f air terrorism in history. Air India 182 is a first-person account of t
 he Air India conspiracy and its tragic aftermath\, as told by those dire
 ctly involved. They include family members\, investigators\, airport per
 sonnel and rescue workers. Together\, they reconstruct the final weeks\,
  days and hours before the flight disappeared off the radar screens and 
 their lives were changed forever. Sturla Gunnarsson\, one of Canada's pr
 eeminent filmmakers\, presents these events with restraint and respect.
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/airindia182_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61790824-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T161500
DTEND;TZID=America/New_York:20080418T174000
SUMMARY:Anvil! The Story of Anvil
DESCRIPTION:At the age of 14\, best friends Lips and Robb Reiner make a p
 act to rock together forever. Their band Anvil\, hailed as the "demigods
  of Canadian metal\," influences a musical generation including Metallic
 a\, Slayer and Anthrax. Though Anvil never makes it big\, they never sto
 p playing or believing. Following a calamitous European tour\, Lips and 
 Robb\, now well into their 50s\, set off to record their 13th album\, Th
 is Is Thirteen\, in one last attempt to fulfill their boyhood dream. Whi
 le filmmaker Sacha Gervasi\, a successful screenwriter (The Terminal)\, 
 has an eye for some of the implicit humour here\, what prevails is his r
 espect for the perseverance and passion that drives Anvil. Yes\, they do
  have an actual "11" setting on the volume knob. However\, their stamina
 \, even while hanging onto their day jobs\, makes Anvil the real deal\, 
 and this the rock doc of the year. \n -Sean Farnel
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/anvilthestoryofanvil_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61791852-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T183000
DTEND;TZID=America/New_York:20080418T194800
SUMMARY:Club Native
DESCRIPTION:Falling in love with the wrong person can have devastating re
 percussions for Mohawks on the Kahnawake reserve in Quebec. Award-winnin
 g director Tracey Deer takes a courageous look at her home community\, r
 aising questions of identity\, history and tradition through the lives o
 f four inspiring Mohawk women. With warmth\, depth and humour\, stories 
 unfold about the heartbreaking costs of "marrying out" of their Mohawk N
 ation\, the challenges faced by kids of mixed backgrounds\, and the conf
 lict between love and preserving the fabric of their community. Having c
 hildren with the men they love can mean forfeiting their offspring's leg
 al native status\, including the right to live with their families on th
 e reserve. The film doesn't flinch from the history of Canada's racist a
 nd sexist government policy\, including the brutal force used against th
 em during the Oka Crisis in 1990. A groundbreaking film and a powerful s
 tory of the triumph of love and the human spirit.  -Lynne Fernie\n\n  Co
 -presented with imagineNATIVE Film + Media Arts Festival.
CATEGORIES:Canadian Spectrum, Featured
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/clubnative_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61798605-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T184500
DTEND;TZID=America/New_York:20080418T193700
SUMMARY:Shock Waves
DESCRIPTION:Despite the signed peace accords of 2003\, millions continue 
 to die in the troubled Democratic Republic of Congo\, home to some of th
 e worst human rights violations in the world. But there is a ray of hope
 . Radio\, once a means for spreading propaganda and hatred\, is now bein
 g used as a tool for justice and truth. For six years internationally fu
 nded independent Radio Okapi has been broadcasting from the frontlines a
 nd giving the Congolese people a voice. Under the constant threat of vio
 lence and death for their critiques of those in power\, more than 100 jo
 urnalists from Radio Okapi expose injustice and corruption wherever they
  find it. Its existence has become a lifeline for the people\, offering 
 hope of a future with unity and peace. In the words of senior reporter J
 ules Ngala\, "When people tell us these stories\, we are revolted\, but 
 our only weapon is the microphone. It makes us fight harder."  -Gisèle G
 ordon \n\n  Co-presented with ReelWorld Film Festival.
CATEGORIES:Canadian Spectrum
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/shockwaves_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61805998-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T190000
DTEND;TZID=America/New_York:20080418T201900
SUMMARY:Life. Support. Music.
DESCRIPTION:From Independent Spirit Award-nominated director Eric Daniel 
 Metzgar (The Chances of the World Changing\, 2006) comes a beautiful and
  inspiring story about recovery\, family and music. Jason Crigler\, a br
 illiant guitarist living and working in New York City\, suffers a debili
 tating brain hemorrhage during a 2004 concert in Manhattan. The doctor's
  prognosis is dire\; it is doubtful he will ever walk\, play guitar or b
 e able to live outside of a facility again. His pregnant wife and family
  refuse to accept this future for Jason. Instead\, they decide to take h
 is recovery into their own hands and reactivate his brain with daily sti
 mulation and countless acts of love. Will Jason be able to make this epi
 c journey and return to his old life? Told with remarkable humanism and 
 sensitivity\, Life. Support. Music. is a testament to the resilience of 
 the human spirit and to the power of relationships.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/lifesupportmusic_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61812638-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T190000
DTEND;TZID=America/New_York:20080418T194500
SUMMARY:Ex-voto for Three Souls
DESCRIPTION:This lyrical doc explores with sensitivity and breathtaking i
 magery the lives of three Mexicans who live\, like many\, on the edge of
  hope. The lives of a boxer\, a fisherman and an ailing old woman are in
 tertwined. Each prays to God to deliver him or her a specific miracle. M
 eanwhile\, they struggle to survive. Ex-voto For Three Souls is a film a
 bout the unbelievable human capacity to resist\, adapt and create.\n -Sh
 annon Abel\n  screening with  SECOND SIGHT 
CATEGORIES:Made In Mexico
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/exvotoforthreesouls_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917714-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T190000
DTEND;TZID=America/New_York:20080418T195200
SUMMARY:Second Sight
DESCRIPTION:Time is the same as it was 3\,000 years ago. It's we who have
  changed. If we would just slow down\, wander and listen\, maybe we'd se
 e things we currently don't. Step into the rugged vermillion landscapes 
 of Scotland's remote Isle of Skye and meet Donald Angus MacLean\, one of
  the last of a generation raised with the Gaelic oral tradition rather t
 han electricity and television. "Don Angie" is an old charmer\, a man of
  the church who has listened with an open and curious mind to a lot of "
 terribly strange stories" in his long life. The camera roves with him th
 rough gorgeously shot craggy hillsides to the sites of these spine-tingl
 ing stories of spectres\, ghost cars\, death foretold and the "second si
 ght." This softly painted portrait of a vanishing era spins an irresisti
 ble tale that becomes a thoughtful study of life and mortality. \n -Gisè
 le Gordon\n    screening with  EX-VOTO FOR THREE SOULS 
CATEGORIES:Make Me A Believer
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/secondsight_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917883-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T190000
DTEND;TZID=America/New_York:20080418T200700
SUMMARY:Steypa
DESCRIPTION:Cerebral and substantial in its focus\, yet eclectic and funk
 y in tone\, Steypa explores the relationship between inspiration\, creat
 ivity\, culture and environment through a collaboration of seven of Icel
 and's most acclaimed young artists. Gabriela kneads dough and wears it a
 s a mask\; Ásmundur pours Coca-Cola into empty Fanta bottles\; Kartin bu
 ilds a small model of a house only to throw it off of a bigger one\; the
  Icelandic Love Corporation recreates Van Gogh's The Starry Night in lic
 orice. Mixing elements of realism and performance\, the film frames the 
 phenomenon of contemporary Icelandic art within the international scene 
 through interviews with some of the art world's leading curators and cri
 tics. The Icelandic word for concrete (Ásmundur's sculpting material of 
 choice) as well as a colloquial Icelandic term for "something weird\," S
 teypa offers a playful and intelligent discussion of the scene.\n   Co-p
 resented with the Toronto Free Gallery.
CATEGORIES:Next
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/steypa_hotdocs2008;jsessionid=
 E18F176B340A63C50B6A25AA8EF1A8AA
UID:61928920-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T191500
DTEND;TZID=America/New_York:20080418T200800
SUMMARY:Emoticons
DESCRIPTION:Acclaimed doc maker Heddy Honigmann (Forever\, 2006) goes onl
 ine to investigate the virtual social lives of teenagers. For six girls 
 with difficult lives\, the Internet is a safe haven where they can be th
 emselves without fear of being judged. They submerge themselves in a vir
 tual world\, a world that is increasingly portrayed by the media as "dan
 gerous." But their online lives are more important to them than their "r
 eal" ones where they are often ignored by their peers or\, even worse\, 
 bullied and harassed. Honigmann meets the girls first online and then in
  their homes\, getting right to the heart of the matter: these girls are
  lost souls in search of contact\, consolation\, help\, friendship and l
 ove. Online social networks are not going to disappear and Emoticons doe
 s not take a stance on whether they should. But it sensitively illustrat
 es that there are children being alarmingly neglected by traditional soc
 ial systems.\n -Shannon Abel
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/emoticons_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908771-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T191500
DTEND;TZID=America/New_York:20080418T205200
SUMMARY:The Old Thieves: The Legends from Artegio
DESCRIPTION:Winner of the Guadalajara International Film Festival's award
  for best Mexican documentary\, Old Thieves is an often humorous look at
  a generation of charming professional thieves who reached the peak of t
 heir criminal career in 1960s Mexico. The four notorious bandits intervi
 ewed were legends in their time\, belonging to a subculture of petty cro
 oks who adhered to a strict code of ethics-they never killed or harmed a
 nyone they stole from. Many of the thieves became celebrities\; handsome
  and well-dressed\, their exploits were the stuff of Hollywood crime cap
 ers. The most famous of the bunch\, El Carrizo\, proudly recalls the tim
 e he unknowingly robbed the home of the president of Mexico\, and the de
 al he struck with his nemesis\, a police inspector who had been tracking
  him for years\, in exchange for his freedom. Intimate interviews and ar
 chival footage vividly recall a time when the line between criminal and 
 legal was disturbingly blurred.\n -Shannon Abel
CATEGORIES:Made In Mexico
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/theoldthievesthelegendsfromart
 egio_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918509-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T210000
DTEND;TZID=America/New_York:20080418T222700
SUMMARY:Song Sung Blue
DESCRIPTION:In many ways\, the lives and careers of Mike and Claire Sardi
 na epitomize a certain variation of the rock 'n' roll experience. They f
 ollow their dream\, work as hard as they can to get that one big break\,
  that one taste of fame\, only to see it all come undone by turmoil befi
 tting a Greek tragedy. Or a Neil Diamond song. The Sardinas build a cult
  following in Milwaukee and Chicago as the Neil Diamond tribute band Lig
 htning and Thunder. Fame comes first in the form of an invitation from E
 ddie Vedder to perform with Pearl Jam in 1995. Then a freak accident cha
 nges Claire's life forever\, sending the singing duo into a tailspin of 
 dire financial difficulty\, family dysfunction and artistic irrelevancy.
  Authentic dreamers to the core\, Mike and Claire persevere. Their story
  is one of hope\, faith and unwavering optimism.
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/songsungblue_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914359-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T210000
DTEND;TZID=America/New_York:20080418T221200
SUMMARY:The Demons of Eden
DESCRIPTION:In 2005 Lydia Cacho\, a human-rights journalist in Mexico\, i
 s arrested by police after she exposes a powerful paedophile ring in her
  book\, Demons of Eden. Cacho gives voice to the young victims of Cancun
 's underworld\, delivering a stinging indictment of businessmen Jean Suc
 car Kuri and Kamel Nacif Borge\, as well as the politicians who worked w
 ith them on the cover-up. The documentary\, made over an 18-month period
 \, follows Cacho as she fights the people who are attempting to silence 
 her. Not only does the documentary reveal the rampant violence against w
 omen and children in Mexico\, it also exposes the dangers that journalis
 ts face there. Horrifying and powerful\, the doc is a tribute to one wom
 an's vision and drive to make a difference\, even at the expense of her 
 own safety.
CATEGORIES:Made In Mexico
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/thedemonsofeden_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917525-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T213000
DTEND;TZID=America/New_York:20080418T223000
SUMMARY:As Slow As Possible
DESCRIPTION:On his 18th birthday\, Ryan Knighton was told he would slowly
  go blind. Now\, 15 years later\, as he loses his last sliver of sight\,
  he wants to travel to an ancient church in Germany to hear the note cha
 nge in the 639-year-long organ performance of the John Cage composition 
 "As Slow as Possible." He compares the note to the North Star\, "somethi
 ng to navigate by" as he prepares to be a non-sighted person. Director S
 cott Smith accompanies him on his journey as he\, like Cage\, embraces c
 hance encounters: he meets a man in a bear suit who has seen miracles in
  India\, young tourists who think he's a rock star. When he gets lost on
  the way to the church\, a young boy miraculously appears to guide him t
 he final steps. As we hear the note change\, we realize that the journey
  and the film are not so much about loss as about the inevitability of t
 ransformation. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/asslowaspossible_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61796928-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T213000
DTEND;TZID=America/New_York:20080418T221700
SUMMARY:Daddy Tran: A Life in 3-D
DESCRIPTION:Six years ago\, 65-year-old photographer Hai Tran fell in lov
 e with 3-D photography and is on a mission to share its wonders with as 
 many people as possible. His passion for photography began as a child in
  Vietnam\, continued when he fled with his young family in a small boat 
 with three cameras and a suitcase of photographs\, and culminated in Cal
 gary where he eventually opened one of Canada's largest vintage camera s
 tores. Director Siu Ta reveals the history of the family through Hai's w
 onderful photos as well as intimate and funny stories from his wife and 
 children. Ta captures Hai's ebullience when a moose poses for his camera
 \, his joy as he shows his work to strangers and his sadness as he is fo
 rced to close the store. Hai's charisma\, volatile personality and love 
 for photography light up this film. In English and Vietnamese with Engli
 sh subtitles.\n - Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/daddytranalifein3d_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61803039-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T214500
DTEND;TZID=America/New_York:20080418T230500
SUMMARY:Victoire Terminus
DESCRIPTION:It is summer 2006 in Kinshasa\, Congo\, and Martini\, Jeannet
 te\, Helene and Rosette-four dedicated and outspoken female boxers from 
 the city's ghetto-spar everyday in Tata Rafael stadium\, the same stadiu
 m where in 1974 Muhammad Ali knocked out George Foreman. Their coach\, f
 ormer boxer Judex\, is struggling to organize a tournament with no money
  to pay his fighters. But the women box for reasons other than financial
  gain. For some\, it is to defend themselves against abusive partners in
  a culture of misogyny. For all\, boxing is about empowerment. Meanwhile
 \, the fight for the presidency of Congo rages as thousands flock to the
  stadium for political rallies. The women use the ring to take out their
  frustrations regarding corrupt presidential candidates. Victoire Termin
 us is a gripping portrait of a contemporary Congo where hope is still al
 ive for the Kinshasa women who box.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/victoireterminus_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61818915-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T214500
DTEND;TZID=America/New_York:20080418T232500
SUMMARY:A Crime Against Art
DESCRIPTION:C-SPAN meets the art scene in A Crime Against Art. This film 
 is based on a "trial" staged at an art fair in Madrid in February 2007. 
 In turn\, both trials were inspired by the mock trials organized by Andr
 é Breton in the 1920s and '30s. All raise a number of polemical issues i
 n the world of contemporary art: collusion with the "new bourgeoisie\," 
 instrumentalization of art and its institutions\, the future possibility
  of artistic agency and other pertinent topics. Filmmaker Hila Peleg's t
 rial begins with the assumption that a crime has been committed\, yet it
 s nature and evidence are allusive and no victims have come forward. The
  testimonies and cross-examinations become an attempt by the Judge to un
 ravel the nature of the mysterious "crime against art." Set as a televis
 ion courtroom drama and filmed by four camera crews\, the six-chapter se
 rial presents a condensed 100-minute version of the trial.\n  Co-present
 ed with 7a*11d International Festival of Performance Art.
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/acrimeagainstart_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61919395-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T214500
DTEND;TZID=America/New_York:20080418T233700
SUMMARY:Three Miles North of Molkom
DESCRIPTION:Every summer\, more than a thousand people go looking for the
 mselves and a soul-load of enlightenment at the No Mind Festival in nort
 hern Sweden. Deep in the forest\, seekers divide into small\, random "sh
 aring groups" and submit to a two-week intensive program of pseudo-shama
 nic-tantric-reiki rituals. We follow the comical-come-karmic adventures 
 of one sharing group made up of a middle-aged mojo-worn lothario\, a Swe
 dish pop star\,  the requisite Hawaiian hippy\, an emotionally fragile F
 innish grandma and the audience's sounding board\, Nick\, an Australian 
 rugby coach who doesn't buy a second of their "find your inner power ani
 mal" antics. As the fire-walking and tree-hugging exercises continue\, h
 owever\, channels are opened into the very real issues that brought the 
 characters there\, including Nick's. In a completely free and honest env
 ironment\, the camera captures the intimate conversations\, startling br
 eakdowns and defining confrontations that pave each of their remarkable 
 journeys towards love\, loathing\, hilarity and themselves. \n -Myrocia 
 Watamaniuk
CATEGORIES:Make Me A Believer
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/threemilesnorthofmolkom_hotdoc
 s2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61932299-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080418T234500
DTEND;TZID=America/New_York:20080419T005500
SUMMARY:Tonite Let's All Make Love in London
DESCRIPTION:One of the few filmmakers trusted within the perfumed gardens
  of the 1960s Brit rock illuminati\, Peter Whitehead was allowed unparal
 leled access into the centre of the pop circle to capture the moment for
  his kaleidoscopic film. With contributions from the likes of Mick Jagge
 r\, Michael Caine\, Julie Christie\, Lee Marvin and David Hockney\, Toni
 te presents a dazzling and intimate record from the very core of the "in
 -crowd." With music by Pink Floyd\, among many others. "Not a documentar
 y in any ordinary sense\," wrote Variety\, "but rather an impressionisti
 c view of the 'land of mod' as seen by a sympathetic participant."
CATEGORIES:Next
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/tonightletsallmakeloveinlondon
 _hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929211-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T110000
DTEND;TZID=America/New_York:20080419T121100
SUMMARY:The True Meaning of Pictures: Shelby Lee Adams' Appalachia
DESCRIPTION:Kentucky-born photographer Shelby Lee Adams has created a fam
 ously controversial body of work. Over the past three decades\, he has s
 hot undeniably beautiful images of shockingly poor dwellers in the Appal
 achian Mountains. During that time\, Adams has exhibited photographs in 
 galleries and produced books\, which have received great acclaim-and\, f
 rom some quarters\, moral disdain. The problem is that Adams's shots are
  perceived as being pure documentary records of rural backwoods culture-
 but they're not. Adams stages his scenes\, often using theatrical lighti
 ng. In one purportedly exploitive example\, he brought in a hog so it co
 uld be slaughtered by a "hillbilly" family and used as a subject for a p
 hoto. Complicating the issue is the fact that Adams's Appalachians willi
 ngly consent to work with him. Baichwal's incisive film documents Adams\
 , his critics and the families he shoots. "Without passing judgment\, [B
 aichwal] develops an extraordinary perspective\, both moral and aestheti
 c\," writes Brian D. Johnson in Maclean's magazine.
CATEGORIES:Focus On Jennifer Baichwal
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/thetruemeaningofpicturesshelby
 leeadamsappalachia_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8
 AA
UID:61808791-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T120000
DTEND;TZID=America/New_York:20080419T125300
SUMMARY:Emoticons
DESCRIPTION:Acclaimed doc maker Heddy Honigmann (Forever\, 2006) goes onl
 ine to investigate the virtual social lives of teenagers. For six girls 
 with difficult lives\, the Internet is a safe haven where they can be th
 emselves without fear of being judged. They submerge themselves in a vir
 tual world\, a world that is increasingly portrayed by the media as "dan
 gerous." But their online lives are more important to them than their "r
 eal" ones where they are often ignored by their peers or\, even worse\, 
 bullied and harassed. Honigmann meets the girls first online and then in
  their homes\, getting right to the heart of the matter: these girls are
  lost souls in search of contact\, consolation\, help\, friendship and l
 ove. Online social networks are not going to disappear and Emoticons doe
 s not take a stance on whether they should. But it sensitively illustrat
 es that there are children being alarmingly neglected by traditional soc
 ial systems.\n -Shannon Abel
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/emoticons_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908806-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T130000
DTEND;TZID=America/New_York:20080419T141600
SUMMARY:Garbage! The Revolution Starts at Home
DESCRIPTION:With his first son just born\, filmmaker Andrew Nisker is ver
 y concerned with the state of our planet. As the average household level
  of consumption rises\, so does the astronomical amount of waste we coll
 ectively create. Are we turning the earth into one giant garbage can? De
 termined to understand the damage we are doing\, Nisker enlists the aver
 age urban family\, the McDonalds\, to keep every scrap of garbage that t
 hey produce for three months in their increasingly smelly garage. From o
 rganic waste to dirty diapers\, from plastic bottles to Christmas wrappi
 ng\, the McDonald's discover that for every action there is a reaction t
 hat affects them and the entire planet. At turns hilarious\, provocative
 \, and alarming\, Garbage! The Revolution Starts at Home will change the
  way you think about the garbage sitting out on your curb and will make 
 you think twice before you eat on paper plates.\n -Alan Black\n\n  Co-pr
 esented with Planet in Focus: International Environmental Film & Video F
 estival
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/garbagetherevolutionstartsatho
 me_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61909492-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T131500
DTEND;TZID=America/New_York:20080419T141100
SUMMARY:Searching 4 Sandeep
DESCRIPTION:Love in the digital age is complex: immediate\, yet distant\,
  emotionally close\, yet physically far. When Sydney-sider Poppy Stockel
 l set out to "research" her light-hearted doc about the online lesbian d
 ating scene\, she had no idea that it would launch her on a journey that
  would change her life forever. Frustrated\, lonely and single\, 28-year
 -old Stockell finds more than just research on the Internet. To her surp
 rise and delight she forges a deep online connection with an English wom
 an\, Sandeep Virdi. Poppy sends Sandeep a camera and we watch as their v
 irtual long-distance crush blossoms into a very real physical relationsh
 ip. But they face obstacles greater than the vast oceans that separate t
 hem. Sandeep is Sikh\, lives at home with her conservative family and\, 
 at 31\, is still in the closet about her sexuality. Through raw\, incred
 ibly frank footage\, Searching 4 Sandeep follows Poppy and Sandeep's tum
 ultuous relationship across two years and three continents. \n -Sarah Wh
 itehouse\n\n\n  Co-presented with Inside Out Toronto Lesbian & Gay Film 
 and Video Festival
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/searching4sandeep_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61913149-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T134500
DTEND;TZID=America/New_York:20080419T144500
SUMMARY:20 Seconds of Joy
DESCRIPTION:"BASE jumping kills people very quick\," says Jeb Corliss\, p
 rofessional BASE jumper and mentor. "It's one of the few sports in the w
 orld where you make mistakes\, you get killed." Addictions take many for
 ms. For 30-year-old Norwegian adrenaline junkie and professional BASE ju
 mper Karina Hollekim\, her addiction is danger. In Jens Hoffmann's breat
 htaking documentary\, the filmmaker follows the elusive extreme sport at
 hlete for five years. Amongst spectacular landscapes in some of the most
  remote corners of the world\, we follow Karina as she hurls herself off
  increasingly treacherous cliffs. Is the high worth the price when one w
 rong move means certain death? For Karina\, the answer is a resounding y
 es! With the danger comes the ultimate rush\, 20 seconds of blissful joy
 . An ecstasy unlike any other. An act of faith in defiance of death\, em
 bracing life to the fullest. The film offers stunning cinematography and
  a breathtaking joyride. \n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/20secondsofjoy_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61822797-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T141500
DTEND;TZID=America/New_York:20080419T151300
SUMMARY:Paradise
DESCRIPTION:After 65 years of marriage Hans and Kerstin still cannot agre
 e on wallpaper. One day\, behind Kerstin's back\, Hans hangs a hideous p
 attern of flowers and birds to enhance a feature wall in their summer ho
 use. This seemingly innocuous décor decision puts their relationship to 
 the test and exposes the secret of their long-lasting union-change. Adap
 tation to change is a key ingredient to their partnership and its longev
 ity. Paradise is a powerful and loving portrait of an old married couple
 -bright\, funny\, touching and provocative. The pair's bickering\, battl
 es and concessions colour an image of honest affection that reminds us h
 ow we often mistreat and take for granted those we cherish most. \n -Ang
 ie Driscoll
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/paradise_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911912-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T153000
DTEND;TZID=America/New_York:20080419T170900
SUMMARY:Shot In Bombay
DESCRIPTION:Director Liz Mermin's fast-paced\, multilayered and captivati
 ng doc about shooting a blockbuster gangster movie in Bombay/Mumbia is p
 acked with more drama and action than the movie itself. Following a cast
  of charismatic and often surreal characters\, the doc goes beyond the t
 inselly glamour of Bollywood to explore some of the industry's darker si
 des. With unprecedented behind-the-scenes access to a star-studded cast\
 , Shot in Bombay tells three intertwined stories: the rise of the city's
  underworld in the 1990s\, narrated by a no-nonsense ex-police chief kno
 wn as "Bombay's Dirty Harry"\; the tribulations of superstar Sanjay Dutt
 \, on trial for alleged involvement in India's largest terrorist attack\
 ; and a young director's dogged quest to master the delicate art of maki
 ng a Bollywood blockbuster. With three and a half weeks before the movie
  wraps\, the lead star actor is held up in legal battles. Without the st
 ar the entire production is a flop. Shot in Bombay is a high-octane adve
 nture.\n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/shotinbombay_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914180-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T160000
DTEND;TZID=America/New_York:20080419T174500
SUMMARY:The Last Continent
DESCRIPTION:For 430 days\, a crew of scientists\, sailors and filmmakers 
 live on a schooner in the Antarctic to study the impact of global warmin
 g in this gloriously cinematic adventure\, full of awe\, joy and life-th
 reatening danger. Gale-force winds threaten to dash the crew on the rock
 s in one of the most nail-biting scenes ever seen in a non-fiction film.
  Abnormally warm temperatures prevent the formation of the deep pack ice
  needed to stabilize the schooner and provide a birthing ground for seal
 s. When desperately needed winter arrives at last\, the camera goes over
 land to scenes of unbearable beauty and beneath the ice to a magical und
 ersea world of never-before-photographed species. A marine biologist by 
 training\, Jean Lemire's acclaimed 2006 feature The White Planet focused
  on the Artic. The massive devastation from climate change he shows at t
 his\, the other polar extreme\, is a powerful reminder of the fragility 
 of our world. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/thelastcontinent_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61804122-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T160000
DTEND;TZID=America/New_York:20080419T173700
SUMMARY:The Old Thieves: The Legends from Artegio
DESCRIPTION:Winner of the Guadalajara International Film Festival's award
  for best Mexican documentary\, Old Thieves is an often humorous look at
  a generation of charming professional thieves who reached the peak of t
 heir criminal career in 1960s Mexico. The four notorious bandits intervi
 ewed were legends in their time\, belonging to a subculture of petty cro
 oks who adhered to a strict code of ethics-they never killed or harmed a
 nyone they stole from. Many of the thieves became celebrities\; handsome
  and well-dressed\, their exploits were the stuff of Hollywood crime cap
 ers. The most famous of the bunch\, El Carrizo\, proudly recalls the tim
 e he unknowingly robbed the home of the president of Mexico\, and the de
 al he struck with his nemesis\, a police inspector who had been tracking
  him for years\, in exchange for his freedom. Intimate interviews and ar
 chival footage vividly recall a time when the line between criminal and 
 legal was disturbingly blurred.\n -Shannon Abel
CATEGORIES:Made In Mexico
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/theoldthievesthelegendsfromart
 egio_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918513-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T161500
DTEND;TZID=America/New_York:20080419T171800
SUMMARY:Cuban Song
DESCRIPTION:Every image tells a story in this sensitively crafted mosaic 
 that captures the soul of everyday life in Havana. An irresistible sound
 track drives and narrates the camera's sensitive observations of the mun
 dane and the unexpected with lyrics of love\, longing and betrayal. A wo
 man prepares a meal in her tiny kitchen\, construction workers toil as p
 eople sing on the street\, Fidel Castro appears on television playing th
 e paternal role and majestic waves crash into a pier as the song cycle b
 uilds to a crescendo that always leads back to Cuba. This timely glimpse
  into the lives of ordinary Cubans under Castro was the last film made b
 y director and DP\, Fernand Bélanger. Knowing his time was limited\, his
  camera is pulled to moments representing the essential pulse of life. S
 adly\, Belanger died before the film was finished\, so the film was comp
 leted by his co-directors and longtime collaborators\, Louise Dugal and 
 Yves Angrignon. \n -Gisèle Gordon \n\n  Co-presented with the Images Fes
 tival.
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/cubasong_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61800613-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T163000
DTEND;TZID=America/New_York:20080419T171700
SUMMARY:Daddy Tran: A Life in 3-D
DESCRIPTION:Six years ago\, 65-year-old photographer Hai Tran fell in lov
 e with 3-D photography and is on a mission to share its wonders with as 
 many people as possible. His passion for photography began as a child in
  Vietnam\, continued when he fled with his young family in a small boat 
 with three cameras and a suitcase of photographs\, and culminated in Cal
 gary where he eventually opened one of Canada's largest vintage camera s
 tores. Director Siu Ta reveals the history of the family through Hai's w
 onderful photos as well as intimate and funny stories from his wife and 
 children. Ta captures Hai's ebullience when a moose poses for his camera
 \, his joy as he shows his work to strangers and his sadness as he is fo
 rced to close the store. Hai's charisma\, volatile personality and love 
 for photography light up this film. In English and Vietnamese with Engli
 sh subtitles.\n - Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/daddytranalifein3d_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61803089-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T163000
DTEND;TZID=America/New_York:20080419T180000
SUMMARY:Nursery University
DESCRIPTION:And you thought getting into college was hard! In post-9/11 N
 ew York City\, a baby boom has turned the preschool admissions process i
 nto a blood sport. With more than 20 applicants for every available spot
 \, $4\,000 consultants are hired and teams are recruited just to acquire
  application forms. Cue the tears\, hysterics and breakdowns - and that'
 s just the parents!  Meet this year's contestants: from the well-heeled 
 Manhattan corner\, Tony and Cynthia\, and Heidi and Roddy are used to ge
 tting what they want\, while Harlem-based Kris and Kim\, and Greenwich's
  Wyatt and Sneha have to be more realistic. Meanwhile\, single mom Aleta
  has double the problem with her twins. What starts as a race to get the
 ir children into the right Ivy League "feeder" schools turns into a real
 ity check when unexpected hiccups arrive with the response envelopes. En
 joy the insanity in this sweeter look at the social issues and the littl
 e darlings at the centre of all the fuss. -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/nurseryuniversity_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911787-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T170000
DTEND;TZID=America/New_York:20080419T175800
SUMMARY:A Musical Adventure in Siberia
DESCRIPTION:This latest film pursues typical Leacock passions: music and 
 musicians. The late Sarah Caldwell\, talented opera conductor and impres
 ario\, was\, in 1972\, the first woman to conduct the Metropolitan Opera
 . Prior to that\, she formed her own opera company in Boston and became 
 known for putting together difficult works under pressure and for her in
 teresting variations on standard operas. A few years before her death\, 
 Leacock and Valérie Lalonde join Caldwell on a trip to Siberia in the mi
 ddle of winter where she attempts to stage a previously-banned 1936 symp
 honic drama by celebrated Russian composer Sergei Prokofiev. The piece i
 s based on poet Aleksandr Pushkin's famous novel Eugene Onegin. Working 
 with Russian musicians\, actors\, director and crew proves challenging f
 or Caldwell\, who wants desperately to present the work as Prokofiev had
  intended. The film captures a clash of cultures as tensions mount and t
 empers flare. Caldwell's dedication to the music is clear and constant\,
  making Siberia a gripping study of the artistic process. \n -Shannon Ab
 el
CATEGORIES:Outstanding Achievement: Richard Leacock
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/amusicaladventureinsiberia_hot
 docs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61930688-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T183000
DTEND;TZID=America/New_York:20080419T195600
SUMMARY:Football Undercover
DESCRIPTION:She shoots\, she scores! An exhilarating and historic match b
 etween an Iranian and a German women's football team is played out in Te
 hran in 2006. Giving girl power its due\, Football Undercover follows th
 e sporty girls as they struggle against what seems like endless bureaucr
 atic oppression to make the game happen. Marlene\, the lead on the Berli
 n-Kreuzberg team\, visits officials in Germany and Tehran to lobby for i
 t. Niloofar\, the main player on the Iranian side\, dresses as a boy to 
 practice in a nearby park. Narmila is living out the dream of her mother
 \, who gave up football when she married. Susu\, a German Muslim\, wants
  to learn what it's like to wear a headscarf while playing. A testimony 
 to women's determination and strength\, Football Undercover is an inspir
 ing story of cross-cultural politics colliding with a group of sports-lo
 ving women who just want to kick some balls and make a few new friends.
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/footballundercover_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61793000-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T184500
DTEND;TZID=America/New_York:20080419T202900
SUMMARY:The Truth Be Told: The Cases Against Supinya Klangnarong
DESCRIPTION:In October 2005\, Thailand telecommunications giant Shin Corp
 oration\, owned by the family of former Thai prime minister Thaksin Shin
 awatra\, brings an $11-million defamation lawsuit against Supinya Klangn
 arong\, a prominent Thai journalist\, university lecturer and media righ
 ts activist. She had accused the corporation of colluding with the gover
 nment. During the tumultuous months of her trial\, director Pimpaka Towi
 ra\, a leading figure of Thailand's independent film scene\, accompanies
  the level-headed Klangnarong\, capturing a portrait of idealism and int
 egrity. The result is a beguiling mix of cinema vérité\, personal profil
 e\, political exposé and national diary. Proving that freedom of speech 
 and public activism can effect change\, The Truth Be Told seamlessly com
 bines a fluid experimental style with an engaging narrative structure th
 at comments on the legal\, political and constitutional turmoil in conte
 mporary Thai society.\n\n  Co-presented with Toronto Reel Asian Internat
 ional Film Festival
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/thetruthbetoldthecasesagainsts
 upinyaklangnarong_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8A
 A
UID:61917188-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T190000
DTEND;TZID=America/New_York:20080419T203500
SUMMARY:Betrayal (Nerakhoon)
DESCRIPTION:During the U.S. military's covert operations in Laos in the e
 arly 1970s\, Thavisouk Phrasavath's father was recruited to help the CIA
 . But when the Americans withdrew and the communist regime gained power\
 , Phrasavath's father and thousands of others were declared enemies of t
 he state and imprisoned. At the age of 12\, Phrasavath made a harrowing 
 escape from Laos to Thailand and eventually to New York City\, where the
  hardships of an immigrant's life forced him\, his eight siblings and hi
 s resilient mother to face an entirely different kind of war. The direct
 orial debut of acclaimed cinematographer Ellen Kuras (Eternal Sunshine o
 f the Spotless Mind\, Neil Young: Heart of Gold)\, Betrayal is a lyrical
  film that fluidly incorporates archival footage\, cinema vérité\, revea
 ling personal interviews and visually poetic montages. Beautifully filme
 d over the course of 23 years\, it offers a stirring portrait of life in
  exile\, of the far-reaching consequences of war and the unbreakable bon
 ds of family.
CATEGORIES:Special Presentations
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/betrayalnerakhoon_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792013-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T190000
DTEND;TZID=America/New_York:20080419T201200
SUMMARY:Talking Guitars
DESCRIPTION:Talking Guitars is an engrossing portrait of master guitar cr
 aftsman\, Flip Scipio\, an unassuming Dutchman with an obsession. Based 
 in New York\, Flip is revered in the music industry. His clients include
  Jackson Browne\, David Lindley\, Ben Taylor\, Paul Simon\, David Tronzo
 \, Leni Stern and Carly Simon. The film expertly juxtaposes Flip\, quiet
 ly building and restoring guitars\, with the charismatic musicians who s
 eek his expertise. It has been said that Flip can "make the worst piece 
 of shit sing\," so he's often called in to rescue a damaged guitar while
  an artist is on tour. The film is a musical journey that follows Flip f
 rom his quiet\, sunny workshop to captivating face-to-face sessions with
  his famous clients. Watching him at work is as interesting as hearing t
 he musicians play. The film draws you into his world\, and makes you wan
 t to hear what he hears.\n -Shannon Abel
CATEGORIES:Featured, World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/talkingguitars_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917054-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T190000
DTEND;TZID=America/New_York:20080419T202000
SUMMARY:Beautiful Losers
DESCRIPTION:"The real magic lies not only in the fact that we were acknow
 ledged\, but that really\, none of us were ever supposed to get there\,"
  says filmmaker Aaron Rose. Beautiful Losers celebrates the independent 
 do-it-yourself spirit that unified a like-minded group of American artis
 ts who emerged from the underground youth subcultures of skateboarding\,
  graffiti\, punk rock and hip-hop in the early 1990s. It tells the story
  of how a group of graffiti artists\, with little or no formal training 
 and almost no connection to the inner workings of the art world\, ended 
 up having an huge impact on the worlds of art\, fashion\, music\, film a
 nd pop culture. These artists and the subcultures from which they sprang
  have become not only popular\, but have sparked the most influential cu
 ltural movement of our generation. Through a series of informal vignette
 s featuring 10 artists\, Beautiful Losers explores the creative impetus 
 behind this growing movement. Rose and Joshua Leonard's captivating film
  offers an intimate glimpse into a fascinating and significant time in t
 he history of art making. \n -Sarah Whitehouse\n   Co-presented with the
  Toronto Free Gallery.
CATEGORIES:Next
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/beautifullosers_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918678-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T191500
DTEND;TZID=America/New_York:20080419T203300
SUMMARY:The Glow of White Women
DESCRIPTION:Filmmaker Yunus Vally was convinced that the promised virgins
  of paradise would all be white. Born and raised in Nelspruit\, a deeply
  racist town in provincial South Africa\, Vally grew up in a Muslim fami
 ly\, attended Mosque five times daily and dreamed of paradise. But as a 
 young man\, Vally decided he wanted to find out if the promised virgins 
 were worth the wait. This creatively composed and humorous film looks at
  white women in the dark continent and explores the forbidden sexual des
 ires of blacks and whites under apartheid. Probing and provocative\, The
  Glow of White Women explores one man's desire and taboo.\n -Sarah White
 house
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/theglowofwhitewomen_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811218-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T191500
DTEND;TZID=America/New_York:20080419T200800
SUMMARY:Emoticons
DESCRIPTION:Acclaimed doc maker Heddy Honigmann (Forever\, 2006) goes onl
 ine to investigate the virtual social lives of teenagers. For six girls 
 with difficult lives\, the Internet is a safe haven where they can be th
 emselves without fear of being judged. They submerge themselves in a vir
 tual world\, a world that is increasingly portrayed by the media as "dan
 gerous." But their online lives are more important to them than their "r
 eal" ones where they are often ignored by their peers or\, even worse\, 
 bullied and harassed. Honigmann meets the girls first online and then in
  their homes\, getting right to the heart of the matter: these girls are
  lost souls in search of contact\, consolation\, help\, friendship and l
 ove. Online social networks are not going to disappear and Emoticons doe
 s not take a stance on whether they should. But it sensitively illustrat
 es that there are children being alarmingly neglected by traditional soc
 ial systems.\n -Shannon Abel
CATEGORIES:World Showcase
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/emoticons_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:90193294-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T211500
DTEND;TZID=America/New_York:20080419T224000
SUMMARY:All Together Now
DESCRIPTION:Music is the star in this dizzying documentary about Montréal
 -based Cirque du Soleil's new Beatles-inspired Las Vegas show\, Love. Af
 ter three years of negotiations and with a budget of $180 million\, dire
 ctor Dominic Champagne has to wrangle an international cast and crew of 
 500\, and an approvals process that includes the founders of Cirque\, th
 e Beatles holding company\, Apple Corps Ltd.\, Paul McCartney\, Ringo St
 arr\, George Harrison's widow Olivia\, and Yoko Ono-one wonders how he d
 idn't have a nervous breakdown. It's all eventually smoothed over by the
  magic of the Beatles' brilliant music\, masterfully re-imagined by musi
 c director and ex-Beatles' producer\, the ever-charming Sir George Marti
 n. A peek at a fascinating and nerve-racking creative process as seen on
  every imaginable level\, with fabulous archival footage and spectacular
  performances-this is one behind-the-scenes story you won't want to miss
 . \n -Gisèle Gordon
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/alltogethernow_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61512609-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T211500
DTEND;TZID=America/New_York:20080419T225500
SUMMARY:Hold Me Tight\, Let Me Go
DESCRIPTION:Acclaimed doc-maker Kim Longinotto (Sisters in Law\, The Day 
 I Will Never Forget) brings us another incredible film about struggling 
 children living in extraordinary circumstances. Mulberry Bush in Oxford\
 , U.K.\, is a unique boarding school that caters to children who have be
 en expelled from regular schools for extreme behaviour. The three-year p
 rogramme gives them the chance to turn their lives around and re-enter t
 he regular school system. Longinotto spends a year at the school followi
 ng the progress of four charming but troubled boys. All have severe prob
 lems with anger and violence\; they punch\, kick\, spit and curse at the
  remarkably patient teachers who are trained never to raise their voices
  and who encourage the students to express their emotions. The film comp
 assionately captures the battle these children go through to give voice 
 to the hurt they carry inside. It is a sensitive and heart-wrenching stu
 dy of the results of family dysfunction and also stands witness to the e
 ffects-bad and good-adults have on growing children.\n -Shannon Abel
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/holdmetightletmego_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794407-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T211500
DTEND;TZID=America/New_York:20080419T220000
SUMMARY:Pilgrimage From Scattered Points
DESCRIPTION:Where is the border between music\, sound and noise? What can
  the answer tell us about the political situation under capitalism? Thes
 e are questions that the British Scratch Orchestra tried to answer in th
 e 1960s with the motto "everyone can play everything." Amateurs and prof
 essionals alike\, including Michael Nyman and Brian Eno\, express themse
 lves against any form of aural logic. Filmmaker Luke Fowler depicts the 
 Scratch Orchestra's composer Cornelius Cardew in action\, resonating in 
 a brilliant\, impressionistic visual landscape. Sound and image unite to
  form a hypnotic and freely associating current\, which reaches far into
  the subjective sphere of experimental film.
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/pilgrimagefromscatteredpoints_
 hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61926582-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T213000
DTEND;TZID=America/New_York:20080419T223500
SUMMARY:Head Wind
DESCRIPTION:Although possessing a satellite dish is illegal in Iran\, as 
 this observant\, wryly ironic film reveals\, cheesy Western television s
 hows somehow find their way into Iranian homes.
CATEGORIES:International Spectrum
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/headwind_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811795-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T213000
DTEND;TZID=America/New_York:20080419T225700
SUMMARY:Beyond Our Ken
DESCRIPTION:In this riveting and disturbing doc\, filmmakers Luke Walker 
 and Melissa Mclean obtain unprecedented access to a controversial Austra
 lian "spiritual enlightenment" organization called Kenja. Founded in 198
 2 by leader Ken Dyers and wife Jan Hamilton\, Kenja members and supporte
 rs claim that the group offers a Utopia where life's purpose is defined\
 , the human spirit discovered and the universe itself explained. Meanwhi
 le\, during its 25-year lifetime\, Kenja has been derided in the media a
 s a "secretive cult\," and Ken described as a "seedy conman." Families b
 lame the group for the disappearance of loved ones. As the people of Ken
 ja prepare to defend themselves in the latest of several court cases\, K
 en and Jan invite the filmmakers into their spiritual enlightenment cent
 re. Through remarkable vérité footage and candid interviews\, Beyond Our
  Ken explores the anatomy and ambiguity of the cult enigma. We discover 
 the extent to which environment defines our reality\, a reality as fragi
 le as the truth.\n -Shannon Abel\n  Co-presented with OzFlix.
CATEGORIES:Make Me A Believer
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/beyondourken_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931622-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T214500
DTEND;TZID=America/New_York:20080419T230000
SUMMARY:Carny
DESCRIPTION:An intimate\, gritty and poetic adventure following the lives
  of carnies\, travelling fairground workers who have abandoned the secur
 ity of the "real world" for the refuge and variety of the road. Deep pai
 n is masked behind the huge grin of Hairy\, the charismatic lesbian cott
 on-candy seller. Through her eyes\, we see a world of unlikely Romeos\, 
 easy love and fierce friendships that obscure personal hardship and trou
 bled pasts. Often from an underclass that has few options\, the carnies 
 struggle with addiction\, loneliness\, poverty and shattered dreams\, fi
 nding solace only in the company of their own\, who accept them as they 
 are. Some have worked the fairs for more than 50 years\, some were born 
 or escaped into it\, but all are gripped by the romance of the bright mi
 dway lights lyrically captured in lush interludes of Kodachrome Super 8.
  \n -Gisèle Gordon \n\n  Co-presented with Women in Film and Television 
 - Toronto.
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/carny_hotdocs2008;jsessionid=E
 18F176B340A63C50B6A25AA8EF1A8AA
UID:61512798-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T214500
DTEND;TZID=America/New_York:20080419T230500
SUMMARY:Recycle
DESCRIPTION:This keenly observant and beautifully shot film enjoyed criti
 cal and audience acclaim at the recent Dubai and Sundance film festivals
 . It tells the story of Abu Amar\, an ex-Mujahideen soldier\, trying to 
 build a peaceful life after years of fighting in the Soviet-Afghan war. 
 His personal struggle between faith and the difficult political and soci
 al realities of life in the Middle East finds Amar\, father of eight\, f
 orced to collect and recycle cardboard in the streets of Zarqa\, Jordan.
  Zarqa\, a hotbed for political Islamists\, is also the childhood home o
 f the film’s director and the birthplace of Abu Musab al-Zarqawi\, the l
 ate and infamous al-Qaeda leader in Iraq. The director rides shotgun wit
 h Amar and his young son as they drive the streets of Zarqa\, the same s
 treets and extreme living conditions which led many other young men to c
 hoose the violent life of political extremism.\n -Chris McDonald
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/recycle_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61815265-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080419T235500
DTEND;TZID=America/New_York:20080420T012500
SUMMARY:Monterey Pop
DESCRIPTION:This vanguard concert film is an explosive portrayal of the 1
 967 Monterey International Pop Festival at the height of the Summer of L
 ove. Monterey launched the careers of Jimi Hendrix\, Janis Joplin and Ot
 is Redding and ushered in a new era of rock 'n' roll. Other performances
  by artists like Simon and Garfunkel\, The Mamas and the Papas\, The Who
  and the extraordinary Ravi Shankar are vividly captured by both Ricky L
 eacock and Al Maysles\, who were camera operators. Monterey was part of 
 a cultural revolution\, and Pennebaker wanted to use similar cinematic t
 echniques to capture that reality. Driven by direct cinema sensibility a
 nd influenced by the French New Wave\, Pennebaker approached the film wi
 th the same adventurous spirit as the concert organizers and the artists
  themselves. Thus\, the film immortalizes moments like Pete Townshend de
 stroying his guitar and Hendrix burning his. Monterey Pop lives up to it
 s legendary status\, making it as timeless as it is powerful. \n -Shanno
 n Abel
CATEGORIES:Outstanding Achievement: Richard Leacock
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/montereypop_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61930055-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T113000
DTEND;TZID=America/New_York:20080420T125700
SUMMARY:Manufactured Landscapes
DESCRIPTION:This Genie and Toronto International Film Festival award winn
 er explores the work of photographer Edward Burtynsky\, who shoots gorge
 ous pictures of industrial wastelands and exploited workers. Refusing to
  be overtly political\, Burtynsky relentlessly pursues a working methodo
 logy that allows him access to restricted\, often devastated areas: quar
 ries\, factories\, dumping grounds and mines. By making his photographs 
 huge and beautiful\, he mollifies authorities that can limit where he sh
 oots while confronting rich art aficionados with the decayed fruit of so
 ciety's labours. Baichwal and cinematographer Peter Mettler accompanied 
 Burtynsky on a trip to the Three Gorges Dam\, which is forcing the reloc
 ation of millions of Chinese from their ancestral homes\, and Shanghai\,
  where urban renewal is ripping apart the fabric that bound a city toget
 her for generations. Thoughtful and provocative\, Baichwal's film captur
 es the complexity of Burtynsky's artistic practice. Manufactured Landsca
 pes is "an extraordinarily haunting\, beautiful\, insightful and thought
 -provoking film\," says Al Gore.
CATEGORIES:Focus On Jennifer Baichwal
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/manufacturedlandscapes_hotdocs
 2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61808623-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T120000
DTEND;TZID=America/New_York:20080420T125200
SUMMARY:Shock Waves
DESCRIPTION:Despite the signed peace accords of 2003\, millions continue 
 to die in the troubled Democratic Republic of Congo\, home to some of th
 e worst human rights violations in the world. But there is a ray of hope
 . Radio\, once a means for spreading propaganda and hatred\, is now bein
 g used as a tool for justice and truth. For six years internationally fu
 nded independent Radio Okapi has been broadcasting from the frontlines a
 nd giving the Congolese people a voice. Under the constant threat of vio
 lence and death for their critiques of those in power\, more than 100 jo
 urnalists from Radio Okapi expose injustice and corruption wherever they
  find it. Its existence has become a lifeline for the people\, offering 
 hope of a future with unity and peace. In the words of senior reporter J
 ules Ngala\, "When people tell us these stories\, we are revolted\, but 
 our only weapon is the microphone. It makes us fight harder."  -Gisèle G
 ordon \n\n  Co-presented with ReelWorld Film Festival.
CATEGORIES:Canadian Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/shockwaves_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61806048-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T124500
DTEND;TZID=America/New_York:20080420T143000
SUMMARY:The Last Continent
DESCRIPTION:For 430 days\, a crew of scientists\, sailors and filmmakers 
 live on a schooner in the Antarctic to study the impact of global warmin
 g in this gloriously cinematic adventure\, full of awe\, joy and life-th
 reatening danger. Gale-force winds threaten to dash the crew on the rock
 s in one of the most nail-biting scenes ever seen in a non-fiction film.
  Abnormally warm temperatures prevent the formation of the deep pack ice
  needed to stabilize the schooner and provide a birthing ground for seal
 s. When desperately needed winter arrives at last\, the camera goes over
 land to scenes of unbearable beauty and beneath the ice to a magical und
 ersea world of never-before-photographed species. A marine biologist by 
 training\, Jean Lemire's acclaimed 2006 feature The White Planet focused
  on the Artic. The massive devastation from climate change he shows at t
 his\, the other polar extreme\, is a powerful reminder of the fragility 
 of our world. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/thelastcontinent_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61804164-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T130000
DTEND;TZID=America/New_York:20080420T143000
SUMMARY:Hot Docs Talks: The Long Haul
DESCRIPTION:The “longitudinal” documentary - films which follow their sub
 jects and stories over years - is an increasingly rare form. In this dis
 cussion\, guest filmmakers who have made such works discuss what it take
 s to stay with the story and to tell it in ninety minutes.
CATEGORIES:Hot Docs Talks
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/hotdocstalkslonghaul_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61936731-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T131500
DTEND;TZID=America/New_York:20080420T145500
SUMMARY:A Crime Against Art
DESCRIPTION:C-SPAN meets the art scene in A Crime Against Art. This film 
 is based on a "trial" staged at an art fair in Madrid in February 2007. 
 In turn\, both trials were inspired by the mock trials organized by Andr
 é Breton in the 1920s and '30s. All raise a number of polemical issues i
 n the world of contemporary art: collusion with the "new bourgeoisie\," 
 instrumentalization of art and its institutions\, the future possibility
  of artistic agency and other pertinent topics. Filmmaker Hila Peleg's t
 rial begins with the assumption that a crime has been committed\, yet it
 s nature and evidence are allusive and no victims have come forward. The
  testimonies and cross-examinations become an attempt by the Judge to un
 ravel the nature of the mysterious "crime against art." Set as a televis
 ion courtroom drama and filmed by four camera crews\, the six-chapter se
 rial presents a condensed 100-minute version of the trial.\n  Co-present
 ed with 7a*11d International Festival of Performance Art.
CATEGORIES:Next
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/acrimeagainstart_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61919405-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T133000
DTEND;TZID=America/New_York:20080420T145000
SUMMARY:Recycle
DESCRIPTION:This keenly observant and beautifully shot film enjoyed criti
 cal and audience acclaim at the recent Dubai and Sundance film festivals
 . It tells the story of Abu Amar\, an ex-Mujahideen soldier\, trying to 
 build a peaceful life after years of fighting in the Soviet-Afghan war. 
 His personal struggle between faith and the difficult political and soci
 al realities of life in the Middle East finds Amar\, father of eight\, f
 orced to collect and recycle cardboard in the streets of Zarqa\, Jordan.
  Zarqa\, a hotbed for political Islamists\, is also the childhood home o
 f the film’s director and the birthplace of Abu Musab al-Zarqawi\, the l
 ate and infamous al-Qaeda leader in Iraq. The director rides shotgun wit
 h Amar and his young son as they drive the streets of Zarqa\, the same s
 treets and extreme living conditions which led many other young men to c
 hoose the violent life of political extremism.\n -Chris McDonald
CATEGORIES:International Spectrum
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/recycle_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61815327-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T140000
DTEND;TZID=America/New_York:20080420T151200
SUMMARY:Talking Guitars
DESCRIPTION:Talking Guitars is an engrossing portrait of master guitar cr
 aftsman\, Flip Scipio\, an unassuming Dutchman with an obsession. Based 
 in New York\, Flip is revered in the music industry. His clients include
  Jackson Browne\, David Lindley\, Ben Taylor\, Paul Simon\, David Tronzo
 \, Leni Stern and Carly Simon. The film expertly juxtaposes Flip\, quiet
 ly building and restoring guitars\, with the charismatic musicians who s
 eek his expertise. It has been said that Flip can "make the worst piece 
 of shit sing\," so he's often called in to rescue a damaged guitar while
  an artist is on tour. The film is a musical journey that follows Flip f
 rom his quiet\, sunny workshop to captivating face-to-face sessions with
  his famous clients. Watching him at work is as interesting as hearing t
 he musicians play. The film draws you into his world\, and makes you wan
 t to hear what he hears.\n -Shannon Abel
CATEGORIES:Featured, World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/talkingguitars_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917101-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T141500
DTEND;TZID=America/New_York:20080420T153300
SUMMARY:Club Native
DESCRIPTION:Falling in love with the wrong person can have devastating re
 percussions for Mohawks on the Kahnawake reserve in Quebec. Award-winnin
 g director Tracey Deer takes a courageous look at her home community\, r
 aising questions of identity\, history and tradition through the lives o
 f four inspiring Mohawk women. With warmth\, depth and humour\, stories 
 unfold about the heartbreaking costs of "marrying out" of their Mohawk N
 ation\, the challenges faced by kids of mixed backgrounds\, and the conf
 lict between love and preserving the fabric of their community. Having c
 hildren with the men they love can mean forfeiting their offspring's leg
 al native status\, including the right to live with their families on th
 e reserve. The film doesn't flinch from the history of Canada's racist a
 nd sexist government policy\, including the brutal force used against th
 em during the Oka Crisis in 1990. A groundbreaking film and a powerful s
 tory of the triumph of love and the human spirit.  -Lynne Fernie\n\n  Co
 -presented with imagineNATIVE Film + Media Arts Festival.
CATEGORIES:Canadian Spectrum, Featured
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/clubnative_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61798649-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T154500
DTEND;TZID=America/New_York:20080420T171000
SUMMARY:All Together Now
DESCRIPTION:Music is the star in this dizzying documentary about Montréal
 -based Cirque du Soleil's new Beatles-inspired Las Vegas show\, Love. Af
 ter three years of negotiations and with a budget of $180 million\, dire
 ctor Dominic Champagne has to wrangle an international cast and crew of 
 500\, and an approvals process that includes the founders of Cirque\, th
 e Beatles holding company\, Apple Corps Ltd.\, Paul McCartney\, Ringo St
 arr\, George Harrison's widow Olivia\, and Yoko Ono-one wonders how he d
 idn't have a nervous breakdown. It's all eventually smoothed over by the
  magic of the Beatles' brilliant music\, masterfully re-imagined by musi
 c director and ex-Beatles' producer\, the ever-charming Sir George Marti
 n. A peek at a fascinating and nerve-racking creative process as seen on
  every imaginable level\, with fabulous archival footage and spectacular
  performances-this is one behind-the-scenes story you won't want to miss
 . \n -Gisèle Gordon
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/alltogethernow_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61512698-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T160000
DTEND;TZID=America/New_York:20080420T171900
SUMMARY:Life. Support. Music.
DESCRIPTION:From Independent Spirit Award-nominated director Eric Daniel 
 Metzgar (The Chances of the World Changing\, 2006) comes a beautiful and
  inspiring story about recovery\, family and music. Jason Crigler\, a br
 illiant guitarist living and working in New York City\, suffers a debili
 tating brain hemorrhage during a 2004 concert in Manhattan. The doctor's
  prognosis is dire\; it is doubtful he will ever walk\, play guitar or b
 e able to live outside of a facility again. His pregnant wife and family
  refuse to accept this future for Jason. Instead\, they decide to take h
 is recovery into their own hands and reactivate his brain with daily sti
 mulation and countless acts of love. Will Jason be able to make this epi
 c journey and return to his old life? Told with remarkable humanism and 
 sensitivity\, Life. Support. Music. is a testament to the resilience of 
 the human spirit and to the power of relationships.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/lifesupportmusic_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61812722-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T160000
DTEND;TZID=America/New_York:20080420T175200
SUMMARY:Three Miles North of Molkom
DESCRIPTION:Every summer\, more than a thousand people go looking for the
 mselves and a soul-load of enlightenment at the No Mind Festival in nort
 hern Sweden. Deep in the forest\, seekers divide into small\, random "sh
 aring groups" and submit to a two-week intensive program of pseudo-shama
 nic-tantric-reiki rituals. We follow the comical-come-karmic adventures 
 of one sharing group made up of a middle-aged mojo-worn lothario\, a Swe
 dish pop star\,  the requisite Hawaiian hippy\, an emotionally fragile F
 innish grandma and the audience's sounding board\, Nick\, an Australian 
 rugby coach who doesn't buy a second of their "find your inner power ani
 mal" antics. As the fire-walking and tree-hugging exercises continue\, h
 owever\, channels are opened into the very real issues that brought the 
 characters there\, including Nick's. In a completely free and honest env
 ironment\, the camera captures the intimate conversations\, startling br
 eakdowns and defining confrontations that pave each of their remarkable 
 journeys towards love\, loathing\, hilarity and themselves. \n -Myrocia 
 Watamaniuk
CATEGORIES:Make Me A Believer
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/threemilesnorthofmolkom_hotdoc
 s2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61932353-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T161500
DTEND;TZID=America/New_York:20080420T174000
SUMMARY:Her Name is Sabine
DESCRIPTION:French actress Sandrine Bonnaire uses intimate home-movie foo
 tage to create a loving portrait of Sabine\, her 38-year-old autistic si
 ster\, and to trace her behavioural decline. Personal footage filmed by 
 the actress over a 25-year period shows the marked change and harm that 
 institutional living has had on Sabine's personality and temperament. On
 ce high-functioning and happy\, Sabine is now lethargic and lonely with 
 diminished capabilities. Is this the result of institutional psychiatric
  care or disease progression? Bonnaire visits her sister\, now living in
  a home in the Charente region of France\, and looks back on Sabine's hi
 story of mental illness. Her Name Is Sabine is an emotional questioning 
 of psychiatric diagnosis\, the agonizing decisions involved in adult lon
 g-term care and the lack of specialized institutions and support. The fi
 lm is an urgent plea to acknowledge\, value\, support and involve differ
 ently-abled individuals in society. \n -Angie Driscoll\n\n  Co-presented
  with Alliance Française de Toronto.
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/hernameissabine_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794151-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T163000
DTEND;TZID=America/New_York:20080420T175000
SUMMARY:Victoire Terminus
DESCRIPTION:It is summer 2006 in Kinshasa\, Congo\, and Martini\, Jeannet
 te\, Helene and Rosette-four dedicated and outspoken female boxers from 
 the city's ghetto-spar everyday in Tata Rafael stadium\, the same stadiu
 m where in 1974 Muhammad Ali knocked out George Foreman. Their coach\, f
 ormer boxer Judex\, is struggling to organize a tournament with no money
  to pay his fighters. But the women box for reasons other than financial
  gain. For some\, it is to defend themselves against abusive partners in
  a culture of misogyny. For all\, boxing is about empowerment. Meanwhile
 \, the fight for the presidency of Congo rages as thousands flock to the
  stadium for political rallies. The women use the ring to take out their
  frustrations regarding corrupt presidential candidates. Victoire Termin
 us is a gripping portrait of a contemporary Congo where hope is still al
 ive for the Kinshasa women who box.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/victoireterminus_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61818985-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T170000
DTEND;TZID=America/New_York:20080420T180700
SUMMARY:Steypa
DESCRIPTION:Cerebral and substantial in its focus\, yet eclectic and funk
 y in tone\, Steypa explores the relationship between inspiration\, creat
 ivity\, culture and environment through a collaboration of seven of Icel
 and's most acclaimed young artists. Gabriela kneads dough and wears it a
 s a mask\; Ásmundur pours Coca-Cola into empty Fanta bottles\; Kartin bu
 ilds a small model of a house only to throw it off of a bigger one\; the
  Icelandic Love Corporation recreates Van Gogh's The Starry Night in lic
 orice. Mixing elements of realism and performance\, the film frames the 
 phenomenon of contemporary Icelandic art within the international scene 
 through interviews with some of the art world's leading curators and cri
 tics. The Icelandic word for concrete (Ásmundur's sculpting material of 
 choice) as well as a colloquial Icelandic term for "something weird\," S
 teypa offers a playful and intelligent discussion of the scene.\n   Co-p
 resented with the Toronto Free Gallery.
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/steypa_hotdocs2008;jsessionid=
 E18F176B340A63C50B6A25AA8EF1A8AA
UID:61928960-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T183000
DTEND;TZID=America/New_York:20080420T200000
SUMMARY:Tiger Spirit
DESCRIPTION:Millions of Korean families were separated from one another i
 n the 1950s when war broke out between the Soviet-occupied North and the
  American-controlled South. For more than a generation\, families have n
 ot been able to visit\, speak on the phone or even write each other. Tra
 gically\, the last survivors to remember a unified Korea are dying witho
 ut ever having seen their grandchildren. Filmmaker Min Sook Lee examines
  the political reality with a journalist's eye and keen personal insight
 . To better understand the country she left as a child\, Lee examines th
 e consequences of history through the extraordinary experiences of ordin
 ary Koreans. At a war memorial site\, she meets a woman who has the fate
  of earning her livelihood by daily transforming her harrowing escape fr
 om North Korea into a story for tourists. Lee meets with elderly Koreans
  who yearn to see their loved ones just once before they die. One lucky 
 family\, the Kims\, are winners in a surreal mass state-sanctioned famil
 y reunion in a facility in the North. Their meeting profoundly illuminat
 es the cost of 50 years of separation and the challenges ahead for those
  who dream of reunification. \n -Gisèle Gordon
CATEGORIES:Canadian Spectrum, Featured
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/tigerspirit_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61807047-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T184500
DTEND;TZID=America/New_York:20080420T201500
SUMMARY:Nursery University
DESCRIPTION:And you thought getting into college was hard! In post-9/11 N
 ew York City\, a baby boom has turned the preschool admissions process i
 nto a blood sport. With more than 20 applicants for every available spot
 \, $4\,000 consultants are hired and teams are recruited just to acquire
  application forms. Cue the tears\, hysterics and breakdowns - and that'
 s just the parents!  Meet this year's contestants: from the well-heeled 
 Manhattan corner\, Tony and Cynthia\, and Heidi and Roddy are used to ge
 tting what they want\, while Harlem-based Kris and Kim\, and Greenwich's
  Wyatt and Sneha have to be more realistic. Meanwhile\, single mom Aleta
  has double the problem with her twins. What starts as a race to get the
 ir children into the right Ivy League "feeder" schools turns into a real
 ity check when unexpected hiccups arrive with the response envelopes. En
 joy the insanity in this sweeter look at the social issues and the littl
 e darlings at the centre of all the fuss. -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/nurseryuniversity_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911795-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T190000
DTEND;TZID=America/New_York:20080420T203700
SUMMARY:Junior
DESCRIPTION:There's no margin for error\, getting drunk or breaking curfe
 w in the high-stakes game stickhandled by the coaches\, agents\, trainer
 s\, owners and shareholders of junior hockey. Direct cinema and dramatic
  editing capture the joys and the anguish of young Baie-Comeau players t
 hroughout an entire season. The team isn't doing well and the pressure t
 o win is intense. As players autograph their pictures for teenage girls 
 after a game\, managers and owners meet behind closed doors to decide th
 eir fate. In one brutal scene\, a player is "fired" minutes before the t
 eam photo shoot. In another\, a player is told he's been traded and has 
 30 minutes to catch a bus to a different city to play that night-or his 
 hockey career is over. Junior has no actual hockey scenes\, but superb f
 ilmmaking and the boys' rough and tumble passage to manhood take this fi
 lm beyond a typical sports documentary. In French and English with Engli
 sh subtitles. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/junior_hotdocs2008;jsessionid=
 E18F176B340A63C50B6A25AA8EF1A8AA
UID:61803911-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T190000
DTEND;TZID=America/New_York:20080420T201400
SUMMARY:Must Read After My Death
DESCRIPTION:When an unconventional 1960s Connecticut couple turn to psych
 iatry for help with their troubled marriage\, their lives spiral out of 
 control. Allis and Charley submit themselves and their four children to 
 a daily barrage of group and individual therapies. But things get worse.
  Pills are prescribed\, family members are sent away. The family\, as in
 structed by their doctors\, record their discussions and fights. Smart\,
  free-thinking Allis begins to question the therapy. Her heart-wrenching
  audio diaries tell a story of oppression\, abuse and institutionalized 
 misogyny. Remarkably\, all of these recordings were preserved\, hidden a
 way for Allis's children to discover after her death. The film uses this
  intimate material combined with home movies and an unusual soundtrack t
 o viscerally reconstruct the family's struggle and to comment on the mor
 es of American culture in the '60s. The result is brilliant\, a searing 
 indictment of the nuclear family and a moving tribute to a woman who fou
 ght convention.\n -Shannon Abel\n\n  Co-presented with Rendezvous with M
 adness Film Festival
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/mustreadaftermydeath_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61814795-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T190000
DTEND;TZID=America/New_York:20080420T202400
SUMMARY:The Rise and Fall of the Grumpy Burger
DESCRIPTION:Filmmaker Marshall Sfalcin is Canada's answer to Ed Wood and 
 Russ Meyer. His no-budget monster movies are works of fantasy\, favourin
 g big scares and bigger boobs to truth and authenticity. With his latest
  film\, Sfalcin is determined to tell the "serious" story about his fami
 ly history and their bold claim that they\, and not McDonald's\, are the
  rightful inventors of fast food. Along to capture the making of Sfalcin
 's masterpiece is fellow filmmaker and childhood buddy Matt Gallagher. A
 s Sfalcin's vision of his film changes due to a barrage of obstacles\, G
 allagher's documentary morphs from straightforward "making-of" film into
  a complex mediation on truth and fiction\, where the lines are always b
 lurred. The Rise and Fall of Grumpy Burger is that rare treat of a film 
 that entertains and captivates with its outrageous story and brash chara
 cters while\, at the very same time\, asking the audience to question ev
 erything they are seeing. \n -Alan Black
CATEGORIES:World Showcase
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/theriseandfallofthegrumpyburge
 r_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61912382-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T191500
DTEND;TZID=America/New_York:20080420T204200
SUMMARY:Song Sung Blue
DESCRIPTION:In many ways\, the lives and careers of Mike and Claire Sardi
 na epitomize a certain variation of the rock 'n' roll experience. They f
 ollow their dream\, work as hard as they can to get that one big break\,
  that one taste of fame\, only to see it all come undone by turmoil befi
 tting a Greek tragedy. Or a Neil Diamond song. The Sardinas build a cult
  following in Milwaukee and Chicago as the Neil Diamond tribute band Lig
 htning and Thunder. Fame comes first in the form of an invitation from E
 ddie Vedder to perform with Pearl Jam in 1995. Then a freak accident cha
 nges Claire's life forever\, sending the singing duo into a tailspin of 
 dire financial difficulty\, family dysfunction and artistic irrelevancy.
  Authentic dreamers to the core\, Mike and Claire persevere. Their story
  is one of hope\, faith and unwavering optimism.
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/songsungblue_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914365-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T191500
DTEND;TZID=America/New_York:20080420T204900
SUMMARY:Shadow of the Holy Book
DESCRIPTION:Why are some of the world's biggest international companies t
 ranslating the Ruhnama\, an absurd government propaganda book from Turkm
 enistan\, into their own languages? In this provocative film\, Finnish d
 irector Arto Halonen and journalist Kevin Frazier set out to uncover how
  prominent international companies could willingly turn a blind eye to b
 latant human rights violations in the name of corporate greed. The docum
 entary follows the filmmakers from Central Asia to Europe and the U.S. a
 s they track down the companies that give their clandestine support to t
 he Ruhnama (The Book of Soul)\, a propaganda tool written by Turkmenista
 n's dictatorship to maintain social and political control. The Ruhnama h
 as become an infamous symbol of the shame of Western companies that igno
 re corruption in order to secure multimillion-dollar deals. Shadow of th
 e Holy Book offers a probing investigation into the immorality of corrup
 t international business. \n -Sarah Whitehouse
CATEGORIES:Make Me A Believer
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/shadowoftheholybook_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61932183-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T211500
DTEND;TZID=America/New_York:20080420T222900
SUMMARY:Corridor #8
DESCRIPTION:Take a trip on a connecting road that doesn't exist between t
 hree mistrustful countries that may not even want to be linked. Filmmake
 r Boris Despodov embarks on just such a haphazard journey as he attempts
  to travel along Corridor #8\, the massive infrastructural project joini
 ng Bulgaria\, Macedonia and Albania. Commissioned by the EU in 1997\, th
 e complex rail and road system is designed to connect the Black and Adri
 atic seas and lift the economic hopes of the farmers and blue-collar wor
 kers along its way. But after millions of euros and 10 years\, little pr
 ogress has been made. An unfinished Bulgarian railway tunnel is used for
  growing mushrooms\, threats of roadside Albanian blood feuds expose the
  growing cultural unrest within and between nations\, and peoples' skept
 icism about their future is degenerating into abject apathy. Absurdly fu
 nny\, quintessentially Balkan and poignantly revealing\, Corridor #8 is 
 a fascinating portrait of the new unified Europe.\n -Myrocia Watamaniuk
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/corridor8_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61810504-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T211500
DTEND;TZID=America/New_York:20080420T220200
SUMMARY:General Idea: Art\, AIDS and the fin de siècle
DESCRIPTION:In 1969 three young artists living in Toronto changed their n
 ames to Jorge Zontal\, Felix Partz and AA Bronson\, formed General Idea 
 and quickly became "art stars" in an international movement that was tra
 nsforming conventional ideas about art. Director Mangaard presents a tri
 bute to their achievements through an in-depth interview with Bronson an
 d extensive documentation of their work. Influenced by semiotics\, conce
 ptual art and mass-media obsessions with glamour and celebrity\, they us
 ed parody\, irony and camp to subvert the constructs of popular culture.
  Despite their Miss General Idea Pageants and self-portraits that scream
  gay camp\, their sexual orientation was not publicly mentioned until th
 ey began to create their important body of work dealing with the AIDS ep
 idemic in the late 1980s. The tragic AIDS-related deaths of Felix and Jo
 rge in 1994 marked the end of GI as an artistic identity. \n -Lynne Fern
 ie\n  Co-presented with Art Metropole.
CATEGORIES:Next
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/generalideaartaidsandthefindes
 icle_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61926343-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T211500
DTEND;TZID=America/New_York:20080420T214500
SUMMARY:Toby and the Tall Corn
DESCRIPTION:Made for the Omnibus TV show\, Toby is a heartwarming and ent
 ertaining portrait of one of the last travelling variety shows in the Un
 ited States. Every summer\, Toby\, the troupe's charming\, down-to-earth
  owner/lead actor takes his small band of performers to towns across the
  Midwest to perform under a massive tent. Leacock captures the heat of t
 he summer night on the faces of the appreciative audiences\, the thrill 
 of the live performances and the challenge of the set-up. Toby is just o
 ne of many films in the Leacock oeuvre about artists and creativity. Its
  candid style caught the eye of filmmaker Robert Drew. Together Drew and
  Leacock made a number of films\, including Primary\, a film that launch
 ed the American vérité movement. \n -Shannon Abel
CATEGORIES:Outstanding Achievement: Richard Leacock
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/tobyandthetallcorn_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931189-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T213000
DTEND;TZID=America/New_York:20080420T224200
SUMMARY:Dance With A Serial Killer
DESCRIPTION:May\, 1989. On a hot\, sunny afternoon in Brest\, France\, a 
 sunbathing woman lies murdered on a crowded beach. She was stabbed to de
 ath in broad daylight without any apparent motive and so detective Jean-
 François Abgrall begins an extraordinary investigation that will lead hi
 m to France's most terrifying psychopath. An unstable drifter with a vio
 lent past\, Francis Heaulmes arouses suspicion but evades arrest. Driven
  by instinct and a brilliant police mind\, however\, Abgrall cannot dism
 iss him. As a string of similarly grizzly murders all leading to Heaulme
 s is discovered\, a chilling cat and mouse game ensues between Abgrall a
 nd the highly intelligent madman. Heaulmes taunts the detective with spe
 ctacularly detailed hand-drawn maps of murder scenes\, then implores his
  innocence. Yet Abgrall must continue to engage Heaulmes to find the fac
 ts. In this gripping policier\, Abgrall himself finally shares the aston
 ishing story of how he brought France's most notorious serial killer to 
 justice.\n -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/dancewithaserialkiller_hotdocs
 2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908288-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T214500
DTEND;TZID=America/New_York:20080420T233600
SUMMARY:Passage
DESCRIPTION:"History would be an excellent thing if only it were true\," 
 claimed Tolstoy\, and veteran documentarian John Walker takes us on an e
 pic historical adventure that involves cannibalism\, a vengeful woman an
 d an historical cover-up by British authorities that credited the wrong 
 man with the discovery of the Northwest Passage. The film is based on th
 e lives of Dr. John Rae\, explorer for the Hudson's Bay Company\, and Si
 r John Franklin\, British Royal Navy officer and leader of an ill-fated 
 1840s Arctic expedition. Stunningly cinematic\, the film follows a trail
  from London to the Orkney Islands to Nunavut\, elegantly slipping betwe
 en past and present\, drama and documentary\, observational and self-ref
 lexive cinema\, to present the forces that made Franklin a hero and bani
 shed Rae to the margins of history. A cast of characters\, including res
 pected Inuit stateman Tagak Curley and the great great grandson of Charl
 es Dickens\, join the director as he unravels a historic fraud and sets 
 the record straight.\n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/passage_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61804897-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T214500
DTEND;TZID=America/New_York:20080420T231500
SUMMARY:The Infinite Border
DESCRIPTION:A penetrating humanistic portrait of a contemporary exodus\, 
 The Infinite Border profiles a handful of the hundreds of thousands of C
 entral American migrants who enter Mexico clandestinely each year en rou
 te to the promised land of the United States. Some are incarcerated and 
 some are sent back\, only to return undeterred. Some bear the brutal evi
 dence of the dangers of riding the rails northward in the form of severe
 d limbs. Meanwhile\, construction of the 30-foot-high\, 700-mile-long fe
 nce separating the United States from Mexico continues unabated. Lovingl
 y shot in contemplative long takes\, this poetic film evinces a casual\,
  trusting rapport between filmmaker and subject. The Infinite Border off
 ers an evocative story of determination and hope through the lives and d
 reams of those who travel in search of a better life.\n\n  Co-presented 
 with SÍ-SÍ CINE TORONTO LATIN FILM FESTIVAL.
CATEGORIES:Made In Mexico
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/theinfiniteborder_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918219-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T214500
DTEND;TZID=America/New_York:20080420T230300
SUMMARY:Wesley Willis's Joy Rides
DESCRIPTION:This heart-warming bio details the remarkable life of artist 
 and musician Wesley Willis who\, despite impossible odds\, became an und
 erground icon and hero to many before his untimely death in 2003 at age 
 40. Wesley\, a schizophrenic\, grew up in a poor area of Chicago in a br
 oken home. He sought refuge by making incredibly detailed freehand drawi
 ngs of the expressway and cityscape. As a permanent fixture at a local a
 rt supply store\, Wesley began making friends. He was an imposing figure
 : a big\, slovenly black man with wild hair and eyes\, but an infectious
  grin. After meeting a musician\, Wesley began to write\, perform and to
 ur. But fame came at a cost. On tour Wesley often forgot to look after h
 imself and his mental illness. By the time he died\, he had made 50 albu
 ms and thousands of drawings. Interviews with Wesley\, friends and famil
 y\, along with footage from his live performances\, paint an absorbing p
 ortrait of a loveable man who found happiness in creativity.\n -Shannon 
 Abel\n  Co-presented with North by Northeast Music and Film Festival and
  Conference
CATEGORIES:Next
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/wesleywillissjoyrides_hotdocs2
 008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929521-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080420T233000
DTEND;TZID=America/New_York:20080421T013000
SUMMARY:The Fall
DESCRIPTION:Considered by Peter Whitehead to be his most important film\,
  The Fall is an extraordinary piece of filmmaking\, an extremely persona
 l statement on violence\, revolution and the turbulence within late 1960
 s America. Filmed entirely in and around New York between October 1967 a
 nd June 1968\, it features Robert Kennedy\, The Bread and Puppet Theater
 \, Paul Auster (fresh-faced as a Columbia student)\, Tom Hayden\, Mark R
 udd\, Stokely Carmichael\, H. Rap Brown\, Arthur Miller\, Robert Lowell\
 , Robert Rauschenberg and The Deconstructivists. Richard Roud\, co-direc
 tor of the New York Film Festival\, wrote of the film\, "an attempt to c
 ome to grips with today\, both in terms of its content as well as its fo
 rm."
CATEGORIES:Next
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/thefall_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61923065-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T113000
DTEND;TZID=America/New_York:20080421T122600
SUMMARY:Searching 4 Sandeep
DESCRIPTION:Love in the digital age is complex: immediate\, yet distant\,
  emotionally close\, yet physically far. When Sydney-sider Poppy Stockel
 l set out to "research" her light-hearted doc about the online lesbian d
 ating scene\, she had no idea that it would launch her on a journey that
  would change her life forever. Frustrated\, lonely and single\, 28-year
 -old Stockell finds more than just research on the Internet. To her surp
 rise and delight she forges a deep online connection with an English wom
 an\, Sandeep Virdi. Poppy sends Sandeep a camera and we watch as their v
 irtual long-distance crush blossoms into a very real physical relationsh
 ip. But they face obstacles greater than the vast oceans that separate t
 hem. Sandeep is Sikh\, lives at home with her conservative family and\, 
 at 31\, is still in the closet about her sexuality. Through raw\, incred
 ibly frank footage\, Searching 4 Sandeep follows Poppy and Sandeep's tum
 ultuous relationship across two years and three continents. \n -Sarah Wh
 itehouse\n\n\n  Co-presented with Inside Out Toronto Lesbian & Gay Film 
 and Video Festival
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/searching4sandeep_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61913204-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T120000
DTEND;TZID=America/New_York:20080421T131200
SUMMARY:The Demons of Eden
DESCRIPTION:In 2005 Lydia Cacho\, a human-rights journalist in Mexico\, i
 s arrested by police after she exposes a powerful paedophile ring in her
  book\, Demons of Eden. Cacho gives voice to the young victims of Cancun
 's underworld\, delivering a stinging indictment of businessmen Jean Suc
 car Kuri and Kamel Nacif Borge\, as well as the politicians who worked w
 ith them on the cover-up. The documentary\, made over an 18-month period
 \, follows Cacho as she fights the people who are attempting to silence 
 her. Not only does the documentary reveal the rampant violence against w
 omen and children in Mexico\, it also exposes the dangers that journalis
 ts face there. Horrifying and powerful\, the doc is a tribute to one wom
 an's vision and drive to make a difference\, even at the expense of her 
 own safety.
CATEGORIES:Made In Mexico
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/thedemonsofeden_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917583-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T130000
DTEND;TZID=America/New_York:20080421T143000
SUMMARY:Hot Docs Talks: Open Source/Fair Use
DESCRIPTION:Even as technology gives filmmakers the tools to mash\, remix
 \, sample\, and satirize\, the creative license to do so is stifled by t
 he restrictive terms of powerful copyright holders’ vision of the law. A
  presentation and discussion of the potential and challenges of Open Sou
 rce Cinema.
CATEGORIES:Hot Docs Talks
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/hotdocstalkopensourcefairuse_h
 otdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61936814-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T133000
DTEND;TZID=America/New_York:20080421T145000
SUMMARY:Beautiful Losers
DESCRIPTION:"The real magic lies not only in the fact that we were acknow
 ledged\, but that really\, none of us were ever supposed to get there\,"
  says filmmaker Aaron Rose. Beautiful Losers celebrates the independent 
 do-it-yourself spirit that unified a like-minded group of American artis
 ts who emerged from the underground youth subcultures of skateboarding\,
  graffiti\, punk rock and hip-hop in the early 1990s. It tells the story
  of how a group of graffiti artists\, with little or no formal training 
 and almost no connection to the inner workings of the art world\, ended 
 up having an huge impact on the worlds of art\, fashion\, music\, film a
 nd pop culture. These artists and the subcultures from which they sprang
  have become not only popular\, but have sparked the most influential cu
 ltural movement of our generation. Through a series of informal vignette
 s featuring 10 artists\, Beautiful Losers explores the creative impetus 
 behind this growing movement. Rose and Joshua Leonard's captivating film
  offers an intimate glimpse into a fascinating and significant time in t
 he history of art making. \n -Sarah Whitehouse\n   Co-presented with the
  Toronto Free Gallery.
CATEGORIES:Next
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/beautifullosers_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918745-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T140000
DTEND;TZID=America/New_York:20080421T150300
SUMMARY:Cuban Song
DESCRIPTION:Every image tells a story in this sensitively crafted mosaic 
 that captures the soul of everyday life in Havana. An irresistible sound
 track drives and narrates the camera's sensitive observations of the mun
 dane and the unexpected with lyrics of love\, longing and betrayal. A wo
 man prepares a meal in her tiny kitchen\, construction workers toil as p
 eople sing on the street\, Fidel Castro appears on television playing th
 e paternal role and majestic waves crash into a pier as the song cycle b
 uilds to a crescendo that always leads back to Cuba. This timely glimpse
  into the lives of ordinary Cubans under Castro was the last film made b
 y director and DP\, Fernand Bélanger. Knowing his time was limited\, his
  camera is pulled to moments representing the essential pulse of life. S
 adly\, Belanger died before the film was finished\, so the film was comp
 leted by his co-directors and longtime collaborators\, Louise Dugal and 
 Yves Angrignon. \n -Gisèle Gordon \n\n  Co-presented with the Images Fes
 tival.
CATEGORIES:Canadian Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/cubasong_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61800652-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T141500
DTEND;TZID=America/New_York:20080421T152000
SUMMARY:Head Wind
DESCRIPTION:Although possessing a satellite dish is illegal in Iran\, as 
 this observant\, wryly ironic film reveals\, cheesy Western television s
 hows somehow find their way into Iranian homes.
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/headwind_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811851-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T160000
DTEND;TZID=America/New_York:20080421T173900
SUMMARY:Shot In Bombay
DESCRIPTION:Director Liz Mermin's fast-paced\, multilayered and captivati
 ng doc about shooting a blockbuster gangster movie in Bombay/Mumbia is p
 acked with more drama and action than the movie itself. Following a cast
  of charismatic and often surreal characters\, the doc goes beyond the t
 inselly glamour of Bollywood to explore some of the industry's darker si
 des. With unprecedented behind-the-scenes access to a star-studded cast\
 , Shot in Bombay tells three intertwined stories: the rise of the city's
  underworld in the 1990s\, narrated by a no-nonsense ex-police chief kno
 wn as "Bombay's Dirty Harry"\; the tribulations of superstar Sanjay Dutt
 \, on trial for alleged involvement in India's largest terrorist attack\
 ; and a young director's dogged quest to master the delicate art of maki
 ng a Bollywood blockbuster. With three and a half weeks before the movie
  wraps\, the lead star actor is held up in legal battles. Without the st
 ar the entire production is a flop. Shot in Bombay is a high-octane adve
 nture.\n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/shotinbombay_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914187-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T161500
DTEND;TZID=America/New_York:20080421T175900
SUMMARY:The Truth Be Told: The Cases Against Supinya Klangnarong
DESCRIPTION:In October 2005\, Thailand telecommunications giant Shin Corp
 oration\, owned by the family of former Thai prime minister Thaksin Shin
 awatra\, brings an $11-million defamation lawsuit against Supinya Klangn
 arong\, a prominent Thai journalist\, university lecturer and media righ
 ts activist. She had accused the corporation of colluding with the gover
 nment. During the tumultuous months of her trial\, director Pimpaka Towi
 ra\, a leading figure of Thailand's independent film scene\, accompanies
  the level-headed Klangnarong\, capturing a portrait of idealism and int
 egrity. The result is a beguiling mix of cinema vérité\, personal profil
 e\, political exposé and national diary. Proving that freedom of speech 
 and public activism can effect change\, The Truth Be Told seamlessly com
 bines a fluid experimental style with an engaging narrative structure th
 at comments on the legal\, political and constitutional turmoil in conte
 mporary Thai society.\n\n  Co-presented with Toronto Reel Asian Internat
 ional Film Festival
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/thetruthbetoldthecasesagainsts
 upinyaklangnarong_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8A
 A
UID:61917227-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T163000
DTEND;TZID=America/New_York:20080421T175700
SUMMARY:Beyond Our Ken
DESCRIPTION:In this riveting and disturbing doc\, filmmakers Luke Walker 
 and Melissa Mclean obtain unprecedented access to a controversial Austra
 lian "spiritual enlightenment" organization called Kenja. Founded in 198
 2 by leader Ken Dyers and wife Jan Hamilton\, Kenja members and supporte
 rs claim that the group offers a Utopia where life's purpose is defined\
 , the human spirit discovered and the universe itself explained. Meanwhi
 le\, during its 25-year lifetime\, Kenja has been derided in the media a
 s a "secretive cult\," and Ken described as a "seedy conman." Families b
 lame the group for the disappearance of loved ones. As the people of Ken
 ja prepare to defend themselves in the latest of several court cases\, K
 en and Jan invite the filmmakers into their spiritual enlightenment cent
 re. Through remarkable vérité footage and candid interviews\, Beyond Our
  Ken explores the anatomy and ambiguity of the cult enigma. We discover 
 the extent to which environment defines our reality\, a reality as fragi
 le as the truth.\n -Shannon Abel\n  Co-presented with OzFlix.
CATEGORIES:Make Me A Believer
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/beyondourken_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931653-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T183000
DTEND;TZID=America/New_York:20080421T201600
SUMMARY:Bigger\, Stronger\, Faster*
DESCRIPTION:America defines itself in the superlative: the biggest\, stro
 ngest\, fastest country in the world. Is it any wonder that so many of i
 ts athletes take performance-enhancing drugs? Director Christopher Bell 
 explores America's win-at-all-costs philosophy by examining the way his 
 two brothers became members of the steroid subculture in an effort to re
 alize their American dream. Ingeniously beginning the film by harkening 
 back to the mentality of the 1980s-where the heroes were Rambo\, Conan a
 nd Hulk Hogan-Bell recounts how these role models led him and his brothe
 rs into powerlifting and dreams of becoming all-star wrestlers. Those dr
 eams were soon shattered by the realization that success in those fields
  required the use of performance-enhancing drugs. Bell uses his personal
  story as an entrée into an analysis of the bigger issues surrounding th
 ese drugs: ethics in sports\, the physical and psychological health rami
 fications and the mentality that fuels it all.
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/biggerstrongerfaster_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792357-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T184500
DTEND;TZID=America/New_York:20080421T201500
SUMMARY:Memory Books
DESCRIPTION:This deeply moving film-about keeping a family history alive 
 after the core of the family dies-also explores how HIV/AIDS continues t
 o infect and kill millions of Africans each year. In Uganda alone\, ther
 e are more than two million orphaned children\, most victims of HIV/AIDS
 . Not only do these innocent children lose their immediate sense of belo
 nging and place in the world\, they are also at risk of losing their fam
 ily roots. "Memory books" are collections of family stories\, photos and
  drawings by Ugandan mothers dying of AIDS\, used to speak to their orph
 aned children of family histories\, traditions and values. They are inva
 luable to children\, not only after their mothers have passed\, but also
  as their mothers prepare to die. As children sit with their mothers and
  assemble their memory books\, they gently prepare for the fact of their
  mothers' death. Memory books help ease these innocent children into an 
 understanding of an imminent and sad reality soon to change their lives 
 forever. \n -Sarah Whitehouse\n  Co-presented with African Medical & Res
 earch Foundation.
CATEGORIES:International Spectrum
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/memorybooks_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61814329-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T190000
DTEND;TZID=America/New_York:20080421T200000
SUMMARY:Carts of Darkness
DESCRIPTION:On the way to cash in bottles for a few dollars\, a group of 
 homeless men turn into road warriors\, careening their grocery carts dow
 n the death-defying hills of North Van at speeds of 70 kilometres per ho
 ur. There are dangers and sometimes a man is seriously injured. "That's 
 life. Everybody in extreme sports gets bruises\," says Big Al\, a cart r
 acer and hell raiser just out of prison. Director Murray Siple loves spe
 ed and made sports films until a car accident 10 years ago rendered him 
 quadriplegic. So when he met these guys cashing in bottles at the superm
 arket\, a friendship and mutual trust developed through the understandin
 g that their disabilities make them invisible to society. Fergie\, "pick
 eled as a newt\," sings a wicked version of Tennessee Stud. Max barbecue
 s a gourmet salmon in the liquor store parking lot. Al takes us on a tou
 r of grocery stores to teach us how to choose exactly the right vehicle.
  In the tradition of the best documentaries\, both subjects and filmmake
 rs are revealed as fragile\, funny and fully human. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/cartsofdarkness_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61798247-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T190000
DTEND;TZID=America/New_York:20080421T201000
SUMMARY:Wild Blue Yonder
DESCRIPTION:Documentary filmmaker David Maysles\, renowned for such films
  as Salesman\, Grey Gardens and Gimme Shelter\, was simply Dad to daught
 er Celia\, who had no idea growing up that her father was a film pioneer
 . By picking up a camera\, Celia takes after her father and journeys int
 o the past via interviews with family\, friends\, former film subjects a
 nd colleagues. But what she truly longs for is to feel her father's pres
 ence\, to see and hear him again\, even if it's only on screen. Her ques
 t to remember her father by way of his films is challenged\, however\, b
 y Uncle Albert\, who has long protected David's film catalogue and is le
 ss than eager to collaborate with his niece. Wild Blue Yonder is a first
 -person search for answers in images\, in the hope they might bring back
  the dead. A thoughtful family drama that examines a legacy of filmmakin
 g and loss\, passed down generation to generation.\n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/wildblueyonder_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917321-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T191500
DTEND;TZID=America/New_York:20080421T202900
SUMMARY:Be Like Others
DESCRIPTION:Would it surprise you to know that sex change operations are 
 legal in Iran\, a theocratic state with strict social mores and fundamen
 talist values? More than 20 years ago\, Ayatollah Khomeini issued a fatw
 a (religious edict) making sex changes permissible for "diagnosed transs
 exuals." Yet homosexuality remains punishable by death. Forced to live i
 n secret for fear of retribution\, a generation of young Iranian men are
  adopting an identity legally allowed to them-transsexual. In pursuit of
  what one man simply calls "a decent life\," they flock to the country's
  best-established gender reassignment surgeon\, where they are counselle
 d by 24-year-old Vida\, an eloquent post-op woman who claims to be "rebo
 rn" but warns the men of the dangers they face. Intimate and unflinching
 \, Be Like Others accompanies several young men through their transforma
 tions. Capturing the complexities of Iranian society\, it's a fascinatin
 g portrait of people on the fringes of Iranian life looking for acceptan
 ce through the most radical of means.\n\n  Co-presented with Xtra!
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/belikeothers_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61823580-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T191500
DTEND;TZID=America/New_York:20080421T204500
SUMMARY:Second Skin
DESCRIPTION:The fantasy worlds displayed in role-playing games World of W
 arcraft\, Second Life and EverQuest are second homes to millions of user
 s who live and love in these virtual spaces. The film takes a frenetic l
 ook at the Massively Multiplayer Online (MMO) subculture and its devotee
 s: four friends bond and break-up\; a couple falls in love without meeti
 ng\; a disabled man grows wings\; a gaming addict enters rehab\; "gold f
 armers" in China ply their trade. Slipping in and out of these virtual w
 orlds leads to real-world consequences-jobs\, relationships\, health and
  bill payments suffer. Never has a leisure activity been seen to pose su
 ch a threat to the status quo. Second Skin takes a voyeuristic approach 
 to the lives and problems of its characters\, mimicking the connected di
 sconnection of their beloved games. An engrossing look at the real-world
  industry and side-effects grown from a virtual "time-waster." \n -Angie
  Driscoll \n\n  Co-presented with Fantasy Worldwide Film Festival.
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/secondskin_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61913994-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T191500
DTEND;TZID=America/New_York:20080421T200000
SUMMARY:Pilgrimage From Scattered Points
DESCRIPTION:Where is the border between music\, sound and noise? What can
  the answer tell us about the political situation under capitalism? Thes
 e are questions that the British Scratch Orchestra tried to answer in th
 e 1960s with the motto "everyone can play everything." Amateurs and prof
 essionals alike\, including Michael Nyman and Brian Eno\, express themse
 lves against any form of aural logic. Filmmaker Luke Fowler depicts the 
 Scratch Orchestra's composer Cornelius Cardew in action\, resonating in 
 a brilliant\, impressionistic visual landscape. Sound and image unite to
  form a hypnotic and freely associating current\, which reaches far into
  the subjective sphere of experimental film.
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/pilgrimagefromscatteredpoints_
 hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61926590-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T211500
DTEND;TZID=America/New_York:20080421T222500
SUMMARY:My Mother's Garden
DESCRIPTION:"As a kid I realized that she had a problem when my friends f
 rom school would tell me they saw my mom in the alley going through thei
 r dumpster\," says filmmaker Cynthia Lester. This deeply moving personal
  story of filmmaker Lester's mother explores one woman's extreme attachm
 ent to material objects and her emotional struggle to let go. Overwhelme
 d by the excesses of North American consumer-driven society\, Polish imm
 igrant Eugenia Lester has taken recycling to the extreme. Her hoarding d
 isorder has forced her and her three children out of the family home. Wi
 th the mountains of debris growing daily\, Eugenia can no longer dwell i
 nside and is forced to sleep in her garden or\, as Eugenia sees it\, in 
 "God's house." When the community threatens to evict her\, her children 
 come together for the first time to confront their mother's illness\, di
 g out their home and regain a sense of family. My Mother's Garden is a b
 rave and heartfelt diary of a mother and daughter brought together to pu
 rge and rebuild. \n-Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/mymothersgarden_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911428-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T213000
DTEND;TZID=America/New_York:20080421T230400
SUMMARY:The English Surgeon
DESCRIPTION:When British brain surgeon Henry Marsh first visited the KGB 
 Hospital in Kiev in the early 1990s\, he was appalled by the conditions.
  Patients were dying from simple tumours left untreated. Since then\, Ma
 rsh has been on a mission to create a viable brain surgery clinic\, salv
 aging discarded equipment from British hospitals\, second-hand drills fr
 om flea markets and any other tools that may be fashioned to do the job.
  Geoffrey Smith's exceptional documentary follows the maverick neurosurg
 eon on his latest trip to the Ukraine\, as he once again encounters pati
 ents for whom he is their last chance. Marian is among them. Stricken by
  an enormous\, life-threatening brain tumour\, we follow Marian through 
 his harrowing brain surgery. As Marsh tackles increasingly risky cases\,
  he is haunted by the memory of a young Ukrainian girl whose operation w
 ent fatally wrong. Tense\, heartbreaking and at times humorous\, this is
  an extraordinary documentary. Musical score composed and performed by N
 ick Cave and Warren Ellis.\n -Sarah Whitehouse
CATEGORIES:Featured, International Spectrum
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/theenglishsurgeon_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61810898-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T213000
DTEND;TZID=America/New_York:20080421T230200
SUMMARY:A Road to Mecca. The Journey of Muhammad Asad
DESCRIPTION:Who would have guessed that an Austrian Jew would one day bec
 ome one of the most remarkable Muslims of the 20th century? Born Leopold
  Weiss in 1900\, Lvov\, Ukraine\, to a strict religious upbringing\, he 
 would fatefully travel to the Middle East and change the world. His naïv
 e orientalist fascination and his rejection of '20s Western materialism 
 lead to a stunning Muslim conversion in 1926. As Muhammad Asad\, he make
 s the pilgrimage to Mecca and begins an extraordinary career. He becomes
  an advisor at the king's court of Saudi Arabia\, an early supporter of 
 the creation of Pakistan\, a UN ambassador and author of one of the fine
 st English translations of the Koran. Part biography\, part travelogue\,
  A Road to Mecca retraces Asad's life and the trajectory of his influenc
 e. However\, as the cameras encounter the people touched by his work\, h
 is vision of Islam comes into an inevitable contemporary perspective as 
 well in this most interesting historical commentary.\n -Myrocia Watamani
 uk
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/aroadtomeccathejourneyofmohamm
 adasad_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61815505-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T213000
DTEND;TZID=America/New_York:20080421T225200
SUMMARY:Seaview
DESCRIPTION:North of Dublin\, on the beautiful Irish seaside\, lies a biz
 arre-looking collection of rusting fairground rides and grey cement buil
 dings with brightly painted doors. The compound\, called Mosney\, opened
  in 1948 as a summer holiday camp\, a place where Irish families would e
 scape the daily grind for a week in order to relax\, dance\, eat fish 'n
 ' chips and enjoy the salty fresh air. A visit to Mosney today presents 
 a radically different picture\, but still a picture of escape. This form
 er holiday camp is now a camp of another kind\, a holding centre for asy
 lum seekers from all corners of the globe. Here the residents wait years
  for the results of their asylum claims. Seaview's amusement-park settin
 g and contemplative camera-work underscores the emotional state of its d
 esperate inhabitants. To them\, Mosney is limbo. Seaview is a poignant p
 ortrayal of the modern immigrant experience. \n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/seaview_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61816180-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T214500
DTEND;TZID=America/New_York:20080421T234300
SUMMARY:Citizen Havel
DESCRIPTION:The last president of Czechoslovakia and first president of t
 he Czech Republic\, Václav Havel-former dissident\, leader in the Velvet
  Revolution\, playwright\, poet\, essayist and Rolling Stones fan-is sim
 ply an icon among contemporary political leaders. A former enemy of the 
 state who came to be freely elected as its leader\, Havel was thrust int
 o the spotlight of international politics and celebrity. Filmmaker Pavel
  Koutecký was given unprecedented access to Havel\, following him from 1
 992\, on the cusp of the first election of the newly formed Czech Republ
 ic\, to his return to civilian life in 2003. The result is fascinating. 
 Whether giving Keith Richards restaurant tips or facilitating the dissol
 ution of the Warsaw Pact\, Havel is seen to be always\, resolutely\, him
 self. An honest portrait of an honest politician\, Citizen Havel is a ra
 re gem of a documentary. \n -Sean Farnel
CATEGORIES:Featured, Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/citizenhavel_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792828-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T214500
DTEND;TZID=America/New_York:20080421T232300
SUMMARY:The Art Star and the Sudanese Twins
DESCRIPTION:Vanessa Beecroft\, contemporary art world star\, is as passio
 nate about her life as she is about her art. Her New York dealer Jeffrey
  Deitch aptly notes that\, with Vanessa\, there is no boundary between l
 ife and art. Filmmaker Pietra Brettkelly follows Beecroft during a 16-mo
 nth journey to the Sudan. Beecroft has been drawn to Africa as inspirati
 on for her art. But now her bond to Africa has deepened through her burn
 ing desire to adopt two orphaned babies. In a provocative and highly con
 troversial photograph\, we see Beecroft nurse the black babies on her ex
 posed white bosoms\, composing a provocative tableau that references bot
 h religious iconography and colonialism. As the complexities of the inte
 rnational adoption become apparent\, the process creates ethical and emo
 tional waves that travel from Sudan to New York. Brettkelly's engaging f
 ilm confronts the complex and not easily answerable question: is there a
  suitable reaction to African suffering?\n -Sarah Whitehouse\n\n  Co-pre
 sented with CONTACT Toronto Photography Festival
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/theartstarandthesudanesetwins_
 hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61823242-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T214500
DTEND;TZID=America/New_York:20080421T222900
SUMMARY:Rosa's Letters - Telling a Story
DESCRIPTION:Rosa's Letters - Telling a Story centres on the letters of Ro
 sa Luxemburg (1870-1919)\, pioneering Polish socialist\, philosopher and
  revolutionary. But rather than simply documenting the life of a histori
 cal personality\, artist Pia Rönicke appropriates the letters in a delib
 erately subjective manner. The film's voiceover is based on fragments fr
 om various stages of Rosa's remarkable life\, including many years of co
 rrespondence to her lover and work partner Leo Jogiches\, her letters to
  lover and friend Konstantin Zetkin\, and writings from her time in pris
 on in Wronki and Breslau to her friends Sonja Liebknecht and Hans Diefen
 bach. A fascinating transformation takes place as intimate letters becom
 e publicly accessible\, historical documents.
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/rosasletterstellingastory_hotd
 ocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61927230-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080421T235500
DTEND;TZID=America/New_York:20080422T011000
SUMMARY:Carny
DESCRIPTION:An intimate\, gritty and poetic adventure following the lives
  of carnies\, travelling fairground workers who have abandoned the secur
 ity of the "real world" for the refuge and variety of the road. Deep pai
 n is masked behind the huge grin of Hairy\, the charismatic lesbian cott
 on-candy seller. Through her eyes\, we see a world of unlikely Romeos\, 
 easy love and fierce friendships that obscure personal hardship and trou
 bled pasts. Often from an underclass that has few options\, the carnies 
 struggle with addiction\, loneliness\, poverty and shattered dreams\, fi
 nding solace only in the company of their own\, who accept them as they 
 are. Some have worked the fairs for more than 50 years\, some were born 
 or escaped into it\, but all are gripped by the romance of the bright mi
 dway lights lyrically captured in lush interludes of Kodachrome Super 8.
  \n -Gisèle Gordon \n\n  Co-presented with Women in Film and Television 
 - Toronto.
CATEGORIES:Canadian Spectrum
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/carny_hotdocs2008;jsessionid=E
 18F176B340A63C50B6A25AA8EF1A8AA
UID:61512855-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T113000
DTEND;TZID=America/New_York:20080422T124400
SUMMARY:Must Read After My Death
DESCRIPTION:When an unconventional 1960s Connecticut couple turn to psych
 iatry for help with their troubled marriage\, their lives spiral out of 
 control. Allis and Charley submit themselves and their four children to 
 a daily barrage of group and individual therapies. But things get worse.
  Pills are prescribed\, family members are sent away. The family\, as in
 structed by their doctors\, record their discussions and fights. Smart\,
  free-thinking Allis begins to question the therapy. Her heart-wrenching
  audio diaries tell a story of oppression\, abuse and institutionalized 
 misogyny. Remarkably\, all of these recordings were preserved\, hidden a
 way for Allis's children to discover after her death. The film uses this
  intimate material combined with home movies and an unusual soundtrack t
 o viscerally reconstruct the family's struggle and to comment on the mor
 es of American culture in the '60s. The result is brilliant\, a searing 
 indictment of the nuclear family and a moving tribute to a woman who fou
 ght convention.\n -Shannon Abel\n\n  Co-presented with Rendezvous with M
 adness Film Festival
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/mustreadaftermydeath_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61814864-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T120000
DTEND;TZID=America/New_York:20080422T130000
SUMMARY:As Slow As Possible
DESCRIPTION:On his 18th birthday\, Ryan Knighton was told he would slowly
  go blind. Now\, 15 years later\, as he loses his last sliver of sight\,
  he wants to travel to an ancient church in Germany to hear the note cha
 nge in the 639-year-long organ performance of the John Cage composition 
 "As Slow as Possible." He compares the note to the North Star\, "somethi
 ng to navigate by" as he prepares to be a non-sighted person. Director S
 cott Smith accompanies him on his journey as he\, like Cage\, embraces c
 hance encounters: he meets a man in a bear suit who has seen miracles in
  India\, young tourists who think he's a rock star. When he gets lost on
  the way to the church\, a young boy miraculously appears to guide him t
 he final steps. As we hear the note change\, we realize that the journey
  and the film are not so much about loss as about the inevitability of t
 ransformation. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/asslowaspossible_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61796973-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T133000
DTEND;TZID=America/New_York:20080422T143000
SUMMARY:20 Seconds of Joy
DESCRIPTION:"BASE jumping kills people very quick\," says Jeb Corliss\, p
 rofessional BASE jumper and mentor. "It's one of the few sports in the w
 orld where you make mistakes\, you get killed." Addictions take many for
 ms. For 30-year-old Norwegian adrenaline junkie and professional BASE ju
 mper Karina Hollekim\, her addiction is danger. In Jens Hoffmann's breat
 htaking documentary\, the filmmaker follows the elusive extreme sport at
 hlete for five years. Amongst spectacular landscapes in some of the most
  remote corners of the world\, we follow Karina as she hurls herself off
  increasingly treacherous cliffs. Is the high worth the price when one w
 rong move means certain death? For Karina\, the answer is a resounding y
 es! With the danger comes the ultimate rush\, 20 seconds of blissful joy
 . An ecstasy unlike any other. An act of faith in defiance of death\, em
 bracing life to the fullest. The film offers stunning cinematography and
  a breathtaking joyride. \n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/20secondsofjoy_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61822866-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T134500
DTEND;TZID=America/New_York:20080422T152000
SUMMARY:Betrayal (Nerakhoon)
DESCRIPTION:During the U.S. military's covert operations in Laos in the e
 arly 1970s\, Thavisouk Phrasavath's father was recruited to help the CIA
 . But when the Americans withdrew and the communist regime gained power\
 , Phrasavath's father and thousands of others were declared enemies of t
 he state and imprisoned. At the age of 12\, Phrasavath made a harrowing 
 escape from Laos to Thailand and eventually to New York City\, where the
  hardships of an immigrant's life forced him\, his eight siblings and hi
 s resilient mother to face an entirely different kind of war. The direct
 orial debut of acclaimed cinematographer Ellen Kuras (Eternal Sunshine o
 f the Spotless Mind\, Neil Young: Heart of Gold)\, Betrayal is a lyrical
  film that fluidly incorporates archival footage\, cinema vérité\, revea
 ling personal interviews and visually poetic montages. Beautifully filme
 d over the course of 23 years\, it offers a stirring portrait of life in
  exile\, of the far-reaching consequences of war and the unbreakable bon
 ds of family.
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/betrayalnerakhoon_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792183-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T140000
DTEND;TZID=America/New_York:20080422T153000
SUMMARY:The Infinite Border
DESCRIPTION:A penetrating humanistic portrait of a contemporary exodus\, 
 The Infinite Border profiles a handful of the hundreds of thousands of C
 entral American migrants who enter Mexico clandestinely each year en rou
 te to the promised land of the United States. Some are incarcerated and 
 some are sent back\, only to return undeterred. Some bear the brutal evi
 dence of the dangers of riding the rails northward in the form of severe
 d limbs. Meanwhile\, construction of the 30-foot-high\, 700-mile-long fe
 nce separating the United States from Mexico continues unabated. Lovingl
 y shot in contemplative long takes\, this poetic film evinces a casual\,
  trusting rapport between filmmaker and subject. The Infinite Border off
 ers an evocative story of determination and hope through the lives and d
 reams of those who travel in search of a better life.\n\n  Co-presented 
 with SÍ-SÍ CINE TORONTO LATIN FILM FESTIVAL.
CATEGORIES:Made In Mexico
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/theinfiniteborder_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918223-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T160000
DTEND;TZID=America/New_York:20080422T173400
SUMMARY:Shadow of the Holy Book
DESCRIPTION:Why are some of the world's biggest international companies t
 ranslating the Ruhnama\, an absurd government propaganda book from Turkm
 enistan\, into their own languages? In this provocative film\, Finnish d
 irector Arto Halonen and journalist Kevin Frazier set out to uncover how
  prominent international companies could willingly turn a blind eye to b
 latant human rights violations in the name of corporate greed. The docum
 entary follows the filmmakers from Central Asia to Europe and the U.S. a
 s they track down the companies that give their clandestine support to t
 he Ruhnama (The Book of Soul)\, a propaganda tool written by Turkmenista
 n's dictatorship to maintain social and political control. The Ruhnama h
 as become an infamous symbol of the shame of Western companies that igno
 re corruption in order to secure multimillion-dollar deals. Shadow of th
 e Holy Book offers a probing investigation into the immorality of corrup
 t international business. \n -Sarah Whitehouse
CATEGORIES:Make Me A Believer
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/shadowoftheholybook_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61932228-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T161500
DTEND;TZID=America/New_York:20080422T173300
SUMMARY:The Glow of White Women
DESCRIPTION:Filmmaker Yunus Vally was convinced that the promised virgins
  of paradise would all be white. Born and raised in Nelspruit\, a deeply
  racist town in provincial South Africa\, Vally grew up in a Muslim fami
 ly\, attended Mosque five times daily and dreamed of paradise. But as a 
 young man\, Vally decided he wanted to find out if the promised virgins 
 were worth the wait. This creatively composed and humorous film looks at
  white women in the dark continent and explores the forbidden sexual des
 ires of blacks and whites under apartheid. Probing and provocative\, The
  Glow of White Women explores one man's desire and taboo.\n -Sarah White
 house
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/theglowofwhitewomen_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811221-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T163000
DTEND;TZID=America/New_York:20080422T180700
SUMMARY:Junior
DESCRIPTION:There's no margin for error\, getting drunk or breaking curfe
 w in the high-stakes game stickhandled by the coaches\, agents\, trainer
 s\, owners and shareholders of junior hockey. Direct cinema and dramatic
  editing capture the joys and the anguish of young Baie-Comeau players t
 hroughout an entire season. The team isn't doing well and the pressure t
 o win is intense. As players autograph their pictures for teenage girls 
 after a game\, managers and owners meet behind closed doors to decide th
 eir fate. In one brutal scene\, a player is "fired" minutes before the t
 eam photo shoot. In another\, a player is told he's been traded and has 
 30 minutes to catch a bus to a different city to play that night-or his 
 hockey career is over. Junior has no actual hockey scenes\, but superb f
 ilmmaking and the boys' rough and tumble passage to manhood take this fi
 lm beyond a typical sports documentary. In French and English with Engli
 sh subtitles. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/junior_hotdocs2008;jsessionid=
 E18F176B340A63C50B6A25AA8EF1A8AA
UID:61803965-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T163000
DTEND;TZID=America/New_York:20080422T174400
SUMMARY:Corridor #8
DESCRIPTION:Take a trip on a connecting road that doesn't exist between t
 hree mistrustful countries that may not even want to be linked. Filmmake
 r Boris Despodov embarks on just such a haphazard journey as he attempts
  to travel along Corridor #8\, the massive infrastructural project joini
 ng Bulgaria\, Macedonia and Albania. Commissioned by the EU in 1997\, th
 e complex rail and road system is designed to connect the Black and Adri
 atic seas and lift the economic hopes of the farmers and blue-collar wor
 kers along its way. But after millions of euros and 10 years\, little pr
 ogress has been made. An unfinished Bulgarian railway tunnel is used for
  growing mushrooms\, threats of roadside Albanian blood feuds expose the
  growing cultural unrest within and between nations\, and peoples' skept
 icism about their future is degenerating into abject apathy. Absurdly fu
 nny\, quintessentially Balkan and poignantly revealing\, Corridor #8 is 
 a fascinating portrait of the new unified Europe.\n -Myrocia Watamaniuk
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/corridor8_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61810557-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T183000
DTEND;TZID=America/New_York:20080422T200000
SUMMARY:Man on Wire
DESCRIPTION:On August 7\, 1974\, a young Frenchman named Philippe Petit s
 teps out on a wire suspended 1\,350 feet above ground between the twin t
 owers of New York's World Trade Center. He dances on the wire with no sa
 fety net for almost an hour\, crossing it eight times before he is arres
 ted for what becomes known as "the artistic crime of the century." In th
 e months leading up to his clandestine walk\, Petit assembles a team of 
 accomplices to plan and execute his "coup" in the most intricate detail.
  How do they pull it off? Moving between New York and his secret trainin
 g camp in rural France\, Petit and his team plot every detail. Like a ba
 nd of professional bank robbers\, the tasks they face seem virtually ins
 urmountable. But Petit is a man possessed\; nothing will thwart his miss
 ion to conquer the world's tallest buildings. Winner of both Jury and Au
 dience awards at the 2008 Sundance Film Festival.
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/manonwire_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794591-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T184500
DTEND;TZID=America/New_York:20080422T194300
SUMMARY:Paradise
DESCRIPTION:After 65 years of marriage Hans and Kerstin still cannot agre
 e on wallpaper. One day\, behind Kerstin's back\, Hans hangs a hideous p
 attern of flowers and birds to enhance a feature wall in their summer ho
 use. This seemingly innocuous décor decision puts their relationship to 
 the test and exposes the secret of their long-lasting union-change. Adap
 tation to change is a key ingredient to their partnership and its longev
 ity. Paradise is a powerful and loving portrait of an old married couple
 -bright\, funny\, touching and provocative. The pair's bickering\, battl
 es and concessions colour an image of honest affection that reminds us h
 ow we often mistreat and take for granted those we cherish most. \n -Ang
 ie Driscoll
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/paradise_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911973-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T190000
DTEND;TZID=America/New_York:20080422T195300
SUMMARY:The Man Who Crossed the Sahara
DESCRIPTION:A breathtaking journey into the mysterious life\, death and a
 fterlife of Frank Cole\, a brilliant\, enigmatic filmmaker obsessed with
  his art\, the Sahara\, life\, and most compellingly\, death. His formal
 ly inventive films explored his fascination with mortality\, which was a
 lso his fuel for life. Director Korbett Matthews fluidly wraps Cole's ha
 unting film footage around interviews with his family and friends to con
 struct a fitting meta-narrative for a man whose art and life were indist
 inguishable. Dreaming of conquering his nemesis\, the Sahara\, and armed
  with only with his Bolex camera\, Cole made the gruelling 7\,300-kilome
 tre\, 11-month journey by camel across the cadaver-littered desert. Over
  the next 10 years\, Cole worked obsessively on the film he shot there\,
  Life Without Death. When it was almost complete\, Cole went back to sho
 ot more footage but tragically\, he was never to return. The Man Who Cro
 ssed the Sahara is a gripping cinematic tale of artistic passion taken t
 o the limits of human endurance. \n -Gisèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/themanwhocrossedthesahara_hotd
 ocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61804352-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T190000
DTEND;TZID=America/New_York:20080422T201400
SUMMARY:The Lie of the Land
DESCRIPTION:Award-winning filmmaker Molly Dineen demystifies the romantic
 ism of the English countryside in this visceral portrait of contemporary
  farm life. Dineen accompanies three farmers along their daily routes\, 
 discovering disturbing agricultural practices\, government red tape and 
 injustice at every turn. Animals are slaughtered\, not for their meat\, 
 not because of disease\, but because they have no market value. Dineen f
 ocuses on the controversial fox hunt as a starting point to reveal the c
 omplex economic relationship between farmers and hunters and the role th
 at commerce plays against animal rights-with unexpected fallout. In an i
 ncreasingly competitive global food market\, British farmers' rural way 
 of life and means of making a living are quickly disappearing. The strug
 gle to make ends meet in a changing agrarian society is also applicable 
 here at home. The Lie of the Land cuts a striking portrait of globalizat
 ion and a country's divestment in producing its own local food products.
  \n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/thelieoftheland_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61909722-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T190000
DTEND;TZID=America/New_York:20080422T202100
SUMMARY:Taking Root: The Vision of Wangari Maathai
DESCRIPTION:"The environment of Third World countries is destroyed with t
 he full knowledge and support of the developed countries\, who support d
 ictators\, who don't help us overcome these dictators and who do busines
 s with these dictators\, and then\, hold the poor people to account." No
 bel laureate Wangari Maathai says it best\, whether describing Kenya's r
 ecent history or her own. One of the most inspirational orators and acti
 vists you'll ever encounter\, Maathai's simple act of planting trees ins
 pired Kenya's environmental movement\, helped protect the human rights o
 f its people\, and the democracy of the entire nation. Maathai is a humb
 le and empowering teacher and activist\, radiating warmth and intelligen
 ce. She reminds us that even the smallest act of defiance\, the quietest
  voice of dissent\, could very well change the world. Taking Root is an 
 incredible look at a woman's reclamation of her cultural roots from the 
 ravages of colonialism. \n -Angie Driscoll
CATEGORIES:Featured, World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/takingrootthevisionofwangarima
 athai_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61916942-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T191500
DTEND;TZID=America/New_York:20080422T200000
SUMMARY:Bevel Up: Drugs\, Users and Outreach Nursing
DESCRIPTION:Bevel Up is a compelling documentary that follows outreach nu
 rses through their day-to-day work as they bring healthcare directly to 
 youth\, sex workers\, addicts and street people in Vancouver's Downtown 
 Eastside. As they work with people in alleys and seedy hotels\, the nurs
 es reflect on why they do this work\, and about the respectful and nonju
 dgmental relationship so crucial in developing trust. That they\, and th
 e filmmakers\, have earned this trust is apparent in the honest\, wry an
 d painful observations from both nurses and street people. Nettie Wild's
  award-winning documentaries have shown her to be one of Canada's most s
 ocially committed and skilled directors\, a filmmaker who embeds her bel
 ief that "behind the politics in our communities lie human dramas that d
 eeply affect our lives" into her films. While Bevel Up stands alone as a
  powerful vérité documentary\, Wild has designed it to be the heart of a
  groundbreaking interactive DVD.\n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/bevelupdrugsusersandoutreachnu
 rsing_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61797520-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T191500
DTEND;TZID=America/New_York:20080422T202200
SUMMARY:Tehran Has No More Pomegranates
DESCRIPTION:In this beautiful and sometimes mischievous homage to the wei
 rd and wonderful city of Tehran\, the curious contradictions of Iranian 
 history are playfully exposed. Director Massoud Bakhshi constructs a cen
 tury-spanning postmodern portrait of a metropolis turning megalopolis\, 
 increasingly an unsustainable urban mess of pollution\, inadequate infra
 structure and overcrowding. Using an energetic mix of archival footage\,
  unconventional photography and sometimes asynchronous music and sound\,
  Bakhshi considers the aesthetic and cultural values that have shaped ol
 d and new Tehran. His project openly flouts the conventions of documenta
 ry essays\, and purposefully embraces moments of nonsense and incongruit
 y. The chaotic impulse of the film's construction is a fitting parallel 
 to the development of a city that has haphazardly survived oppressors\, 
 wars and internal revolutions. Ironically matching style and subject mat
 ter\, Bakhshi narrates that it's impossible for him to organize and save
  his movie from travesty-a critical sentiment he clearly projects onto T
 ehran\, too.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/tehranhasnomorepomegranates_ho
 tdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61826195-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T210000
DTEND;TZID=America/New_York:20080422T221600
SUMMARY:Garbage! The Revolution Starts at Home
DESCRIPTION:With his first son just born\, filmmaker Andrew Nisker is ver
 y concerned with the state of our planet. As the average household level
  of consumption rises\, so does the astronomical amount of waste we coll
 ectively create. Are we turning the earth into one giant garbage can? De
 termined to understand the damage we are doing\, Nisker enlists the aver
 age urban family\, the McDonalds\, to keep every scrap of garbage that t
 hey produce for three months in their increasingly smelly garage. From o
 rganic waste to dirty diapers\, from plastic bottles to Christmas wrappi
 ng\, the McDonald's discover that for every action there is a reaction t
 hat affects them and the entire planet. At turns hilarious\, provocative
 \, and alarming\, Garbage! The Revolution Starts at Home will change the
  way you think about the garbage sitting out on your curb and will make 
 you think twice before you eat on paper plates.\n -Alan Black\n\n  Co-pr
 esented with Planet in Focus: International Environmental Film & Video F
 estival
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/garbagetherevolutionstartsatho
 me_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61909533-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T211500
DTEND;TZID=America/New_York:20080422T224300
SUMMARY:Triage: Dr. James Orbinski's Humanitarian Dilemma
DESCRIPTION:"I don't think it's heroic...I think it's decent. I think it'
 s normal\," remarks 1999 Nobel Peace Prize winner\, Dr. James Orbinski\,
  former president of Médecins Sans Frontières/Doctors Without Borders\, 
 of his humanitarian aid work. While writing a book about his experiences
 \, Orbinski is accompanied by filmmaker Patrick Reed on a stirring journ
 ey back to Africa\, where he faced the world's most inhumane suffering. 
 Reed and Orbinski paint a compassionate picture of tending to an ever-mo
 re-desperate population during the crises of the Rwandan genocide and So
 mali famine. Facing threats of violence\, lack of supplies and worsening
  corruption by governments who would co-opt even the word "humanitariani
 sm" in support of their destructive agendas\, Orbinski chooses decency o
 ver callousness\, care over cynicism and life over darkness even when ma
 king impossible decisions about who lives and who dies. \n -Angie Drisco
 ll \n\n  Co-presented with Dignitas International.
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/triagedrjamesorbinskishumanita
 riandilemma_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61795079-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T211500
DTEND;TZID=America/New_York:20080422T223400
SUMMARY:BLAST!
DESCRIPTION:Astrophysicist geeks and the scientifically challenged alike\
 , enjoy! Follow along on a hardcore\, risk-filled\, scientific adventure
  into the heart of the Big Bang. In the ongoing attempt to unlock the my
 steries of the origins of the universe\, an international team of ultra-
 adventurous astrophysicists\, led by Dr. Mark Devlin\, filmmaker Paul De
 vlin's brother\, is aiming to launch a multi-million dollar telescope at
 tached to a NASA high-altitude balloon. And therein begins the risky and
  revolutionary challenges that ceaselessly plague a tireless world-class
  research team. Every computer chip\, every mirror fragment and even an 
 ill-placed workman's glove could spell success or disaster. As the teles
 cope and team travel from Kiruna\, Sweden\, to Victoria Island\, deep in
  the Canadian North\, and to Antarctica\, BLAST! tells a human story-the
  daily frustrations\, enormous sacrifices\, catastrophic failures and tr
 anscendent triumphs-of scientific pursuit. \n -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/blast_hotdocs2008;jsessionid=E
 18F176B340A63C50B6A25AA8EF1A8AA
UID:61907998-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T213000
DTEND;TZID=America/New_York:20080422T230400
SUMMARY:Full Battle Rattle
DESCRIPTION:Welcome to Medina Wasl\, a mock village at the U.S. Army's Ir
 aq simulation training facility in California's Mojave Desert. Here\, Am
 erican soldiers fresh from service in Iraq are cast as insurgents\, whil
 e real Iraqi exiles play civilians. Tension between soldiers and Iraqi r
 ole players\, many recent immigrants\, hangs thick in the air. Gunfire\,
  explosions\, night attacks and ambushes are skillfully scripted to refl
 ect possible battle scenarios on the all-too-real frontlines. Bloodied d
 ummies stand in for collateral damage. Death scenes and memorial service
 s are simulated to enhance the soldiers' training. Filmmakers Tony Gerbe
 r and Jesse Moss offer a startling look at this most unusual "theatre of
  war" and the effects on its "actors." Full Battle Rattle moves from com
 ic to surreal to poignant\, and provides a dead-on allegory for 21st-cen
 tury war and the play between make-believe and machismo that defines the
  American war machine. \n -Angie Driscoll
CATEGORIES:International Spectrum
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/fullbattlerattle_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811009-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T213000
DTEND;TZID=America/New_York:20080422T225400
SUMMARY:Letter to Anna - The Story of Journalist Politkovskaya's Death
DESCRIPTION:Anna Politkovskaya was living dangerously close to the edge. 
 An uncompromising journalist\, she was an openly fierce critic of Vladim
 ir Putin's regime. Her dedication to the oppressed took her into the hea
 rt of the Chechen War. Her unwavering fight for justice fueled her scath
 ing exposés of a corrupt government. She pleaded for the world's attenti
 on. And someone was listening. On October 7\, 2006\, Anna Politkovskaya 
 was shot to death in the stairwell of her apartment building. The film p
 resents an insightful investigation not only of a scandalous crime\, but
  of how far political figures may go in order to sustain their own power
 . Even more vividly\, however\, Letter to Anna celebrates the life of an
  extraordinary woman and mother\, a fearless defender of the people\, "t
 he conscience of Russia."\n -Myrocia Watamaniuk\n\n  Co-presented with C
 anadian Journalists for Free Expression
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/lettertoannathestoryofjournali
 stpolitkovskayasdeath_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF
 1A8AA
UID:61812441-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T213000
DTEND;TZID=America/New_York:20080422T225400
SUMMARY:Who's Afraid of Kathy Acker?
DESCRIPTION:"I like relationships and I like flesh" declared punk icon an
 d one-time sex worker Kathy Acker when asked about cybersex. Called an o
 utlaw writer by the New York Times\, Acker was a contradictory figure. W
 ith her close-cropped hair\, tattoos and piercings\, she made SM and bit
 ing political satire part of her oeuvre. Her sexually explicit writing\,
  which challenged assumptions of gender roles and sexuality\, was banned
  in many countries. Barbara Caspar creatively captures Acker's life\, fr
 om her wild early years in New York City to her untimely death from brea
 st cancer in 1997. The film is filled with interviews with friends\, fig
 ures from the era's punk world and young girls who speak about Acker's i
 nfluence on them. There is also animation\, graphic text and reenactment
 s of her bestseller Blood and Guts in High School. Acker lived on her ow
 n terms till the very end. Caspar captures her spirit\, her controversie
 s and her ongoing influence on the riot grrrl scene.\n\n   \nPhoto credi
 t: KATHY BREW
CATEGORIES:Next
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/whosafraidofkathyacker_hotdocs
 2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929616-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T213000
DTEND;TZID=America/New_York:20080422T224500
SUMMARY:Carny
DESCRIPTION:An intimate\, gritty and poetic adventure following the lives
  of carnies\, travelling fairground workers who have abandoned the secur
 ity of the "real world" for the refuge and variety of the road. Deep pai
 n is masked behind the huge grin of Hairy\, the charismatic lesbian cott
 on-candy seller. Through her eyes\, we see a world of unlikely Romeos\, 
 easy love and fierce friendships that obscure personal hardship and trou
 bled pasts. Often from an underclass that has few options\, the carnies 
 struggle with addiction\, loneliness\, poverty and shattered dreams\, fi
 nding solace only in the company of their own\, who accept them as they 
 are. Some have worked the fairs for more than 50 years\, some were born 
 or escaped into it\, but all are gripped by the romance of the bright mi
 dway lights lyrically captured in lush interludes of Kodachrome Super 8.
  \n -Gisèle Gordon \n\n  Co-presented with Women in Film and Television 
 - Toronto.
CATEGORIES:Canadian Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/carny_hotdocs2008;jsessionid=E
 18F176B340A63C50B6A25AA8EF1A8AA
UID:90176402-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080422T234500
DTEND;TZID=America/New_York:20080423T010300
SUMMARY:Wesley Willis's Joy Rides
DESCRIPTION:This heart-warming bio details the remarkable life of artist 
 and musician Wesley Willis who\, despite impossible odds\, became an und
 erground icon and hero to many before his untimely death in 2003 at age 
 40. Wesley\, a schizophrenic\, grew up in a poor area of Chicago in a br
 oken home. He sought refuge by making incredibly detailed freehand drawi
 ngs of the expressway and cityscape. As a permanent fixture at a local a
 rt supply store\, Wesley began making friends. He was an imposing figure
 : a big\, slovenly black man with wild hair and eyes\, but an infectious
  grin. After meeting a musician\, Wesley began to write\, perform and to
 ur. But fame came at a cost. On tour Wesley often forgot to look after h
 imself and his mental illness. By the time he died\, he had made 50 albu
 ms and thousands of drawings. Interviews with Wesley\, friends and famil
 y\, along with footage from his live performances\, paint an absorbing p
 ortrait of a loveable man who found happiness in creativity.\n -Shannon 
 Abel\n  Co-presented with North by Northeast Music and Film Festival and
  Conference
CATEGORIES:Next
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/wesleywillissjoyrides_hotdocs2
 008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929525-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T110000
DTEND;TZID=America/New_York:20080423T121000
SUMMARY:Wild Blue Yonder
DESCRIPTION:Documentary filmmaker David Maysles\, renowned for such films
  as Salesman\, Grey Gardens and Gimme Shelter\, was simply Dad to daught
 er Celia\, who had no idea growing up that her father was a film pioneer
 . By picking up a camera\, Celia takes after her father and journeys int
 o the past via interviews with family\, friends\, former film subjects a
 nd colleagues. But what she truly longs for is to feel her father's pres
 ence\, to see and hear him again\, even if it's only on screen. Her ques
 t to remember her father by way of his films is challenged\, however\, b
 y Uncle Albert\, who has long protected David's film catalogue and is le
 ss than eager to collaborate with his niece. Wild Blue Yonder is a first
 -person search for answers in images\, in the hope they might bring back
  the dead. A thoughtful family drama that examines a legacy of filmmakin
 g and loss\, passed down generation to generation.\n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/wildblueyonder_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917337-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T113000
DTEND;TZID=America/New_York:20080423T114200
SUMMARY:Dance With A Serial Killer
DESCRIPTION:May\, 1989. On a hot\, sunny afternoon in Brest\, France\, a 
 sunbathing woman lies murdered on a crowded beach. She was stabbed to de
 ath in broad daylight without any apparent motive and so detective Jean-
 François Abgrall begins an extraordinary investigation that will lead hi
 m to France's most terrifying psychopath. An unstable drifter with a vio
 lent past\, Francis Heaulmes arouses suspicion but evades arrest. Driven
  by instinct and a brilliant police mind\, however\, Abgrall cannot dism
 iss him. As a string of similarly grizzly murders all leading to Heaulme
 s is discovered\, a chilling cat and mouse game ensues between Abgrall a
 nd the highly intelligent madman. Heaulmes taunts the detective with spe
 ctacularly detailed hand-drawn maps of murder scenes\, then implores his
  innocence. Yet Abgrall must continue to engage Heaulmes to find the fac
 ts. In this gripping policier\, Abgrall himself finally shares the aston
 ishing story of how he brought France's most notorious serial killer to 
 justice.\n -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/dancewithaserialkiller_hotdocs
 2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908315-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T133000
DTEND;TZID=America/New_York:20080423T150200
SUMMARY:A Road to Mecca. The Journey of Muhammad Asad
DESCRIPTION:Who would have guessed that an Austrian Jew would one day bec
 ome one of the most remarkable Muslims of the 20th century? Born Leopold
  Weiss in 1900\, Lvov\, Ukraine\, to a strict religious upbringing\, he 
 would fatefully travel to the Middle East and change the world. His naïv
 e orientalist fascination and his rejection of '20s Western materialism 
 lead to a stunning Muslim conversion in 1926. As Muhammad Asad\, he make
 s the pilgrimage to Mecca and begins an extraordinary career. He becomes
  an advisor at the king's court of Saudi Arabia\, an early supporter of 
 the creation of Pakistan\, a UN ambassador and author of one of the fine
 st English translations of the Koran. Part biography\, part travelogue\,
  A Road to Mecca retraces Asad's life and the trajectory of his influenc
 e. However\, as the cameras encounter the people touched by his work\, h
 is vision of Islam comes into an inevitable contemporary perspective as 
 well in this most interesting historical commentary.\n -Myrocia Watamani
 uk
CATEGORIES:International Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/aroadtomeccathejourneyofmohamm
 adasad_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61815593-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T133000
DTEND;TZID=America/New_York:20080423T144000
SUMMARY:My Mother's Garden
DESCRIPTION:"As a kid I realized that she had a problem when my friends f
 rom school would tell me they saw my mom in the alley going through thei
 r dumpster\," says filmmaker Cynthia Lester. This deeply moving personal
  story of filmmaker Lester's mother explores one woman's extreme attachm
 ent to material objects and her emotional struggle to let go. Overwhelme
 d by the excesses of North American consumer-driven society\, Polish imm
 igrant Eugenia Lester has taken recycling to the extreme. Her hoarding d
 isorder has forced her and her three children out of the family home. Wi
 th the mountains of debris growing daily\, Eugenia can no longer dwell i
 nside and is forced to sleep in her garden or\, as Eugenia sees it\, in 
 "God's house." When the community threatens to evict her\, her children 
 come together for the first time to confront their mother's illness\, di
 g out their home and regain a sense of family. My Mother's Garden is a b
 rave and heartfelt diary of a mother and daughter brought together to pu
 rge and rebuild. \n-Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/mymothersgarden_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911476-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T133000
DTEND;TZID=America/New_York:20080423T150000
SUMMARY:Second Skin
DESCRIPTION:The fantasy worlds displayed in role-playing games World of W
 arcraft\, Second Life and EverQuest are second homes to millions of user
 s who live and love in these virtual spaces. The film takes a frenetic l
 ook at the Massively Multiplayer Online (MMO) subculture and its devotee
 s: four friends bond and break-up\; a couple falls in love without meeti
 ng\; a disabled man grows wings\; a gaming addict enters rehab\; "gold f
 armers" in China ply their trade. Slipping in and out of these virtual w
 orlds leads to real-world consequences-jobs\, relationships\, health and
  bill payments suffer. Never has a leisure activity been seen to pose su
 ch a threat to the status quo. Second Skin takes a voyeuristic approach 
 to the lives and problems of its characters\, mimicking the connected di
 sconnection of their beloved games. An engrossing look at the real-world
  industry and side-effects grown from a virtual "time-waster." \n -Angie
  Driscoll \n\n  Co-presented with Fantasy Worldwide Film Festival.
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/secondskin_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914057-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T134500
DTEND;TZID=America/New_York:20080423T151500
SUMMARY:Memory Books
DESCRIPTION:This deeply moving film-about keeping a family history alive 
 after the core of the family dies-also explores how HIV/AIDS continues t
 o infect and kill millions of Africans each year. In Uganda alone\, ther
 e are more than two million orphaned children\, most victims of HIV/AIDS
 . Not only do these innocent children lose their immediate sense of belo
 nging and place in the world\, they are also at risk of losing their fam
 ily roots. "Memory books" are collections of family stories\, photos and
  drawings by Ugandan mothers dying of AIDS\, used to speak to their orph
 aned children of family histories\, traditions and values. They are inva
 luable to children\, not only after their mothers have passed\, but also
  as their mothers prepare to die. As children sit with their mothers and
  assemble their memory books\, they gently prepare for the fact of their
  mothers' death. Memory books help ease these innocent children into an 
 understanding of an imminent and sad reality soon to change their lives 
 forever. \n -Sarah Whitehouse\n  Co-presented with African Medical & Res
 earch Foundation.
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/memorybooks_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61814394-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T154500
DTEND;TZID=America/New_York:20080423T174300
SUMMARY:Citizen Havel
DESCRIPTION:The last president of Czechoslovakia and first president of t
 he Czech Republic\, Václav Havel-former dissident\, leader in the Velvet
  Revolution\, playwright\, poet\, essayist and Rolling Stones fan-is sim
 ply an icon among contemporary political leaders. A former enemy of the 
 state who came to be freely elected as its leader\, Havel was thrust int
 o the spotlight of international politics and celebrity. Filmmaker Pavel
  Koutecký was given unprecedented access to Havel\, following him from 1
 992\, on the cusp of the first election of the newly formed Czech Republ
 ic\, to his return to civilian life in 2003. The result is fascinating. 
 Whether giving Keith Richards restaurant tips or facilitating the dissol
 ution of the Warsaw Pact\, Havel is seen to be always\, resolutely\, him
 self. An honest portrait of an honest politician\, Citizen Havel is a ra
 re gem of a documentary. \n -Sean Farnel
CATEGORIES:Featured, Special Presentations
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/citizenhavel_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792879-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T160000
DTEND;TZID=America/New_York:20080423T173400
SUMMARY:The English Surgeon
DESCRIPTION:When British brain surgeon Henry Marsh first visited the KGB 
 Hospital in Kiev in the early 1990s\, he was appalled by the conditions.
  Patients were dying from simple tumours left untreated. Since then\, Ma
 rsh has been on a mission to create a viable brain surgery clinic\, salv
 aging discarded equipment from British hospitals\, second-hand drills fr
 om flea markets and any other tools that may be fashioned to do the job.
  Geoffrey Smith's exceptional documentary follows the maverick neurosurg
 eon on his latest trip to the Ukraine\, as he once again encounters pati
 ents for whom he is their last chance. Marian is among them. Stricken by
  an enormous\, life-threatening brain tumour\, we follow Marian through 
 his harrowing brain surgery. As Marsh tackles increasingly risky cases\,
  he is haunted by the memory of a young Ukrainian girl whose operation w
 ent fatally wrong. Tense\, heartbreaking and at times humorous\, this is
  an extraordinary documentary. Musical score composed and performed by N
 ick Cave and Warren Ellis.\n -Sarah Whitehouse
CATEGORIES:Featured, International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/theenglishsurgeon_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61810905-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T161500
DTEND;TZID=America/New_York:20080423T180600
SUMMARY:Passage
DESCRIPTION:"History would be an excellent thing if only it were true\," 
 claimed Tolstoy\, and veteran documentarian John Walker takes us on an e
 pic historical adventure that involves cannibalism\, a vengeful woman an
 d an historical cover-up by British authorities that credited the wrong 
 man with the discovery of the Northwest Passage. The film is based on th
 e lives of Dr. John Rae\, explorer for the Hudson's Bay Company\, and Si
 r John Franklin\, British Royal Navy officer and leader of an ill-fated 
 1840s Arctic expedition. Stunningly cinematic\, the film follows a trail
  from London to the Orkney Islands to Nunavut\, elegantly slipping betwe
 en past and present\, drama and documentary\, observational and self-ref
 lexive cinema\, to present the forces that made Franklin a hero and bani
 shed Rae to the margins of history. A cast of characters\, including res
 pected Inuit stateman Tagak Curley and the great great grandson of Charl
 es Dickens\, join the director as he unravels a historic fraud and sets 
 the record straight.\n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/passage_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61804901-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T161500
DTEND;TZID=America/New_York:20080423T165900
SUMMARY:Rosa's Letters - Telling a Story
DESCRIPTION:Rosa's Letters - Telling a Story centres on the letters of Ro
 sa Luxemburg (1870-1919)\, pioneering Polish socialist\, philosopher and
  revolutionary. But rather than simply documenting the life of a histori
 cal personality\, artist Pia Rönicke appropriates the letters in a delib
 erately subjective manner. The film's voiceover is based on fragments fr
 om various stages of Rosa's remarkable life\, including many years of co
 rrespondence to her lover and work partner Leo Jogiches\, her letters to
  lover and friend Konstantin Zetkin\, and writings from her time in pris
 on in Wronki and Breslau to her friends Sonja Liebknecht and Hans Diefen
 bach. A fascinating transformation takes place as intimate letters becom
 e publicly accessible\, historical documents.
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/rosasletterstellingastory_hotd
 ocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61927278-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T183000
DTEND;TZID=America/New_York:20080423T195700
SUMMARY:The Black List
DESCRIPTION:The derogatory connotations of the term "black list" have alw
 ays bothered filmmaker Timothy Greenfield-Sanders and critic Elvis Mitch
 ell. By crafting a series of provocative and emotional interviews with 2
 0 prominent African-Americans\, the pair powerfully (re)present The Blac
 k List for a new generation. Black leaders from diverse backgrounds incl
 uding Colin Powell\, Sean "Puffy" Combs\, Suzan-Lori Parks and Rev. Al S
 harpton\, speak directly to the camera\, boldly sharing not only persona
 l experiences\, but controversial views on the joys and struggles of bla
 ck life in America. While Toni Morrison offers positive experiences grow
 ing up as a black\, female child\, Lou Gossett Jr. calls out Hollywood's
  racism over not getting any work after winning the Oscar. Chris Rock as
 serts that true equality in major league baseball is achieved only when 
 bad black players are signed\, while museum curator Thelma Golden recall
 s how people assumed she only worked for Thelma Golden. With stunning co
 mposition and incisive interviewing\, The Black List stimulates a most p
 owerful discussion of race\, oppression and empowerment.\n -Myrocia Wata
 maniuk
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/theblacklist_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792573-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T184500
DTEND;TZID=America/New_York:20080423T195800
SUMMARY:Belarusian Waltz
DESCRIPTION:Belarus is Europe's last dictatorship\, a society of total po
 litical control\, mass poverty and nuclear pollution. Human-rights activ
 ists are regularly persecuted and mercilessly punished by an intolerant 
 government. Fear keeps opposition in check and its citizens uniformly an
 d appropriately patriotic. Belarusian Waltz is the story of Alexander Pu
 shkin\, a performance artist who uses his "patriotic" art to protest aga
 inst his country's dictatorship. He is one of the very few undeterred by
  threats of political reprisals. Despite the risks of imprisonment and t
 orture\, Pushkin delights in being visibly subversive\, sarcastic and co
 ntroversial. Despite grave consequences he organizes public stunts that 
 mock President Alexander Lukashenko. Director Andrzej Fidyk\, one of Pol
 and's most esteemed and accomplished filmmakers\, has created a thorough
 ly engaging\, humorous and provocative portrait of an artist and his cou
 ntry.\n -Sarah Whitehouse
CATEGORIES:Next
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/belarusianwaltz_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918914-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T190000
DTEND;TZID=America/New_York:20080423T203000
SUMMARY:Man on Wire
DESCRIPTION:On August 7\, 1974\, a young Frenchman named Philippe Petit s
 teps out on a wire suspended 1\,350 feet above ground between the twin t
 owers of New York's World Trade Center. He dances on the wire with no sa
 fety net for almost an hour\, crossing it eight times before he is arres
 ted for what becomes known as "the artistic crime of the century." In th
 e months leading up to his clandestine walk\, Petit assembles a team of 
 accomplices to plan and execute his "coup" in the most intricate detail.
  How do they pull it off? Moving between New York and his secret trainin
 g camp in rural France\, Petit and his team plot every detail. Like a ba
 nd of professional bank robbers\, the tasks they face seem virtually ins
 urmountable. But Petit is a man possessed\; nothing will thwart his miss
 ion to conquer the world's tallest buildings. Winner of both Jury and Au
 dience awards at the 2008 Sundance Film Festival.
CATEGORIES:Special Presentations
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/manonwire_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794617-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T190000
DTEND;TZID=America/New_York:20080423T201200
SUMMARY:FLicKeR
DESCRIPTION:Multimedia artist\, mystic\, gay pop-culture icon and sometim
 e Canadian Brion Gysin wanted to liberate humanity by freeing our minds.
  To subvert patterns of thought\, he built the Dream Machine\, a hypnoti
 c flickering light source with the power to trigger the brain's alpha wa
 ves\, evoking a dream state. Gysin was the secret alchemist of the Beat 
 Generation\, forever hidden in the shadow of his best friend\, artistic 
 collaborator and soul mate\, William S. Burroughs. With the Dream Machin
 e\, they wanted to "storm the citadels of enlightenment." Filmmaker Nik 
 Sheehan takes us on a magical ride through Gysin's fascinating life. Wit
 h a custom-made dream machine in tow\, Sheehan interviews Gysin's friend
 s and pop-culture icons such as Marianne Faithfull\, Genesis P-Orridge\,
  Iggy Pop\, Kenneth Anger and DJ Spooky. Their insights into the power o
 f the trance-inducing device explore creativity in its purest form and a
 sk crucial questions about the nature of art and consciousness. Note: Ca
 ution is advised for people with photosensitive epilepsy or other nervou
 s disorders. \n -Gisèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/flicker_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61803757-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T190000
DTEND;TZID=America/New_York:20080423T203800
SUMMARY:At the Death House Door
DESCRIPTION:For 15 years\, Pastor Carroll Pickett believes he is doing Go
 d's work as the death-house chaplain at an infamous Texas state penitent
 iary. But extraordinary circumstances and a complete stranger cause him 
 to question his beliefs and the U.S. justice system. After each of the 9
 5 executions he presides over\, Pickett records an audiotape account of 
 his final day spent with the inmate. One tape changes everything. Carlos
  De Luna is convicted of a savage murder\, but Pickett instinctively kno
 ws he is ministering to an innocent man. Joined by Chicago Tribune crime
  reporters\, Pickett revisits De Luna's case and his ensuing crisis of f
 aith. Part investigation\, part confessional\, award-winning filmmakers 
 Peter Gilbert and Steve James present a thoroughly engaging\, deeply per
 sonal look at the death penalty and the lives of all those it condemns. 
 \n -Myrocia Watamaniuk
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/atthedeathhousedoor_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61810149-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T191500
DTEND;TZID=America/New_York:20080423T203500
SUMMARY:The Mother
DESCRIPTION:The Mother is a lyrical and compelling portrait of Liubov\, a
  no-nonsense\, single\, working-class mother of nine in rural Russia. In
  Russian\, Liubov means "love"\, and while she often curses out her chil
 dren\, her affection is clear. Liubov's life as a mother had a heart-bre
 aking start-she was "sold" to a man who raped her-and now\, as a farm la
 bourer\, she can barely keep food on the table. With her eldest son in j
 ail and another with a learning disability\, Liubov has to work even har
 der. But as the film movingly illustrates\, her hardships are punctuated
  by moments of great joy\, like her eldest daughter's marriage. Liubov i
 s always on the move\, whether running away from her violent husband or 
 to her eldest son in jail\, raising the question of whether she will eve
 r be able to be still and truly happy. Not just a sensitive and intimate
  portrayal of an amazing character's plight\, The Mother is also an inno
 vation in storytelling.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/themother_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61814521-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T191500
DTEND;TZID=America/New_York:20080423T202900
SUMMARY:The Red Card
DESCRIPTION:Murder\, social taboos and celebrity combine in Iran's answer
  to the O.J. Simpson trial. Nasser Khani is an Iranian hero and the coun
 try's top sports star: a champion soccer player and coach respected for 
 his talent and strategy. . When his mistress\, Shahla Jahed\, is arreste
 d and put on trial for the murder of Nasser's wife\, his idolized story 
 becomes unraveled. As the Iranian media sensationalize the case\, direct
 or Mahnaz Afzali goes beyond the tabloid headlines. With remarkable acce
 ss to both Nasser and Shahla through behind-the-scenes interviews and ho
 me-movies\, Afzali reveals the curious and cryptic tensions between priv
 ate lives and public personas. Shahla's courtroom testimony is sassy\, t
 ragically eloquent and totally riveting. Her public romantic pleas are a
  stark contrast to the private Nasser\, who is revealed as more of a sur
 ly\, self-centred slob than his superstar athlete persona should allow. 
 Is Shahla really the murderer? What really happened in this love triangl
 e? The answers provided by the strange\, melodramatic courtroom proceedi
 ngs are inconclusive\, a mystery deepened by Nasser and Shahla's vacilla
 ting relationship.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/theredcard_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61824859-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T210000
DTEND;TZID=America/New_York:20080423T230300
SUMMARY:Stranded\, I've come from a plane that crashed in the mountains
DESCRIPTION:In October 1972\, a plane carrying 45 members of an Uruguayan
  rugby team crashes into the Andes. Their struggle to stay alive would m
 ake international headlines and inspires the world as one of the greates
 t survival stories ever told. Thirty-five years later\, filmmaker Gonzal
 o Arijon reunites all 16 survivors back at the crash site to share their
  incredible experience. A trusted friend of the survivors\, Arijon offer
 s recovered photographs of the scene and brilliantly recreated sequences
  with the utmost respect to illustrate the group's sheer bravery against
  insurmountable odds. As visually stunning as Arijon's homage is\, the s
 urvivors' candid sharing of their deepest feelings on their harrowing ps
 ychological and physical ordeal creates even more emotional power. While
  the press sensationalized tales of their cannibalism\, a survivor's own
  words sanctify their desperation and reclaim their dignity: "I decided 
 I wanted to live." A cinematic tour-de-force\, Stranded is a deeply movi
 ng film about honour\, courage and survival. \n -Myrocia Watamaniuk
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/strandedivecomefromaplanethatc
 rashedinthemountains_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1
 A8AA
UID:61794911-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T211500
DTEND;TZID=America/New_York:20080423T221400
SUMMARY:To See If I'm Smiling
DESCRIPTION:The frank testimonials of six female Israeli soldiers pack a 
 powerful emotional punch. The young women revisit their tours of duty in
  the occupied territories with surprising honesty and strip bare stereot
 ypes of gender differences in the military. No information seems to be o
 ff-limits. The former soldiers share shocking moments of negligence\, fl
 ippancy\, immaturity and power-tripping. The psychological transformatio
 n that these young women underwent as a result of military service is bo
 th upsetting and riveting. The culture of war transforms people: persona
 lities change\, moral codes are subverted\, values are supplanted and ma
 sks are constructed to dull the pain of what they did and didn't do in u
 niform. To See if I'm Smiling illustrates how the trauma of war alters p
 ersonalities and behaviour\, and raises questions about the Israeli-Pale
 stinian conflict. Does military service create more anger\, resentment a
 nd disagreement\, or does it inspire understanding and empathy? Does it 
 propagate or deter hostilities? \n -Angie Driscoll \n\n  Co-presented wi
 th Female Eye Film Festival.
CATEGORIES:International Spectrum
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/toseeifimsmiling_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61817367-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T213000
DTEND;TZID=America/New_York:20080423T231600
SUMMARY:Bigger\, Stronger\, Faster*
DESCRIPTION:America defines itself in the superlative: the biggest\, stro
 ngest\, fastest country in the world. Is it any wonder that so many of i
 ts athletes take performance-enhancing drugs? Director Christopher Bell 
 explores America's win-at-all-costs philosophy by examining the way his 
 two brothers became members of the steroid subculture in an effort to re
 alize their American dream. Ingeniously beginning the film by harkening 
 back to the mentality of the 1980s-where the heroes were Rambo\, Conan a
 nd Hulk Hogan-Bell recounts how these role models led him and his brothe
 rs into powerlifting and dreams of becoming all-star wrestlers. Those dr
 eams were soon shattered by the realization that success in those fields
  required the use of performance-enhancing drugs. Bell uses his personal
  story as an entrée into an analysis of the bigger issues surrounding th
 ese drugs: ethics in sports\, the physical and psychological health rami
 fications and the mentality that fuels it all.
CATEGORIES:Special Presentations
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/biggerstrongerfaster_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792430-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T213000
DTEND;TZID=America/New_York:20080423T224200
SUMMARY:The Lost Colony
DESCRIPTION:"In some vague newspaper article\, I read about 'newly opened
  KGB documents' revealing that some time\, somewhere\, in Russia an atte
 mpt had been made to cross monkeys with humans\," says filmmaker Astrid 
 Bussink. The Sukhum Primate Centre in the former Soviet republic of Abkh
 azia is the world's oldest monkey laboratory. Once a pioneering research
  institute\, it fell into decay during Georgia's civil war in the early 
 1990s. Despite its decrepit state\, the elderly staff dream of its reviv
 al while urgently looking for financiers to restore the buildings for it
 s 80th anniversary. At times touching and often amusing\, Bussink's film
  follows the staff in their tireless effort to put life back into the fa
 ded institution. The buildings have decayed and the majority of monkeys 
 have fled into the mountains\, but their desire and hope is kept alive a
 gainst all odds. The film provides a beautiful picture of the power of h
 opes and dreams.\n -Sarah Whitehouse
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/thelostcolony_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61813432-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T213000
DTEND;TZID=America/New_York:20080423T224800
SUMMARY:Vesterbro
DESCRIPTION:Young love can be wild\, tempestuous even. But when filmmaker
  Michael Noer gave his 20-something neighbours Julie and Martin a video 
 camera to film their daily lives\, he had no idea what a roller-coaster 
 it could be. In a west-end Copenhagen flat\, the do-nothing pair have a 
 full-time time relationship: partying together\, texting each other\, ma
 king out and having complete emotional breakdowns. As the two lurch from
  crisis to surprising crisis\, Julie takes to her camera as a therapist\
 , confessing her innermost desires and fears over Martin\, while he reve
 als complexities and hidden anxieties of his own. Will they continue to 
 deny impending realities or defy them and hold onto their happiness? The
  couple's visceral self-filmed footage and Noer's intimate observations 
 form an almost uncomfortably honest\, energetic and most modern love sto
 ry.\n -Myrocia Watamaniuk
CATEGORIES:International Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/vesterbro_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61818585-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T213000
DTEND;TZID=America/New_York:20080423T223800
SUMMARY:Where Do I Belong?
DESCRIPTION:Faced with a nation crumbling down around them\, millions of 
 Afghans have been fleeing their home country over the past 30 years. War
 \, brutal regimes and poor quality of life have made it a necessity to m
 ove on. Many have sought refuge in Iran\, most without official status o
 r sanction in that country. While there\, many Afghan men wed Iranian wo
 men\, often despite deep-rooted cultural frictions. Their compelling sto
 ries are elegantly considered by award-winning filmmaker Mahvash Sheikho
 leslami in Where Do I Belong? As the couples struggle to be accepted\, b
 oth officially and culturally\, their stark interviews expose lives fill
 ed with raw and uncompromising decisions about love\, country and commun
 al acceptance. Sheikholeslami constructs the film inside a stunning phot
 ographic travelogue\, filled with dramatic cinematography of rural and u
 rban landscapes. The stories of the mixed Afghani-Iranian marriages ofte
 n suggest bravery and patience\; this is a visually poetic look at endur
 ing\, unlikely relationships.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/wheredoibelong_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61826774-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T214500
DTEND;TZID=America/New_York:20080423T230700
SUMMARY:Virtual JFK: Vietnam if Kennedy Had Lived
DESCRIPTION:Virtual JFK is a fascinating investigation of one of the most
  debated "what if" scenarios in the history of U.S. foreign policy: What
  would President John F. Kennedy have done in Vietnam if he had not been
  assassinated in 1963\, and had he been re-elected in 1964? Using an arr
 ay of resources\, the film employs what Harvard historian Niall Ferguson
  calls "virtual history\," assessing the plausibility of counterfactuals
 \, "what ifs" and the outcomes they might have produced. The film examin
 es Kennedy's decision-making patterns\, like his responses to such Cold 
 War events as Bay of Pigs and East Berlin. Studying Kennedy's term of pr
 esidency is not merely an academic exercise\; it serves as a case study 
 of the broader issue about presidents and their decisions regarding war 
 and peace. On the eve of a U.S. election\, Virtual JFK offers a timely a
 nd chilling reminder that the individual who holds the office of the pre
 sident matters greatly indeed.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/virtualjfkvietnamifkennedyhadl
 ived_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61819087-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080423T235500
DTEND;TZID=America/New_York:20080424T011900
SUMMARY:The Rise and Fall of the Grumpy Burger
DESCRIPTION:Filmmaker Marshall Sfalcin is Canada's answer to Ed Wood and 
 Russ Meyer. His no-budget monster movies are works of fantasy\, favourin
 g big scares and bigger boobs to truth and authenticity. With his latest
  film\, Sfalcin is determined to tell the "serious" story about his fami
 ly history and their bold claim that they\, and not McDonald's\, are the
  rightful inventors of fast food. Along to capture the making of Sfalcin
 's masterpiece is fellow filmmaker and childhood buddy Matt Gallagher. A
 s Sfalcin's vision of his film changes due to a barrage of obstacles\, G
 allagher's documentary morphs from straightforward "making-of" film into
  a complex mediation on truth and fiction\, where the lines are always b
 lurred. The Rise and Fall of Grumpy Burger is that rare treat of a film 
 that entertains and captivates with its outrageous story and brash chara
 cters while\, at the very same time\, asking the audience to question ev
 erything they are seeing. \n -Alan Black
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/theriseandfallofthegrumpyburge
 r_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61912433-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T120000
DTEND;TZID=America/New_York:20080424T130000
SUMMARY:Carts of Darkness
DESCRIPTION:On the way to cash in bottles for a few dollars\, a group of 
 homeless men turn into road warriors\, careening their grocery carts dow
 n the death-defying hills of North Van at speeds of 70 kilometres per ho
 ur. There are dangers and sometimes a man is seriously injured. "That's 
 life. Everybody in extreme sports gets bruises\," says Big Al\, a cart r
 acer and hell raiser just out of prison. Director Murray Siple loves spe
 ed and made sports films until a car accident 10 years ago rendered him 
 quadriplegic. So when he met these guys cashing in bottles at the superm
 arket\, a friendship and mutual trust developed through the understandin
 g that their disabilities make them invisible to society. Fergie\, "pick
 eled as a newt\," sings a wicked version of Tennessee Stud. Max barbecue
 s a gourmet salmon in the liquor store parking lot. Al takes us on a tou
 r of grocery stores to teach us how to choose exactly the right vehicle.
  In the tradition of the best documentaries\, both subjects and filmmake
 rs are revealed as fragile\, funny and fully human. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/cartsofdarkness_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61798300-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T120000
DTEND;TZID=America/New_York:20080424T133800
SUMMARY:At the Death House Door
DESCRIPTION:For 15 years\, Pastor Carroll Pickett believes he is doing Go
 d's work as the death-house chaplain at an infamous Texas state penitent
 iary. But extraordinary circumstances and a complete stranger cause him 
 to question his beliefs and the U.S. justice system. After each of the 9
 5 executions he presides over\, Pickett records an audiotape account of 
 his final day spent with the inmate. One tape changes everything. Carlos
  De Luna is convicted of a savage murder\, but Pickett instinctively kno
 ws he is ministering to an innocent man. Joined by Chicago Tribune crime
  reporters\, Pickett revisits De Luna's case and his ensuing crisis of f
 aith. Part investigation\, part confessional\, award-winning filmmakers 
 Peter Gilbert and Steve James present a thoroughly engaging\, deeply per
 sonal look at the death penalty and the lives of all those it condemns. 
 \n -Myrocia Watamaniuk
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/atthedeathhousedoor_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61810235-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T133000
DTEND;TZID=America/New_York:20080424T150800
SUMMARY:The Art Star and the Sudanese Twins
DESCRIPTION:Vanessa Beecroft\, contemporary art world star\, is as passio
 nate about her life as she is about her art. Her New York dealer Jeffrey
  Deitch aptly notes that\, with Vanessa\, there is no boundary between l
 ife and art. Filmmaker Pietra Brettkelly follows Beecroft during a 16-mo
 nth journey to the Sudan. Beecroft has been drawn to Africa as inspirati
 on for her art. But now her bond to Africa has deepened through her burn
 ing desire to adopt two orphaned babies. In a provocative and highly con
 troversial photograph\, we see Beecroft nurse the black babies on her ex
 posed white bosoms\, composing a provocative tableau that references bot
 h religious iconography and colonialism. As the complexities of the inte
 rnational adoption become apparent\, the process creates ethical and emo
 tional waves that travel from Sudan to New York. Brettkelly's engaging f
 ilm confronts the complex and not easily answerable question: is there a
  suitable reaction to African suffering?\n -Sarah Whitehouse\n\n  Co-pre
 sented with CONTACT Toronto Photography Festival
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/theartstarandthesudanesetwins_
 hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61823246-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T133000
DTEND;TZID=America/New_York:20080424T143700
SUMMARY:Tehran Has No More Pomegranates
DESCRIPTION:In this beautiful and sometimes mischievous homage to the wei
 rd and wonderful city of Tehran\, the curious contradictions of Iranian 
 history are playfully exposed. Director Massoud Bakhshi constructs a cen
 tury-spanning postmodern portrait of a metropolis turning megalopolis\, 
 increasingly an unsustainable urban mess of pollution\, inadequate infra
 structure and overcrowding. Using an energetic mix of archival footage\,
  unconventional photography and sometimes asynchronous music and sound\,
  Bakhshi considers the aesthetic and cultural values that have shaped ol
 d and new Tehran. His project openly flouts the conventions of documenta
 ry essays\, and purposefully embraces moments of nonsense and incongruit
 y. The chaotic impulse of the film's construction is a fitting parallel 
 to the development of a city that has haphazardly survived oppressors\, 
 wars and internal revolutions. Ironically matching style and subject mat
 ter\, Bakhshi narrates that it's impossible for him to organize and save
  his movie from travesty-a critical sentiment he clearly projects onto T
 ehran\, too.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/tehranhasnomorepomegranates_ho
 tdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61826297-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T140000
DTEND;TZID=America/New_York:20080424T152200
SUMMARY:Seaview
DESCRIPTION:North of Dublin\, on the beautiful Irish seaside\, lies a biz
 arre-looking collection of rusting fairground rides and grey cement buil
 dings with brightly painted doors. The compound\, called Mosney\, opened
  in 1948 as a summer holiday camp\, a place where Irish families would e
 scape the daily grind for a week in order to relax\, dance\, eat fish 'n
 ' chips and enjoy the salty fresh air. A visit to Mosney today presents 
 a radically different picture\, but still a picture of escape. This form
 er holiday camp is now a camp of another kind\, a holding centre for asy
 lum seekers from all corners of the globe. Here the residents wait years
  for the results of their asylum claims. Seaview's amusement-park settin
 g and contemplative camera-work underscores the emotional state of its d
 esperate inhabitants. To them\, Mosney is limbo. Seaview is a poignant p
 ortrayal of the modern immigrant experience. \n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/seaview_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61816243-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T143000
DTEND;TZID=America/New_York:20080424T155100
SUMMARY:Taking Root: The Vision of Wangari Maathai
DESCRIPTION:"The environment of Third World countries is destroyed with t
 he full knowledge and support of the developed countries\, who support d
 ictators\, who don't help us overcome these dictators and who do busines
 s with these dictators\, and then\, hold the poor people to account." No
 bel laureate Wangari Maathai says it best\, whether describing Kenya's r
 ecent history or her own. One of the most inspirational orators and acti
 vists you'll ever encounter\, Maathai's simple act of planting trees ins
 pired Kenya's environmental movement\, helped protect the human rights o
 f its people\, and the democracy of the entire nation. Maathai is a humb
 le and empowering teacher and activist\, radiating warmth and intelligen
 ce. She reminds us that even the smallest act of defiance\, the quietest
  voice of dissent\, could very well change the world. Taking Root is an 
 incredible look at a woman's reclamation of her cultural roots from the 
 ravages of colonialism. \n -Angie Driscoll
CATEGORIES:Featured, World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/takingrootthevisionofwangarima
 athai_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61916954-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T160000
DTEND;TZID=America/New_York:20080424T173000
SUMMARY:Hot Docs Talks: Iran to You
DESCRIPTION:Guest filmmakers and delegates from Iran\, this year’s Spotli
 ght country\, discuss their projects and the conditions for making docum
 entaries in their homeland.
CATEGORIES:Hot Docs Talks
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/hotdocstalkirantoyou_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61936885-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T161500
DTEND;TZID=America/New_York:20080424T172900
SUMMARY:Be Like Others
DESCRIPTION:Would it surprise you to know that sex change operations are 
 legal in Iran\, a theocratic state with strict social mores and fundamen
 talist values? More than 20 years ago\, Ayatollah Khomeini issued a fatw
 a (religious edict) making sex changes permissible for "diagnosed transs
 exuals." Yet homosexuality remains punishable by death. Forced to live i
 n secret for fear of retribution\, a generation of young Iranian men are
  adopting an identity legally allowed to them-transsexual. In pursuit of
  what one man simply calls "a decent life\," they flock to the country's
  best-established gender reassignment surgeon\, where they are counselle
 d by 24-year-old Vida\, an eloquent post-op woman who claims to be "rebo
 rn" but warns the men of the dangers they face. Intimate and unflinching
 \, Be Like Others accompanies several young men through their transforma
 tions. Capturing the complexities of Iranian society\, it's a fascinatin
 g portrait of people on the fringes of Iranian life looking for acceptan
 ce through the most radical of means.\n\n  Co-presented with Xtra!
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/belikeothers_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61823628-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T163000
DTEND;TZID=America/New_York:20080424T175400
SUMMARY:Letter to Anna - The Story of Journalist Politkovskaya's Death
DESCRIPTION:Anna Politkovskaya was living dangerously close to the edge. 
 An uncompromising journalist\, she was an openly fierce critic of Vladim
 ir Putin's regime. Her dedication to the oppressed took her into the hea
 rt of the Chechen War. Her unwavering fight for justice fueled her scath
 ing exposés of a corrupt government. She pleaded for the world's attenti
 on. And someone was listening. On October 7\, 2006\, Anna Politkovskaya 
 was shot to death in the stairwell of her apartment building. The film p
 resents an insightful investigation not only of a scandalous crime\, but
  of how far political figures may go in order to sustain their own power
 . Even more vividly\, however\, Letter to Anna celebrates the life of an
  extraordinary woman and mother\, a fearless defender of the people\, "t
 he conscience of Russia."\n -Myrocia Watamaniuk\n\n  Co-presented with C
 anadian Journalists for Free Expression
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/lettertoannathestoryofjournali
 stpolitkovskayasdeath_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF
 1A8AA
UID:61812492-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T170000
DTEND;TZID=America/New_York:20080424T182400
SUMMARY:Who's Afraid of Kathy Acker?
DESCRIPTION:"I like relationships and I like flesh" declared punk icon an
 d one-time sex worker Kathy Acker when asked about cybersex. Called an o
 utlaw writer by the New York Times\, Acker was a contradictory figure. W
 ith her close-cropped hair\, tattoos and piercings\, she made SM and bit
 ing political satire part of her oeuvre. Her sexually explicit writing\,
  which challenged assumptions of gender roles and sexuality\, was banned
  in many countries. Barbara Caspar creatively captures Acker's life\, fr
 om her wild early years in New York City to her untimely death from brea
 st cancer in 1997. The film is filled with interviews with friends\, fig
 ures from the era's punk world and young girls who speak about Acker's i
 nfluence on them. There is also animation\, graphic text and reenactment
 s of her bestseller Blood and Guts in High School. Acker lived on her ow
 n terms till the very end. Caspar captures her spirit\, her controversie
 s and her ongoing influence on the riot grrrl scene.\n\n   \nPhoto credi
 t: KATHY BREW
CATEGORIES:Next
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/whosafraidofkathyacker_hotdocs
 2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929620-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T183000
DTEND;TZID=America/New_York:20080424T200300
SUMMARY:Flow: For Love of Water
DESCRIPTION:Water sustains every creature on this planet. Like the Earth\
 , we are 70 percent water\, with 60\,000 miles of veins and arteries str
 etching throughout our bodies\, pumping oxygenated blood to keep us heal
 thy and alive. Similarly\, the lakes\, rivers\, streams and oceans make 
 up a vast circulatory system moving oxygenated water throughout the worl
 d\, keeping the planet alive. But through years of abuse and contaminati
 on we are killing our very life source\, our water systems. Each year\, 
 polluted and diseased water kills more people than AIDS\, more people th
 an wars. More than 30\,000 people die every day from water-borne disease
 s. The global water supply isn't merely at risk\, it's already in crisis
 . To make matters worse\, the privatization of water supply and the emer
 gence of a global water business are restricting access to clean water t
 o those who can pay. Unless we instigate change\, only those who can pay
  for their water will survive.\n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/flowforloveofwater_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61909347-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T184500
DTEND;TZID=America/New_York:20080424T195500
SUMMARY:The Beetle
DESCRIPTION:Director Yishai Orian is one of the millions of proud Beetlem
 anics sprinkled throughout the world. Despite the vehicle's rough and no
 isy ride\, underpowered motor and dubious distinction as Hitler's "car f
 or the masses\," the Volkswagen Beetle became the most produced car of a
  single design in history (Hitler himself is said to have sketched the p
 rototype for what would become the Beetle). Sadly\, Orian's beloved 40-y
 ear-old car is on its last legs and his beloved and very pregnant wife w
 ants it scrapped. We join the filmmaker on his extremely funny and touch
 ing road trip as he introduces us to the people who owned\, loved and ev
 en gave birth in his cherished car. As fatherhood looms\, Orian is reluc
 tant to let go of the past\, and he debates his options to repair or sel
 l the car. The Beetle was selected as the opening night film at this yea
 r's prestigious DocAviv Festival. \n -Chris McDonald
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/thebeetle_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61823914-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T190000
DTEND;TZID=America/New_York:20080424T203000
SUMMARY:The Forgotten Woman
DESCRIPTION:Internationally renowned as a photographer\, Dilip Mehta was 
 working as the production designer on Water\, his sister's Oscar-nominat
 ed feature about widows in 1930s India\, when he learned that 40 million
  women lived in the same conditions today. Appalled\, he felt compelled 
 to make this powerful documentary that testifies to the contemporary rea
 lities behind the historical fiction. The film opens in the ancient temp
 le city of Vrindavan with striking images of thousands of widows living 
 in poverty. It then travels to rural villages to hear from women beginni
 ng to organize for their rights and to New Delhi to listen to war widows
 . In a country in which sophisticated urban lifestyles and ancient rural
  traditions co-exist\, Mehta understands the power of light and composit
 ion to tell a story and brings his photographer's eye to every frame of 
 this film. Although he claims no overt political agenda\, the stories an
 d images he captures raise a powerful call for change. \n -Lynne Fernie 
 \n\n  Co-presented with Filmi - South Asian Film Festival.
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/theforgottenwoman_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61793240-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T190000
DTEND;TZID=America/New_York:20080424T202600
SUMMARY:S&M: Short and Male
DESCRIPTION:"A short guy who is sensitive is in deep shit." So begins thi
 s investigation into the relationship between male height\, self-esteem 
 and success. With humour and bite\, 5'3" Howard Goldberg tackles the tal
 l issue of heightism. A few sample facts: over a lifetime\, a 6' man ear
 ns about $280\,000 more than his 5'5" counterpart\, sperm banks have min
 imum height requirements for donors\, and women could be genetically har
 d-wired to pick the tall guy. Around the world\, the bias seems to hold 
 true. In China\, minimum heights are posted in certain job descriptions.
  The French seem to have more enlightened attitudes-short can still be s
 exy\, thanks to Emperor Napoleon. Most disturbing is "stature-lengthenin
 g" surgery\, in which bones are broken\, then stretched in excruciating 
 increments as they heal. No wonder sales for elevator shoes are so stron
 g. All this won't be news for members of the National Organization of Sh
 ort Statured Adults\, but might teach the rest of us a few things. \n -G
 isèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/smshortandmale_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61805527-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T190000
DTEND;TZID=America/New_York:20080424T201900
SUMMARY:Mechanical Love
DESCRIPTION:In the near future\, the elderly will outnumber children for 
 the first time in our human history. There will be a gap in the social f
 abric\, resulting in loneliness and depression from lack of contact and 
 companionship. To patch this gap\, engineers like Professor Ishiguro are
  developing therapeutic companion robots\, near identical copies of huma
 ns designed to keep us company at home or in nursing homes. The film lea
 ds up to a revealing moment when the professor's android copy is introdu
 ced to his wife and daughter for the first time. Will the robot possess 
 sonzai-kan\, a human presence? Or will it remain uncanny and strange? Wi
 ll his family emotionally bond to the robot? Will they eventually love h
 im? Mechanical Love explores the intimate and complex relationships betw
 een therapeutic robots and humans\, raising the question: Can robots off
 er a substitute for human affection?\n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/mechanicallove_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61910236-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T191500
DTEND;TZID=America/New_York:20080424T203000
SUMMARY:An Island Calling
DESCRIPTION:Based on the book Deep Beyond the Reef by Owen Scott\, vetera
 n Kiwi director Annie Goldson tells a fascinating and tragic story that 
 spans four generations of a white Fijian family\, the Scotts\, considere
 d amongst the colonial island's most prominent and colourful inhabitants
 . Fiji's lavish homes\, private clubs and manicured gardens were the idy
 llic playgrounds for the island's elite for generations. But after signi
 ficant political unrest and a series of military coups disrupts the isla
 nd's tranquility\, the author's brother John Scott and his lover Greg Sc
 rivener are murdered in a brutal hate crime of horrific violence. In the
  wake of the tragedy\, Goldson and Scott travel back to the island in se
 arch of the truth about the murders\, revealing layers of history and fa
 mily intrigue that unfolded amidst the end of colonial rule and the figh
 t for Fijian independence. \n -Chris McDonald
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/anislandcalling_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811977-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T191500
DTEND;TZID=America/New_York:20080424T200700
SUMMARY:It's Always Late for Freedom
DESCRIPTION:In this eye-opening and hopeful portrait of a Tehranian youth
  correctional centre\, filmmaker Mehrdad Oskouei introduces us to a smal
 l group of teenage boys serving sentences related to violence\, theft an
 d drugs. We follow three in particular\, each of whom demonstrates an un
 likely blend of world-weary toughness\, street-smarts and a mature compa
 ssion. Their troubled circumstance suggests that they have been surrende
 red by their families\, and the country\, to the growing Iranian epidemi
 cs of addiction and poverty. In the face of adult abandonment\, though\,
  the three discover the simple joys of childhood and friendship through 
 a "boys will be boys" routine of mischief\, pranks and sports. In intima
 te interviews they open up\, sharing fierce hopes and tender frustration
 s for their lives beyond the centre's walls\; but Oskouei always delicat
 ely pulls back from showing us too much of their families and outside li
 ves. This is a heartbreaking and heartwarming film of generations lost a
 nd childhood found.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/itsalwayslateforfreedom_hotdoc
 s2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61824261-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T210000
DTEND;TZID=America/New_York:20080424T220200
SUMMARY:Stalags - Holocaust and Pornography in Israel
DESCRIPTION:The improbable but true story of a wildly popular series of r
 acy paperbacks called 'Stalags'. They became national bestsellers and to
 ok conservative Israel by storm in the early 1960s. Their perverse and b
 izarre narratives\, based on Nazi themes\, were the only erotic 'literat
 ure' available in the country at that time (one of the more lurid books 
 was titled I Was Colonel Shultz’s Private Bitch). \nDisguised as America
 n publications\, it was later discovered that these tales of female SS o
 fficers with boots and whips were in fact penned and published by Israel
 i Jews. The Stalag phenomenon immediately followed the notorious Adolph 
 Eichmann trial\, which was credited as a factor behind the genre’s bruta
 l and sadistic tone. At a time when Holocaust scholarship was in its inf
 ancy\, for many young Israelis these pornographic fictions were their fi
 rst exposure to the brutal realities of the Second World War.
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/stalagsholocaustandpornography
 inisrael_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914604-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T211500
DTEND;TZID=America/New_York:20080424T225700
SUMMARY:Eleven Minutes
DESCRIPTION:It's been two years since quick-witted Jay McCarroll was anoi
 nted the winner of Project Runway's first season. Eleven Minutes catches
  up with Jay as he pulls together his first collection in preparation fo
 r New York Fashion Week. The designer is a blast to watch\, fresh and jo
 yous despite stress\, uncertainty and tremendous pressure. At the end of
  the day Jay is doing what he loves\, but the realization of a dream is 
 often not as exciting or glamorous as the dreaming itself. We watch Jay 
 transform from a one-man DIY operation into a mass-producing\, Chinese o
 ut-sourcing business machine. Eleven Minutes captures that special momen
 t in time before things get jaded and blasé. A hilarious and irreverent 
 look at the creative process and the friction between commerce and art\,
  fame and talent\, reality-TV and actuality.\n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/elevenminutes_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908655-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T213000
DTEND;TZID=America/New_York:20080424T230500
SUMMARY:Planet B-Boy
DESCRIPTION:Kids in Osaka\, Paris\, Seoul and Las Vegas are all doing it-
 B-boying\, breakin'\, bustin' moves you've gotta see to believe! Planet 
 B-Boy features insane dance performances\, unforgettable power moves\, i
 mpossible synchronization and sweet choreography. The film tracks the ev
 olution of a street dance turned universal art form\, culminating in an 
 international showdown. B-boy crews from 18 different countries face-off
  in Germany at the annual "Battle of the Year" World Championships\, eag
 er to reprazent. Behind the dancers' infectious energy and mad skillz li
 e personal stories that inspire and drive them: an American dancer strug
 gles for a break\, a Korean son seeks his father's approval\, a 12-year-
 old French boy confronts his family's racism and a Japanese B-boy pays t
 ribute to his dead father. All of the dancers struggle to be understood 
 by their families and society at large. The globalization of hip-hop cul
 ture is here-r u ready? \n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/planetbboy_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61912231-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T213000
DTEND;TZID=America/New_York:20080424T225000
SUMMARY:Suddenly\, Last Winter
DESCRIPTION:Gustav and Luca are journalists\, filmmakers and long-term bo
 yfriends living a comfortable life in Rome. When right-winger Silvio Ber
 lusconi's government is replaced by a centre-left coalition\, Italians a
 re promised a new law that would increase rights for unmarried and gay c
 ouples. Unfortunately for Gustav\, Luca and millions of disenfranchised 
 Italians\, the Vatican\, conservative politicians and family-values advo
 cates don't share their more liberal views. With anti-gay sentiment runn
 ing high\, rallies are held\, politicians are lobbied and wagons are cir
 cled. With a very light touch and a good measure of patience and humour\
 , Gustav and Luca attempt to navigate the roadblocks\, landmines and min
 dboggling bureaucracy standing between themselves and their equal rights
 . The intrepid and at times reluctant filmmakers maintain a steady pace 
 in this study of an ancient culture in flux and a modern couple in love.
  \n -Chris McDonald
CATEGORIES:World Showcase
LOCATION:Cumberland Cinemas 2
URL:http://hotdocsaudience.bside.com/films/suddenlylastwinter_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61915172-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T213000
DTEND;TZID=America/New_York:20080424T230400
SUMMARY:Dreams with Sharp Teeth
DESCRIPTION:From the producer of Grizzly Man comes a literary documentary
  that will send you back to your bookshelf\, out to the library and into
  the bookstore. Harlan Ellison may be the greatest unknown writer of our
  time. Like Ray Bradbury and Kurt Vonnegut\, Ellison's work was original
 ly shunted into the literary ghetto\, but now it defines its own unique 
 genre. This is a portrait of the artist as a rage-a-holic. Passionate\, 
 intelligent\, wounded\, hilarious\, contentious-words don't do justice t
 o a man who manipulates them so well. Infinitely watchable\, Ellison spe
 aks to his life and creative process with the same fervour\, self-awaren
 ess and imagination that he uses to write. Dreams With Sharp Teeth bring
 s Ellison's magnetic personality and prolific work to life\, featuring a
 ppearances by Robin Williams and Neil Gaiman\, as well as an original sc
 ore composed and performed by Richard Thompson.\n -Angie Driscoll\n\n  C
 o-presented with Toronto After Dark Film Festival\, the festival of new 
 horror and fantasy cinema
CATEGORIES:Next
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/dreamswithsharpteeth_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61922912-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T213000
DTEND;TZID=America/New_York:20080424T222200
SUMMARY:Bloody Cartoons
DESCRIPTION:What do Danish cartoons tell us about contemporary democracy?
  A lot\, it seems. Bloody Cartoons examines the aftermath of the violent
  furor that erupted in Muslim countries around the world when the indepe
 ndent Danish newspaper Jyllands-Posten published cartoons of the prophet
  Muhammad in September 2005. Danish Prime Minister Anders Fogh Rasmussen
  has called the controversy Denmark's worst international crisis since W
 orld War II. Freedom of expression is seen by many as an indispensable p
 rinciple of democracy. But what happens when one democratic right infrin
 ges on the rights of others? Is democracy itself shaped by religion? Are
  religions democratic? More importantly\, is God democratic? Profiling v
 arious subjects in Lebanon\, Iran\, Syria\, Qatar\, France\, Turkey and 
 Denmark who played key roles in the cartoon controversy\, Bloody Cartoon
 s peels back the layers to document the escalation of the political cont
 roversy.
CATEGORIES:Make Me A Believer
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/bloodycartoons_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931735-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T214500
DTEND;TZID=America/New_York:20080424T230200
SUMMARY:Killer Poet
DESCRIPTION:Norman Porter\, a convicted double murderer\, served 25 years
  in prison as an exemplary inmate\, only to escape after being denied a 
 commutation. For two decades Porter eluded police. The case went cold un
 til a Google search led cops to Chicago\, where Porter had reinvented hi
 mself as J.J. Jameson: churchgoer\, handyman\, published poet and member
  of the coffeehouse intelligentsia. Right after he was named Chicago's "
 poet of the month\," the long arm of the law finally caught up with him.
  Killer Poet details the life of the mind despite the confines of prison
 . Porter's poems offer vivid proof that prison provides fertile ground f
 or creative expression\, if permitted\, following the grand tradition of
  Robert E. Burns and Jean Genet. Porter is now back behind bars. Is this
  evidence of the U.S. justice system doing its job? Are prisons meant to
  serve as sites of punishment or rehabilitation? \n -Angie Driscoll
CATEGORIES:International Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/killerpoet_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61812241-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080424T235500
DTEND;TZID=America/New_York:20080425T011300
SUMMARY:Vesterbro
DESCRIPTION:Young love can be wild\, tempestuous even. But when filmmaker
  Michael Noer gave his 20-something neighbours Julie and Martin a video 
 camera to film their daily lives\, he had no idea what a roller-coaster 
 it could be. In a west-end Copenhagen flat\, the do-nothing pair have a 
 full-time time relationship: partying together\, texting each other\, ma
 king out and having complete emotional breakdowns. As the two lurch from
  crisis to surprising crisis\, Julie takes to her camera as a therapist\
 , confessing her innermost desires and fears over Martin\, while he reve
 als complexities and hidden anxieties of his own. Will they continue to 
 deny impending realities or defy them and hold onto their happiness? The
  couple's visceral self-filmed footage and Noer's intimate observations 
 form an almost uncomfortably honest\, energetic and most modern love sto
 ry.\n -Myrocia Watamaniuk
CATEGORIES:International Spectrum
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/vesterbro_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61818790-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T113000
DTEND;TZID=America/New_York:20080425T125000
SUMMARY:The Mother
DESCRIPTION:The Mother is a lyrical and compelling portrait of Liubov\, a
  no-nonsense\, single\, working-class mother of nine in rural Russia. In
  Russian\, Liubov means "love"\, and while she often curses out her chil
 dren\, her affection is clear. Liubov's life as a mother had a heart-bre
 aking start-she was "sold" to a man who raped her-and now\, as a farm la
 bourer\, she can barely keep food on the table. With her eldest son in j
 ail and another with a learning disability\, Liubov has to work even har
 der. But as the film movingly illustrates\, her hardships are punctuated
  by moments of great joy\, like her eldest daughter's marriage. Liubov i
 s always on the move\, whether running away from her violent husband or 
 to her eldest son in jail\, raising the question of whether she will eve
 r be able to be still and truly happy. Not just a sensitive and intimate
  portrayal of an amazing character's plight\, The Mother is also an inno
 vation in storytelling.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/themother_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61814592-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T120000
DTEND;TZID=America/New_York:20080425T132700
SUMMARY:The Black List
DESCRIPTION:The derogatory connotations of the term "black list" have alw
 ays bothered filmmaker Timothy Greenfield-Sanders and critic Elvis Mitch
 ell. By crafting a series of provocative and emotional interviews with 2
 0 prominent African-Americans\, the pair powerfully (re)present The Blac
 k List for a new generation. Black leaders from diverse backgrounds incl
 uding Colin Powell\, Sean "Puffy" Combs\, Suzan-Lori Parks and Rev. Al S
 harpton\, speak directly to the camera\, boldly sharing not only persona
 l experiences\, but controversial views on the joys and struggles of bla
 ck life in America. While Toni Morrison offers positive experiences grow
 ing up as a black\, female child\, Lou Gossett Jr. calls out Hollywood's
  racism over not getting any work after winning the Oscar. Chris Rock as
 serts that true equality in major league baseball is achieved only when 
 bad black players are signed\, while museum curator Thelma Golden recall
 s how people assumed she only worked for Thelma Golden. With stunning co
 mposition and incisive interviewing\, The Black List stimulates a most p
 owerful discussion of race\, oppression and empowerment.\n -Myrocia Wata
 maniuk
CATEGORIES:Special Presentations
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/theblacklist_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61792612-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T133000
DTEND;TZID=America/New_York:20080425T142300
SUMMARY:The Man Who Crossed the Sahara
DESCRIPTION:A breathtaking journey into the mysterious life\, death and a
 fterlife of Frank Cole\, a brilliant\, enigmatic filmmaker obsessed with
  his art\, the Sahara\, life\, and most compellingly\, death. His formal
 ly inventive films explored his fascination with mortality\, which was a
 lso his fuel for life. Director Korbett Matthews fluidly wraps Cole's ha
 unting film footage around interviews with his family and friends to con
 struct a fitting meta-narrative for a man whose art and life were indist
 inguishable. Dreaming of conquering his nemesis\, the Sahara\, and armed
  with only with his Bolex camera\, Cole made the gruelling 7\,300-kilome
 tre\, 11-month journey by camel across the cadaver-littered desert. Over
  the next 10 years\, Cole worked obsessively on the film he shot there\,
  Life Without Death. When it was almost complete\, Cole went back to sho
 ot more footage but tragically\, he was never to return. The Man Who Cro
 ssed the Sahara is a gripping cinematic tale of artistic passion taken t
 o the limits of human endurance. \n -Gisèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/themanwhocrossedthesahara_hotd
 ocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61804433-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T141500
DTEND;TZID=America/New_York:20080425T153000
SUMMARY:An Island Calling
DESCRIPTION:Based on the book Deep Beyond the Reef by Owen Scott\, vetera
 n Kiwi director Annie Goldson tells a fascinating and tragic story that 
 spans four generations of a white Fijian family\, the Scotts\, considere
 d amongst the colonial island's most prominent and colourful inhabitants
 . Fiji's lavish homes\, private clubs and manicured gardens were the idy
 llic playgrounds for the island's elite for generations. But after signi
 ficant political unrest and a series of military coups disrupts the isla
 nd's tranquility\, the author's brother John Scott and his lover Greg Sc
 rivener are murdered in a brutal hate crime of horrific violence. In the
  wake of the tragedy\, Goldson and Scott travel back to the island in se
 arch of the truth about the murders\, revealing layers of history and fa
 mily intrigue that unfolded amidst the end of colonial rule and the figh
 t for Fijian independence. \n -Chris McDonald
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/anislandcalling_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61812082-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T161500
DTEND;TZID=America/New_York:20080425T170000
SUMMARY:Bevel Up: Drugs\, Users and Outreach Nursing
DESCRIPTION:Bevel Up is a compelling documentary that follows outreach nu
 rses through their day-to-day work as they bring healthcare directly to 
 youth\, sex workers\, addicts and street people in Vancouver's Downtown 
 Eastside. As they work with people in alleys and seedy hotels\, the nurs
 es reflect on why they do this work\, and about the respectful and nonju
 dgmental relationship so crucial in developing trust. That they\, and th
 e filmmakers\, have earned this trust is apparent in the honest\, wry an
 d painful observations from both nurses and street people. Nettie Wild's
  award-winning documentaries have shown her to be one of Canada's most s
 ocially committed and skilled directors\, a filmmaker who embeds her bel
 ief that "behind the politics in our communities lie human dramas that d
 eeply affect our lives" into her films. While Bevel Up stands alone as a
  powerful vérité documentary\, Wild has designed it to be the heart of a
  groundbreaking interactive DVD.\n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/bevelupdrugsusersandoutreachnu
 rsing_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61797585-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T163000
DTEND;TZID=America/New_York:20080425T180400
SUMMARY:Full Battle Rattle
DESCRIPTION:Welcome to Medina Wasl\, a mock village at the U.S. Army's Ir
 aq simulation training facility in California's Mojave Desert. Here\, Am
 erican soldiers fresh from service in Iraq are cast as insurgents\, whil
 e real Iraqi exiles play civilians. Tension between soldiers and Iraqi r
 ole players\, many recent immigrants\, hangs thick in the air. Gunfire\,
  explosions\, night attacks and ambushes are skillfully scripted to refl
 ect possible battle scenarios on the all-too-real frontlines. Bloodied d
 ummies stand in for collateral damage. Death scenes and memorial service
 s are simulated to enhance the soldiers' training. Filmmakers Tony Gerbe
 r and Jesse Moss offer a startling look at this most unusual "theatre of
  war" and the effects on its "actors." Full Battle Rattle moves from com
 ic to surreal to poignant\, and provides a dead-on allegory for 21st-cen
 tury war and the play between make-believe and machismo that defines the
  American war machine. \n -Angie Driscoll
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/fullbattlerattle_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61811079-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T183000
DTEND;TZID=America/New_York:20080425T200500
SUMMARY:Dear Zachary: A Letter to a Son about his Father
DESCRIPTION:On November 5\, 2001\, Dr. Andrew Bagby was murdered in a par
 king lot in Pennsylvania. The prime suspect was his ex-girlfriend\, Dr. 
 Shirley Turner\, who promptly left town and resettled in her hometown of
  St. John's. Brought up for extradition\, Shirley announced that she was
  pregnant with Andrew's child. Determined to win custody of their grandc
 hild and to see Shirley face murder charges\, Andrew's parents David and
  Kathleen Bagby transplanted themselves to Newfoundland. The ensuing cou
 rt case is infuriating. The relationship that the Bagbys are forced to f
 orge with Shirley is uncannily similar to the dysfunctional bond she had
  with their deceased son\, and you fear that history will repeat itself.
  Filmmaker Kurt Kuenne's loving tribute to a friend\, son and father is 
 an emotional roller-coaster. Part memorial\, part scathing indictment of
  a malfunctioning judicial system\, Dear Zachary is a love letter out of
  senseless tragedy. \n -Angie Driscoll
CATEGORIES:Featured, World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/dearzacharyalettertoasonabouth
 isfather_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908457-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T184500
DTEND;TZID=America/New_York:20080425T201000
SUMMARY:The Fallen
DESCRIPTION:In February 2006\, while 63 miners remained buried under the 
 rubble of an explosion at the Pasta de Conchos coal mine in Mexico\, the
  media and federal government performed a complicated fandango of disinf
 ormation\, cover-up and gross negligence. The Fallen is a gripping accou
 nt of this historic mining conflict. Owned by the country's largest mini
 ng company\, the mine was not safe. The events that ensued after the acc
 ident\, the delayed rescue attempts\, the illegal overthrow of the miner
 s' union leader and the revelations about President Vicente Fox's admini
 stration's complicity in the cover-up are jaw-dropping. And the film exp
 lores other conflicts between the underpaid\, overworked miners and the 
 Mexican government's vested interest in keeping mining companies happy. 
 Firsthand accounts by journalists\, world-renowned experts\, the miners 
 and the working class families who make a living from the mines all pain
 t a terrifying picture of corruption and greed. While the bodies of the 
 miners have still not been recovered\, their legacy will never be forgot
 ten.\n -Shannon Abel\n  Co-presented with Mayworks Festival of Working P
 eople and the Arts
CATEGORIES:Made In Mexico
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/thefallen_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918055-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T190000
DTEND;TZID=America/New_York:20080425T200900
SUMMARY:Milošević  on Trial
DESCRIPTION:Nicknamed the "Butcher of the Balkans\," Slobodan Milošević  
 was brought up on war crime charges in 2002\, in what has been called th
 e most important legal case since Nuremberg. Milošević  defiantly chose 
 to represent himself against charges of crimes against humanity\, breach
 es of the Geneva Conventions\, violations of the customs of war\, and ge
 nocide\, all the while refusing to recognize the UN tribunal as a legiti
 mate legal body. Mind games\, leading questions and stall tactics were M
 ilošević's preferred legal strategy. His ultimate strategic manoeuvre wa
 s perhaps his own death from a heart attack in 2006\, just prior to the 
 verdict. Milošević on Trial provides insight into the banal and extraord
 inary machinations of the international court system\, through exclusive
  behind-the-scenes access to principal trial attorney Geoffrey Nice and 
 Milošević's advisors. Director Michael Christoffersen sifts through more
  than 2\,000 hours of footage to bring cohesion and understanding to thi
 s history-defining trial. \n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/milosevicontrial_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911265-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T191500
DTEND;TZID=America/New_York:20080425T200800
SUMMARY:Anatomy of Failure
DESCRIPTION:In 1998\, controversial author Carlos Castaneda (The Teaching
 s of Don Juan)\, celebrated godfather of the New Age\, died in his Los A
 ngeles home. Five women from his notorious "harem" disappeared within da
 ys of his death. In 2004\, the skeletal remains of one of those women we
 re found at the edge of Death Valley. In a series of Californian road tr
 ips\, filmmaker Minou Norouzi attempts to unravel the women's obsession 
 with Castaneda. Norouzi meets numerous Castaneda friends and acquaintanc
 es ranging from his dentist to a former lover and muse\, all at some tim
 e in their lives drawn to the mysterious figure. As her investigation pr
 ogresses\, Norouzi finds herself seduced by Castaneda's persona\, and fe
 els her life mirroring that of the women who vanished. Anatomy of Failur
 e is a fascinating study of the power of myth and personality.\n -Shanno
 n Abel
CATEGORIES:Make Me A Believer
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/anatomyoffailure_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931452-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T191500
DTEND;TZID=America/New_York:20080425T200700
SUMMARY:Bloody Cartoons
DESCRIPTION:What do Danish cartoons tell us about contemporary democracy?
  A lot\, it seems. Bloody Cartoons examines the aftermath of the violent
  furor that erupted in Muslim countries around the world when the indepe
 ndent Danish newspaper Jyllands-Posten published cartoons of the prophet
  Muhammad in September 2005. Danish Prime Minister Anders Fogh Rasmussen
  has called the controversy Denmark's worst international crisis since W
 orld War II. Freedom of expression is seen by many as an indispensable p
 rinciple of democracy. But what happens when one democratic right infrin
 ges on the rights of others? Is democracy itself shaped by religion? Are
  religions democratic? More importantly\, is God democratic? Profiling v
 arious subjects in Lebanon\, Iran\, Syria\, Qatar\, France\, Turkey and 
 Denmark who played key roles in the cartoon controversy\, Bloody Cartoon
 s peels back the layers to document the escalation of the political cont
 roversy.
CATEGORIES:Make Me A Believer
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/bloodycartoons_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931739-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T211500
DTEND;TZID=America/New_York:20080425T221400
SUMMARY:Summerchild
DESCRIPTION:Over the summer vacation\, a Finnish couple opens their home 
 to a Russian orphan\, who lives a mere 60 kilometres away. Geographic pr
 oximity is about all that the generous couple and 11-year-old Sveta have
  in common. Sveta doesn't say much and the do-gooders struggle to pull h
 er out of her shell\, addressing her in Finnish\, a language she does no
 t understand. They communicate instead through bedtime stories\, shoppin
 g sprees and apiology. Summerchild is an intriguing and revelatory look 
 at the role that performance and motive play in the act of charity. Are 
 good intentions all that are needed to acclimatize Sveta to the West and
  to restore her childhood? The cultural and economic divide between Finl
 and and Russia is sharply mirrored in Sveta's personal struggle to conne
 ct with Tiina and Peter\, and to express herself freely\, outside the co
 nfines of the orphanage and beyond her role as charity case. \n -Angie D
 riscoll
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/summerchild_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61915568-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T211500
DTEND;TZID=America/New_York:20080425T223300
SUMMARY:Waiting for Hockney
DESCRIPTION:Waiting for Hockney is a compelling look at the institutional
  art world through the story of Billy Pappas\, a suburban Maryland artis
 t who embarks on a 10-year pursuit to create the most detailed portrait 
 ever drawn and to gain an audience with one of the world's most famous a
 rtists\, David Hockney. After graduating from art school\, Billy had bec
 ome disillusioned with the scene. While working as a waiter\, he meets a
  man who helps him devise a plan to wow the art world. Billy chooses his
  subject\, his drawing method and sets to work in obsessive and meticulo
 us fashion. His drawing takes almost 10 years to complete. He decides th
 at the best man to judge it is Hockney. Will Hockney like the portrait? 
 Will Billy burst onto the international art scene? Waiting for Hockney i
 s an engrossing and often hilarious film that subverts our expectations 
 of art and artists.\n -Shannon Abel
CATEGORIES:Next
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/waitingforhockney_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929322-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T211500
DTEND;TZID=America/New_York:20080425T220800
SUMMARY:Primary
DESCRIPTION:Primary was the first film by Drew Associates where Drew and 
 Leacock's vision for candid\, intimate filmmaking was fully realized. Th
 e film follows a young Senator John F. Kennedy and his opponent Senator 
 Hubert H. Humphrey campaigning to win the Wisconsin presidential Democra
 tic nomination. The filmmakers approached Kennedy and Humphrey to gain p
 ermission to shoot speeches\, meetings\, strategy sessions and interview
 s\, promising never to ask or suggest an action. Both candidates agreed 
 and the results were astonishing. No previous film had captured so vivid
 ly the euphoria and sweat of a political campaign. Other notable but the
 n-unknown filmmakers who worked on the film were D.A. Pennebaker\, Alber
 t Maysles and Terrence McCartney Filgate (then a major figure at the Nat
 ional Film Board of Canada). Nearly all recognize Primary as a turning p
 oint in documentary filmmaking. The new technology developed by Drew and
  Leacock supported their goal to film live events as they unfolded. Prim
 ary\, with its marriage of technological innovation and direct cinema id
 eology\, launched the American cinema vérité movement. \n -Shannon Abel
CATEGORIES:Outstanding Achievement: Richard Leacock
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/primary_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61930884-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T213000
DTEND;TZID=America/New_York:20080425T233000
SUMMARY:My Life Inside
DESCRIPTION:In January 2003\, 21-year-old Rosa Estela Olera Jiménez\, an 
 illegal immigrant from Mexico working as a nanny in Austin\, Texas\, is 
 brought to trial for the homicide of 21-month-old Bryan Guttierez\, a yo
 ung boy who died under mysterious circumstances while in her care. The p
 rosecution is relentless in its demonization of Jiménez\, a soft-spoken 
 mother of two who was working to one day buy her mother a house and buil
 d a better life for herself in the land of opportunity. With a sweeping\
 , lyrical focus\, the film encompasses the obstacles\, prejudices and Si
 syphean struggles faced by many Mexican migrant workers who leave their 
 lives behind to pursue the American dream. A powerful and heart-wrenchin
 g documentary\, My Life Inside alternates between tense courtroom drama 
 and moving personal profile\, providing a cautionary tale about the expe
 rience of outsiders in the United States.
CATEGORIES:Featured, Made In Mexico
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/mylifeinside_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918339-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T213000
DTEND;TZID=America/New_York:20080425T220000
SUMMARY:Lovely Andrea
DESCRIPTION:In Tokyo\, filmmaker Hito Steyerl searches for a photo series
  that she posed for in 1987 as a rope-bondage model. Looking at images o
 f herself shot in the nawa-shibari style\, bound and suspended in the ai
 r\, Steyerl broadens the film's scope beyond Japanese fetishes\, beyond 
 her student identity and sexual representation\, to more universal metap
 hors of censorship and pornography. Images of "Spiderman\," other Japane
 se pinups and Guantanamo Bay torture scenes cascade to Depeche Mode and 
 X-Ray Spex beats. Steyerl's sleek and subversive personal story striking
 ly observes that "there is bondage all over the place."
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/lovelyandrea_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61927955-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T213000
DTEND;TZID=America/New_York:20080425T225000
SUMMARY:Jesus Loves You
DESCRIPTION:Summer 2006 in Berlin meant one thing to millions of people a
 cross the world: World Cup Soccer. But for 10\,000 born-again Christians
 \, it was an irresistible opportunity to spread the gospel to beer-swill
 ing\, flag-waving rowdy soccer fans. Jesus Loves You follows the efforts
  of a German church organization\, led by the disturbingly "hip" Tilmann
  Pfor\, to host thousands of missionaries from churches around the world
  at a German castle. Their mission\, of course\, is to convert soccer fa
 ns to Christianity. The film follows their awkward encounters with the f
 ans. When a young man shrouded in a German flag is asked if he believes 
 in God\, he responds curtly\, "I believe in Germany." When one American 
 tries to get Turkish Muslims living in Germany to join his congregation\
 , Church 411\, the absurdity of their mission is revealed. Ultimately\, 
 the film is an interesting study of the worldwide battle between religio
 us fundamentalism and conflicting world views.\n -Shannon Abel
CATEGORIES:Make Me A Believer
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/jesuslovesyou_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931988-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080425T234500
DTEND;TZID=America/New_York:20080426T012700
SUMMARY:Eleven Minutes
DESCRIPTION:It's been two years since quick-witted Jay McCarroll was anoi
 nted the winner of Project Runway's first season. Eleven Minutes catches
  up with Jay as he pulls together his first collection in preparation fo
 r New York Fashion Week. The designer is a blast to watch\, fresh and jo
 yous despite stress\, uncertainty and tremendous pressure. At the end of
  the day Jay is doing what he loves\, but the realization of a dream is 
 often not as exciting or glamorous as the dreaming itself. We watch Jay 
 transform from a one-man DIY operation into a mass-producing\, Chinese o
 ut-sourcing business machine. Eleven Minutes captures that special momen
 t in time before things get jaded and blasé. A hilarious and irreverent 
 look at the creative process and the friction between commerce and art\,
  fame and talent\, reality-TV and actuality.\n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/elevenminutes_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908678-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T113000
DTEND;TZID=America/New_York:20080426T125500
SUMMARY:Her Name is Sabine
DESCRIPTION:French actress Sandrine Bonnaire uses intimate home-movie foo
 tage to create a loving portrait of Sabine\, her 38-year-old autistic si
 ster\, and to trace her behavioural decline. Personal footage filmed by 
 the actress over a 25-year period shows the marked change and harm that 
 institutional living has had on Sabine's personality and temperament. On
 ce high-functioning and happy\, Sabine is now lethargic and lonely with 
 diminished capabilities. Is this the result of institutional psychiatric
  care or disease progression? Bonnaire visits her sister\, now living in
  a home in the Charente region of France\, and looks back on Sabine's hi
 story of mental illness. Her Name Is Sabine is an emotional questioning 
 of psychiatric diagnosis\, the agonizing decisions involved in adult lon
 g-term care and the lack of specialized institutions and support. The fi
 lm is an urgent plea to acknowledge\, value\, support and involve differ
 ently-abled individuals in society. \n -Angie Driscoll\n\n  Co-presented
  with Alliance Française de Toronto.
CATEGORIES:Special Presentations
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/hernameissabine_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794210-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T113000
DTEND;TZID=America/New_York:20080426T124200
SUMMARY:Let It Come Down: The Life of Paul Bowles
DESCRIPTION:Ian Holm played him as the slightly sinister Tom Frost in Dav
 id Cronenberg's adaptation of William S. Burroughs' Naked Lunch. John Ma
 lkovich created a devastating portrait of Port Moseby\, his fictional al
 ter ego in Bernardo Bertolucci's adaptation of his The Sheltering Sky. P
 aul Bowles is a legendary character\, a homosexual composer and eventual
 ly a novelist\, who fell in love with another American exile\, writer Ja
 ne Bowles. \nThe two lived in Morocco for decades\, writing and entertai
 ning such friends as Burroughs\, Aaron Copland and Tennessee Williams. W
 hen Jennifer Baichwal ran away from university on a journey of self-disc
 overy\, she ended up in Tangier\, where she became acquainted with Bowle
 s. Ten years later\, Baichwal "awoke from a dream in which Bowles had di
 ed. And I thought 'no one has caught the complexity and subterfuge of th
 is person.'" Baichwal decided to film Bowles. "The conversation with Bow
 les you always wanted to have\," says Cronenberg of the resulting doc.
CATEGORIES:Focus On Jennifer Baichwal
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/letitcomedownthelifeofpaulbowl
 es_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61808477-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T113000
DTEND;TZID=America/New_York:20080426T124400
SUMMARY:The Red Card
DESCRIPTION:Murder\, social taboos and celebrity combine in Iran's answer
  to the O.J. Simpson trial. Nasser Khani is an Iranian hero and the coun
 try's top sports star: a champion soccer player and coach respected for 
 his talent and strategy. . When his mistress\, Shahla Jahed\, is arreste
 d and put on trial for the murder of Nasser's wife\, his idolized story 
 becomes unraveled. As the Iranian media sensationalize the case\, direct
 or Mahnaz Afzali goes beyond the tabloid headlines. With remarkable acce
 ss to both Nasser and Shahla through behind-the-scenes interviews and ho
 me-movies\, Afzali reveals the curious and cryptic tensions between priv
 ate lives and public personas. Shahla's courtroom testimony is sassy\, t
 ragically eloquent and totally riveting. Her public romantic pleas are a
  stark contrast to the private Nasser\, who is revealed as more of a sur
 ly\, self-centred slob than his superstar athlete persona should allow. 
 Is Shahla really the murderer? What really happened in this love triangl
 e? The answers provided by the strange\, melodramatic courtroom proceedi
 ngs are inconclusive\, a mystery deepened by Nasser and Shahla's vacilla
 ting relationship.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/theredcard_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61824924-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T124500
DTEND;TZID=America/New_York:20080426T141500
SUMMARY:Tiger Spirit
DESCRIPTION:Millions of Korean families were separated from one another i
 n the 1950s when war broke out between the Soviet-occupied North and the
  American-controlled South. For more than a generation\, families have n
 ot been able to visit\, speak on the phone or even write each other. Tra
 gically\, the last survivors to remember a unified Korea are dying witho
 ut ever having seen their grandchildren. Filmmaker Min Sook Lee examines
  the political reality with a journalist's eye and keen personal insight
 . To better understand the country she left as a child\, Lee examines th
 e consequences of history through the extraordinary experiences of ordin
 ary Koreans. At a war memorial site\, she meets a woman who has the fate
  of earning her livelihood by daily transforming her harrowing escape fr
 om North Korea into a story for tourists. Lee meets with elderly Koreans
  who yearn to see their loved ones just once before they die. One lucky 
 family\, the Kims\, are winners in a surreal mass state-sanctioned famil
 y reunion in a facility in the North. Their meeting profoundly illuminat
 es the cost of 50 years of separation and the challenges ahead for those
  who dream of reunification. \n -Gisèle Gordon
CATEGORIES:Canadian Spectrum, Featured
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/tigerspirit_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61807056-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T133000
DTEND;TZID=America/New_York:20080426T144400
SUMMARY:The Lie of the Land
DESCRIPTION:Award-winning filmmaker Molly Dineen demystifies the romantic
 ism of the English countryside in this visceral portrait of contemporary
  farm life. Dineen accompanies three farmers along their daily routes\, 
 discovering disturbing agricultural practices\, government red tape and 
 injustice at every turn. Animals are slaughtered\, not for their meat\, 
 not because of disease\, but because they have no market value. Dineen f
 ocuses on the controversial fox hunt as a starting point to reveal the c
 omplex economic relationship between farmers and hunters and the role th
 at commerce plays against animal rights-with unexpected fallout. In an i
 ncreasingly competitive global food market\, British farmers' rural way 
 of life and means of making a living are quickly disappearing. The strug
 gle to make ends meet in a changing agrarian society is also applicable 
 here at home. The Lie of the Land cuts a striking portrait of globalizat
 ion and a country's divestment in producing its own local food products.
  \n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/thelieoftheland_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61909766-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T140000
DTEND;TZID=America/New_York:20080426T151900
SUMMARY:Mechanical Love
DESCRIPTION:In the near future\, the elderly will outnumber children for 
 the first time in our human history. There will be a gap in the social f
 abric\, resulting in loneliness and depression from lack of contact and 
 companionship. To patch this gap\, engineers like Professor Ishiguro are
  developing therapeutic companion robots\, near identical copies of huma
 ns designed to keep us company at home or in nursing homes. The film lea
 ds up to a revealing moment when the professor's android copy is introdu
 ced to his wife and daughter for the first time. Will the robot possess 
 sonzai-kan\, a human presence? Or will it remain uncanny and strange? Wi
 ll his family emotionally bond to the robot? Will they eventually love h
 im? Mechanical Love explores the intimate and complex relationships betw
 een therapeutic robots and humans\, raising the question: Can robots off
 er a substitute for human affection?\n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/mechanicallove_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61910241-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T140000
DTEND;TZID=America/New_York:20080426T153000
SUMMARY:Doc It! Showcase
DESCRIPTION:A showcase for teenage doc makers\, Doc It! presents the brig
 htest of these young voices\, screening a selection of work from submiss
 ions received from across the country and beyond. Visit www.hotdocs.ca f
 or a list of films. All films screening are eligible for the Doc It! Aud
 ience Award.
CATEGORIES:Special Presentations
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/docitshowcase_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61937073-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T150000
DTEND;TZID=America/New_York:20080426T163000
SUMMARY:Hot Docs Talks: The Feeling of Being There
DESCRIPTION:Outstanding Achievement honouree Richard Leacock has describe
 d his goal in shooting documentaries to convey “the feeling of being the
 re.” Leacock and other guest filmmakers discuss this and other notions o
 f practicing documentary cinematography.\n
CATEGORIES:Hot Docs Talks
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/hotdocstalkthefeelingofbeingth
 ere_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61936979-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T153000
DTEND;TZID=America/New_York:20080426T170300
SUMMARY:Flow: For Love of Water
DESCRIPTION:Water sustains every creature on this planet. Like the Earth\
 , we are 70 percent water\, with 60\,000 miles of veins and arteries str
 etching throughout our bodies\, pumping oxygenated blood to keep us heal
 thy and alive. Similarly\, the lakes\, rivers\, streams and oceans make 
 up a vast circulatory system moving oxygenated water throughout the worl
 d\, keeping the planet alive. But through years of abuse and contaminati
 on we are killing our very life source\, our water systems. Each year\, 
 polluted and diseased water kills more people than AIDS\, more people th
 an wars. More than 30\,000 people die every day from water-borne disease
 s. The global water supply isn't merely at risk\, it's already in crisis
 . To make matters worse\, the privatization of water supply and the emer
 gence of a global water business are restricting access to clean water t
 o those who can pay. Unless we instigate change\, only those who can pay
  for their water will survive.\n -Sarah Whitehouse
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/flowforloveofwater_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61909355-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T160000
DTEND;TZID=America/New_York:20080426T172000
SUMMARY:Suddenly\, Last Winter
DESCRIPTION:Gustav and Luca are journalists\, filmmakers and long-term bo
 yfriends living a comfortable life in Rome. When right-winger Silvio Ber
 lusconi's government is replaced by a centre-left coalition\, Italians a
 re promised a new law that would increase rights for unmarried and gay c
 ouples. Unfortunately for Gustav\, Luca and millions of disenfranchised 
 Italians\, the Vatican\, conservative politicians and family-values advo
 cates don't share their more liberal views. With anti-gay sentiment runn
 ing high\, rallies are held\, politicians are lobbied and wagons are cir
 cled. With a very light touch and a good measure of patience and humour\
 , Gustav and Luca attempt to navigate the roadblocks\, landmines and min
 dboggling bureaucracy standing between themselves and their equal rights
 . The intrepid and at times reluctant filmmakers maintain a steady pace 
 in this study of an ancient culture in flux and a modern couple in love.
  \n -Chris McDonald
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/suddenlylastwinter_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61915231-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T163000
DTEND;TZID=America/New_York:20080426T174200
SUMMARY:The Lost Colony
DESCRIPTION:"In some vague newspaper article\, I read about 'newly opened
  KGB documents' revealing that some time\, somewhere\, in Russia an atte
 mpt had been made to cross monkeys with humans\," says filmmaker Astrid 
 Bussink. The Sukhum Primate Centre in the former Soviet republic of Abkh
 azia is the world's oldest monkey laboratory. Once a pioneering research
  institute\, it fell into decay during Georgia's civil war in the early 
 1990s. Despite its decrepit state\, the elderly staff dream of its reviv
 al while urgently looking for financiers to restore the buildings for it
 s 80th anniversary. At times touching and often amusing\, Bussink's film
  follows the staff in their tireless effort to put life back into the fa
 ded institution. The buildings have decayed and the majority of monkeys 
 have fled into the mountains\, but their desire and hope is kept alive a
 gainst all odds. The film provides a beautiful picture of the power of h
 opes and dreams.\n -Sarah Whitehouse
CATEGORIES:International Spectrum
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/thelostcolony_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61813489-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T163000
DTEND;TZID=America/New_York:20080426T174900
SUMMARY:BLAST!
DESCRIPTION:Astrophysicist geeks and the scientifically challenged alike\
 , enjoy! Follow along on a hardcore\, risk-filled\, scientific adventure
  into the heart of the Big Bang. In the ongoing attempt to unlock the my
 steries of the origins of the universe\, an international team of ultra-
 adventurous astrophysicists\, led by Dr. Mark Devlin\, filmmaker Paul De
 vlin's brother\, is aiming to launch a multi-million dollar telescope at
 tached to a NASA high-altitude balloon. And therein begins the risky and
  revolutionary challenges that ceaselessly plague a tireless world-class
  research team. Every computer chip\, every mirror fragment and even an 
 ill-placed workman's glove could spell success or disaster. As the teles
 cope and team travel from Kiruna\, Sweden\, to Victoria Island\, deep in
  the Canadian North\, and to Antarctica\, BLAST! tells a human story-the
  daily frustrations\, enormous sacrifices\, catastrophic failures and tr
 anscendent triumphs-of scientific pursuit. \n -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/blast_hotdocs2008;jsessionid=E
 18F176B340A63C50B6A25AA8EF1A8AA
UID:61908044-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T164500
DTEND;TZID=America/New_York:20080426T174300
SUMMARY:A Stravinsky Portrait
DESCRIPTION:Leacock was working with D.A. Pennebaker when he made /A Stra
 vinsky Portrait/. The film is an absorbing profile of composer Igor Stra
 vinsky. Much of the film takes place at Stravinsky’s home in California\
 , and before Leacock and team even begin shooting\, they become part of 
 the household. Leacock has said that in a sense\, filming almost became 
 secondary. And the brilliant result of that intimacy is not a portrait o
 f a man\, but a study of an artist and his relationship to his artwork. 
  Heated conversations about creativity between Stravinsky and other musi
 cians including Robert Craft\, Pierre Boulez and Rolf Lierbermann\, alon
 g with footage of Stravinsky at rehearsal conducting his own work\, Vari
 ations Dedicated to the Memory of Aldous Huxley\, convey the composer’s 
 unique passion. Other featured performers include George Balanchine and 
 Suzanne Farrell.\n -Shannon Abel
CATEGORIES:Outstanding Achievement: Richard Leacock
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/astravinskyportrait_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931074-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T170000
DTEND;TZID=America/New_York:20080426T180800
SUMMARY:Where Do I Belong?
DESCRIPTION:Faced with a nation crumbling down around them\, millions of 
 Afghans have been fleeing their home country over the past 30 years. War
 \, brutal regimes and poor quality of life have made it a necessity to m
 ove on. Many have sought refuge in Iran\, most without official status o
 r sanction in that country. While there\, many Afghan men wed Iranian wo
 men\, often despite deep-rooted cultural frictions. Their compelling sto
 ries are elegantly considered by award-winning filmmaker Mahvash Sheikho
 leslami in Where Do I Belong? As the couples struggle to be accepted\, b
 oth officially and culturally\, their stark interviews expose lives fill
 ed with raw and uncompromising decisions about love\, country and commun
 al acceptance. Sheikholeslami constructs the film inside a stunning phot
 ographic travelogue\, filled with dramatic cinematography of rural and u
 rban landscapes. The stories of the mixed Afghani-Iranian marriages ofte
 n suggest bravery and patience\; this is a visually poetic look at endur
 ing\, unlikely relationships.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/wheredoibelong_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61826859-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T181500
DTEND;TZID=America/New_York:20080426T201800
SUMMARY:Stranded\, I've come from a plane that crashed in the mountains
DESCRIPTION:In October 1972\, a plane carrying 45 members of an Uruguayan
  rugby team crashes into the Andes. Their struggle to stay alive would m
 ake international headlines and inspires the world as one of the greates
 t survival stories ever told. Thirty-five years later\, filmmaker Gonzal
 o Arijon reunites all 16 survivors back at the crash site to share their
  incredible experience. A trusted friend of the survivors\, Arijon offer
 s recovered photographs of the scene and brilliantly recreated sequences
  with the utmost respect to illustrate the group's sheer bravery against
  insurmountable odds. As visually stunning as Arijon's homage is\, the s
 urvivors' candid sharing of their deepest feelings on their harrowing ps
 ychological and physical ordeal creates even more emotional power. While
  the press sensationalized tales of their cannibalism\, a survivor's own
  words sanctify their desperation and reclaim their dignity: "I decided 
 I wanted to live." A cinematic tour-de-force\, Stranded is a deeply movi
 ng film about honour\, courage and survival. \n -Myrocia Watamaniuk
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/strandedivecomefromaplanethatc
 rashedinthemountains_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1
 A8AA
UID:61794920-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T184500
DTEND;TZID=America/New_York:20080426T195800
SUMMARY:Belarusian Waltz
DESCRIPTION:Belarus is Europe's last dictatorship\, a society of total po
 litical control\, mass poverty and nuclear pollution. Human-rights activ
 ists are regularly persecuted and mercilessly punished by an intolerant 
 government. Fear keeps opposition in check and its citizens uniformly an
 d appropriately patriotic. Belarusian Waltz is the story of Alexander Pu
 shkin\, a performance artist who uses his "patriotic" art to protest aga
 inst his country's dictatorship. He is one of the very few undeterred by
  threats of political reprisals. Despite the risks of imprisonment and t
 orture\, Pushkin delights in being visibly subversive\, sarcastic and co
 ntroversial. Despite grave consequences he organizes public stunts that 
 mock President Alexander Lukashenko. Director Andrzej Fidyk\, one of Pol
 and's most esteemed and accomplished filmmakers\, has created a thorough
 ly engaging\, humorous and provocative portrait of an artist and his cou
 ntry.\n -Sarah Whitehouse
CATEGORIES:Next
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/belarusianwaltz_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918915-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T190000
DTEND;TZID=America/New_York:20080426T201200
SUMMARY:FLicKeR
DESCRIPTION:Multimedia artist\, mystic\, gay pop-culture icon and sometim
 e Canadian Brion Gysin wanted to liberate humanity by freeing our minds.
  To subvert patterns of thought\, he built the Dream Machine\, a hypnoti
 c flickering light source with the power to trigger the brain's alpha wa
 ves\, evoking a dream state. Gysin was the secret alchemist of the Beat 
 Generation\, forever hidden in the shadow of his best friend\, artistic 
 collaborator and soul mate\, William S. Burroughs. With the Dream Machin
 e\, they wanted to "storm the citadels of enlightenment." Filmmaker Nik 
 Sheehan takes us on a magical ride through Gysin's fascinating life. Wit
 h a custom-made dream machine in tow\, Sheehan interviews Gysin's friend
 s and pop-culture icons such as Marianne Faithfull\, Genesis P-Orridge\,
  Iggy Pop\, Kenneth Anger and DJ Spooky. Their insights into the power o
 f the trance-inducing device explore creativity in its purest form and a
 sk crucial questions about the nature of art and consciousness. Note: Ca
 ution is advised for people with photosensitive epilepsy or other nervou
 s disorders. \n -Gisèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/flicker_hotdocs2008;jsessionid
 =E18F176B340A63C50B6A25AA8EF1A8AA
UID:61803795-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T190000
DTEND;TZID=America/New_York:20080426T202200
SUMMARY:Virtual JFK: Vietnam if Kennedy Had Lived
DESCRIPTION:Virtual JFK is a fascinating investigation of one of the most
  debated "what if" scenarios in the history of U.S. foreign policy: What
  would President John F. Kennedy have done in Vietnam if he had not been
  assassinated in 1963\, and had he been re-elected in 1964? Using an arr
 ay of resources\, the film employs what Harvard historian Niall Ferguson
  calls "virtual history\," assessing the plausibility of counterfactuals
 \, "what ifs" and the outcomes they might have produced. The film examin
 es Kennedy's decision-making patterns\, like his responses to such Cold 
 War events as Bay of Pigs and East Berlin. Studying Kennedy's term of pr
 esidency is not merely an academic exercise\; it serves as a case study 
 of the broader issue about presidents and their decisions regarding war 
 and peace. On the eve of a U.S. election\, Virtual JFK offers a timely a
 nd chilling reminder that the individual who holds the office of the pre
 sident matters greatly indeed.\n -Shannon Abel
CATEGORIES:International Spectrum
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/virtualjfkvietnamifkennedyhadl
 ived_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61819094-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T191500
DTEND;TZID=America/New_York:20080426T203200
SUMMARY:Killer Poet
DESCRIPTION:Norman Porter\, a convicted double murderer\, served 25 years
  in prison as an exemplary inmate\, only to escape after being denied a 
 commutation. For two decades Porter eluded police. The case went cold un
 til a Google search led cops to Chicago\, where Porter had reinvented hi
 mself as J.J. Jameson: churchgoer\, handyman\, published poet and member
  of the coffeehouse intelligentsia. Right after he was named Chicago's "
 poet of the month\," the long arm of the law finally caught up with him.
  Killer Poet details the life of the mind despite the confines of prison
 . Porter's poems offer vivid proof that prison provides fertile ground f
 or creative expression\, if permitted\, following the grand tradition of
  Robert E. Burns and Jean Genet. Porter is now back behind bars. Is this
  evidence of the U.S. justice system doing its job? Are prisons meant to
  serve as sites of punishment or rehabilitation? \n -Angie Driscoll
CATEGORIES:International Spectrum
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/killerpoet_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61812246-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T191500
DTEND;TZID=America/New_York:20080426T200700
SUMMARY:It's Always Late for Freedom
DESCRIPTION:In this eye-opening and hopeful portrait of a Tehranian youth
  correctional centre\, filmmaker Mehrdad Oskouei introduces us to a smal
 l group of teenage boys serving sentences related to violence\, theft an
 d drugs. We follow three in particular\, each of whom demonstrates an un
 likely blend of world-weary toughness\, street-smarts and a mature compa
 ssion. Their troubled circumstance suggests that they have been surrende
 red by their families\, and the country\, to the growing Iranian epidemi
 cs of addiction and poverty. In the face of adult abandonment\, though\,
  the three discover the simple joys of childhood and friendship through 
 a "boys will be boys" routine of mischief\, pranks and sports. In intima
 te interviews they open up\, sharing fierce hopes and tender frustration
 s for their lives beyond the centre's walls\; but Oskouei always delicat
 ely pulls back from showing us too much of their families and outside li
 ves. This is a heartbreaking and heartwarming film of generations lost a
 nd childhood found.\n -Brett Hendrie
CATEGORIES:Spotlight On Iran
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/itsalwayslateforfreedom_hotdoc
 s2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61824271-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T211500
DTEND;TZID=America/New_York:20080426T231300
SUMMARY:Standard Operating Procedure
DESCRIPTION:Is it possible for a photograph to change the world? Photogra
 phs taken by soldiers in Abu Ghraib prison changed the war in Iraq and c
 hanged America's image of itself. Yet\, a central mystery remains. Did t
 he notorious Abu Ghraib photographs constitute evidence of systematic ab
 use by the American military\, or were they documenting the aberrant beh
 aviour of a few "bad apples"? With his usual rigour and cinematic elegan
 ce\, Hot Docs Outstanding Achievement alumnus Errol Morris sets out to e
 xamine the context of these photographs. Why were they taken? What was h
 appening outside the frame? With direct testimony from the soldiers who 
 took the photographs and who were in the photographs\, Standard Operatin
 g Procedure asks: Who are these people? What were they thinking? How did
  American values become so compromised that Abu Ghraib-and the subsequen
 t cover-up-could happen?
CATEGORIES:Special Presentations
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/standardoperatingprocedure_hot
 docs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794794-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T211500
DTEND;TZID=America/New_York:20080426T224000
SUMMARY:The Fallen
DESCRIPTION:In February 2006\, while 63 miners remained buried under the 
 rubble of an explosion at the Pasta de Conchos coal mine in Mexico\, the
  media and federal government performed a complicated fandango of disinf
 ormation\, cover-up and gross negligence. The Fallen is a gripping accou
 nt of this historic mining conflict. Owned by the country's largest mini
 ng company\, the mine was not safe. The events that ensued after the acc
 ident\, the delayed rescue attempts\, the illegal overthrow of the miner
 s' union leader and the revelations about President Vicente Fox's admini
 stration's complicity in the cover-up are jaw-dropping. And the film exp
 lores other conflicts between the underpaid\, overworked miners and the 
 Mexican government's vested interest in keeping mining companies happy. 
 Firsthand accounts by journalists\, world-renowned experts\, the miners 
 and the working class families who make a living from the mines all pain
 t a terrifying picture of corruption and greed. While the bodies of the 
 miners have still not been recovered\, their legacy will never be forgot
 ten.\n -Shannon Abel\n  Co-presented with Mayworks Festival of Working P
 eople and the Arts
CATEGORIES:Made In Mexico
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/thefallen_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918063-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T213000
DTEND;TZID=America/New_York:20080426T230400
SUMMARY:Dreams with Sharp Teeth
DESCRIPTION:From the producer of Grizzly Man comes a literary documentary
  that will send you back to your bookshelf\, out to the library and into
  the bookstore. Harlan Ellison may be the greatest unknown writer of our
  time. Like Ray Bradbury and Kurt Vonnegut\, Ellison's work was original
 ly shunted into the literary ghetto\, but now it defines its own unique 
 genre. This is a portrait of the artist as a rage-a-holic. Passionate\, 
 intelligent\, wounded\, hilarious\, contentious-words don't do justice t
 o a man who manipulates them so well. Infinitely watchable\, Ellison spe
 aks to his life and creative process with the same fervour\, self-awaren
 ess and imagination that he uses to write. Dreams With Sharp Teeth bring
 s Ellison's magnetic personality and prolific work to life\, featuring a
 ppearances by Robin Williams and Neil Gaiman\, as well as an original sc
 ore composed and performed by Richard Thompson.\n -Angie Driscoll\n\n  C
 o-presented with Toronto After Dark Film Festival\, the festival of new 
 horror and fantasy cinema
CATEGORIES:Next
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/dreamswithsharpteeth_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61922971-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T213000
DTEND;TZID=America/New_York:20080426T221700
SUMMARY:General Idea: Art\, AIDS and the fin de siècle
DESCRIPTION:In 1969 three young artists living in Toronto changed their n
 ames to Jorge Zontal\, Felix Partz and AA Bronson\, formed General Idea 
 and quickly became "art stars" in an international movement that was tra
 nsforming conventional ideas about art. Director Mangaard presents a tri
 bute to their achievements through an in-depth interview with Bronson an
 d extensive documentation of their work. Influenced by semiotics\, conce
 ptual art and mass-media obsessions with glamour and celebrity\, they us
 ed parody\, irony and camp to subvert the constructs of popular culture.
  Despite their Miss General Idea Pageants and self-portraits that scream
  gay camp\, their sexual orientation was not publicly mentioned until th
 ey began to create their important body of work dealing with the AIDS ep
 idemic in the late 1980s. The tragic AIDS-related deaths of Felix and Jo
 rge in 1994 marked the end of GI as an artistic identity. \n -Lynne Fern
 ie\n  Co-presented with Art Metropole.
CATEGORIES:Next
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/generalideaartaidsandthefindes
 icle_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61926344-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T213000
DTEND;TZID=America/New_York:20080426T224800
SUMMARY:Waiting for Hockney
DESCRIPTION:Waiting for Hockney is a compelling look at the institutional
  art world through the story of Billy Pappas\, a suburban Maryland artis
 t who embarks on a 10-year pursuit to create the most detailed portrait 
 ever drawn and to gain an audience with one of the world's most famous a
 rtists\, David Hockney. After graduating from art school\, Billy had bec
 ome disillusioned with the scene. While working as a waiter\, he meets a
  man who helps him devise a plan to wow the art world. Billy chooses his
  subject\, his drawing method and sets to work in obsessive and meticulo
 us fashion. His drawing takes almost 10 years to complete. He decides th
 at the best man to judge it is Hockney. Will Hockney like the portrait? 
 Will Billy burst onto the international art scene? Waiting for Hockney i
 s an engrossing and often hilarious film that subverts our expectations 
 of art and artists.\n -Shannon Abel
CATEGORIES:Next
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/waitingforhockney_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61929434-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T213000
DTEND;TZID=America/New_York:20080426T230000
SUMMARY:International Documentary Challenge Screening
DESCRIPTION:Hot Docs is pleased to host the theatrical premiere of the fi
 nalists in the third annual International Documentary Challenge\, a time
 d filmmaking competition where teams from around the world had five days
  to make a documentary film.   \n\nFinalists:  \n\n“All The Eights\, 88”
   \nTeam: Sholi \nCity/Country: Sydney\, Australia \nGenre: Biography/Ch
 aracter Study \n88 year old Betty Van Acker\, champion bingo player\, sh
 ares her secrets to finding luck in life.  \n\n“Ars Magna” \nTeam Juiceb
 ox \nCity/Country: Seattle\, WA\, USA \nGenre: Biography/Character Study
  \nCory Calhoun\, creator of the famous Hamlet anagram\, is an average g
 uy with an obsession for finding meaning in jumbled phrases.  \n\n“The A
 rt of Balance” \nTeam: Surge Media \nCity/Country: New York\, NY\, USA \
 nGenre: Sports \nIn a society where singular dedication to a career seem
 s like the only way\, Gary Synder struggles to balance two lives and thr
 ive as both an art dealer and an Aikido instructor.  \n\n“Beholder” \nTe
 am: Boss and Coder 34 \nCity/Country: Brooklyn\, NY\, USA \nGenre: First
  Person \nAn autobiographical film about a photographer's evolving persp
 ective of New York City.  \n\n“Bend & Bow” \nTeam: Profluence Production
 s \nCity/Country: Brooklyn\, NY\, USA \nGenre: Experimental \nNatalia Pa
 ruz reveals the moment that changed her life and how she became known as
  the "Saw Lady" to millions of New York subway riders.  \n\n“Click Whoos
 h” \nTeam: Reel Grrrls \nCity/Country: Seattle\, WA\, USA \nGenre: Histo
 rical \nAn homage to a familiar fixture of popular culture that now teet
 ers on obsolescence.  \n\n“Ghost Bike” \nTeam: Go! \nCity/Country: Toron
 to\, ON\, Canada \nGenre: Art \nThis documentary explores the grassroots
  "ghost bike" movement - why are these mysterious white bikes being plac
 ed in cities all over the world?  \n\n“I=me2” \nTeam: Year of the Rooste
 r \nCity/Country: Sherman Oaks\, CA\, USA \nGenre: Experimental \nThe pa
 rallels and divergences of twins Chris and Kevin--twice the documentary 
 in the same low running time.  \n\n“La Peche Blanche" (Ice Fishing) \nTe
 am: Rotating Planet \nCity/Country: Montreal\, Quebec\, Canada \nGenre: 
 Sports \nAs the ice fishing season comes to a close\, families and frien
 ds drive to their huts on the frozen lake to get away from the city\, br
 eathe fresh air\, drink a few beers and fish one last time before the su
 rface of the lake melts away.  \n\n“Jetty” \nTeam: Fly On The Wall \nCit
 y/Country: Portland\, OR\, USA \nGenre: Social Issue/Political \nA "Mom 
 and Pop" fishery on the Oregon Coast is threatened by an ecologically un
 sustainable crabbing policy.  \n\n“Meet The Freegans” \nTeam: Shields Fi
 lms \nCity/Country: Portland\, OR\, USA \nGenre: Social Issue/Political 
 \nSteve is an educated man. A school teacher. A home owner. He also enjo
 ys eating food from dumpsters.  \n\n“Pennywise: The Changing Face of Cha
 nge” \nTeam: Lucky Shot \nCity/Country: Silver Spring\, MD\, USA \nGenre
 : Social Issue/Political \nReflections on the cultural value and economi
 c insignificance of the American one-cent coin.  \n\n“Red Light Blues” \
 nTeam: Abrahami-Netz Productions \nCity/Country: Amsterdam\, Netherlands
  \nGenre: Social Issue/Political \nCould this be the Swan Song of the wo
 rld’s oldest profession?  \n\n“Stick and Pound” \nTeam: It Donned On Me 
 \nCity/Country: Foster City\, CA\, USA \nGenre: Art \nA documentary that
  explores the rhythmic language of the Gullah people.  
CATEGORIES:Special Presentations
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/internationaldocumentarychalle
 ngescreening_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61937221-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080426T235500
DTEND;TZID=America/New_York:20080427T013000
SUMMARY:Planet B-Boy
DESCRIPTION:Kids in Osaka\, Paris\, Seoul and Las Vegas are all doing it-
 B-boying\, breakin'\, bustin' moves you've gotta see to believe! Planet 
 B-Boy features insane dance performances\, unforgettable power moves\, i
 mpossible synchronization and sweet choreography. The film tracks the ev
 olution of a street dance turned universal art form\, culminating in an 
 international showdown. B-boy crews from 18 different countries face-off
  in Germany at the annual "Battle of the Year" World Championships\, eag
 er to reprazent. Behind the dancers' infectious energy and mad skillz li
 e personal stories that inspire and drive them: an American dancer strug
 gles for a break\, a Korean son seeks his father's approval\, a 12-year-
 old French boy confronts his family's racism and a Japanese B-boy pays t
 ribute to his dead father. All of the dancers struggle to be understood 
 by their families and society at large. The globalization of hip-hop cul
 ture is here-r u ready? \n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/planetbboy_hotdocs2008;jsessio
 nid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61912279-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T110000
DTEND;TZID=America/New_York:20080427T123500
SUMMARY:Dear Zachary: A Letter to a Son about his Father
DESCRIPTION:On November 5\, 2001\, Dr. Andrew Bagby was murdered in a par
 king lot in Pennsylvania. The prime suspect was his ex-girlfriend\, Dr. 
 Shirley Turner\, who promptly left town and resettled in her hometown of
  St. John's. Brought up for extradition\, Shirley announced that she was
  pregnant with Andrew's child. Determined to win custody of their grandc
 hild and to see Shirley face murder charges\, Andrew's parents David and
  Kathleen Bagby transplanted themselves to Newfoundland. The ensuing cou
 rt case is infuriating. The relationship that the Bagbys are forced to f
 orge with Shirley is uncannily similar to the dysfunctional bond she had
  with their deceased son\, and you fear that history will repeat itself.
  Filmmaker Kurt Kuenne's loving tribute to a friend\, son and father is 
 an emotional roller-coaster. Part memorial\, part scathing indictment of
  a malfunctioning judicial system\, Dear Zachary is a love letter out of
  senseless tragedy. \n -Angie Driscoll
CATEGORIES:Featured, World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/dearzacharyalettertoasonabouth
 isfather_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61908498-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T130000
DTEND;TZID=America/New_York:20080427T135900
SUMMARY:To See If I'm Smiling
DESCRIPTION:The frank testimonials of six female Israeli soldiers pack a 
 powerful emotional punch. The young women revisit their tours of duty in
  the occupied territories with surprising honesty and strip bare stereot
 ypes of gender differences in the military. No information seems to be o
 ff-limits. The former soldiers share shocking moments of negligence\, fl
 ippancy\, immaturity and power-tripping. The psychological transformatio
 n that these young women underwent as a result of military service is bo
 th upsetting and riveting. The culture of war transforms people: persona
 lities change\, moral codes are subverted\, values are supplanted and ma
 sks are constructed to dull the pain of what they did and didn't do in u
 niform. To See if I'm Smiling illustrates how the trauma of war alters p
 ersonalities and behaviour\, and raises questions about the Israeli-Pale
 stinian conflict. Does military service create more anger\, resentment a
 nd disagreement\, or does it inspire understanding and empathy? Does it 
 propagate or deter hostilities? \n -Angie Driscoll \n\n  Co-presented wi
 th Female Eye Film Festival.
CATEGORIES:International Spectrum
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/toseeifimsmiling_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61817427-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T134500
DTEND;TZID=America/New_York:20080427T151100
SUMMARY:S&M: Short and Male
DESCRIPTION:"A short guy who is sensitive is in deep shit." So begins thi
 s investigation into the relationship between male height\, self-esteem 
 and success. With humour and bite\, 5'3" Howard Goldberg tackles the tal
 l issue of heightism. A few sample facts: over a lifetime\, a 6' man ear
 ns about $280\,000 more than his 5'5" counterpart\, sperm banks have min
 imum height requirements for donors\, and women could be genetically har
 d-wired to pick the tall guy. Around the world\, the bias seems to hold 
 true. In China\, minimum heights are posted in certain job descriptions.
  The French seem to have more enlightened attitudes-short can still be s
 exy\, thanks to Emperor Napoleon. Most disturbing is "stature-lengthenin
 g" surgery\, in which bones are broken\, then stretched in excruciating 
 increments as they heal. No wonder sales for elevator shoes are so stron
 g. All this won't be news for members of the National Organization of Sh
 ort Statured Adults\, but might teach the rest of us a few things. \n -G
 isèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/smshortandmale_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61805570-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T140000
DTEND;TZID=America/New_York:20080427T145400
SUMMARY:The Holier it Gets
DESCRIPTION:When Baichwal's father-who\, along with two other doctors\, f
 orced the Ontario Medical Association to change its racist immigration p
 olicies-passed away\, he left an unusual request. Dr. Krishna Baichwal w
 anted his ashes to be buried at the source of the Ganges River. Jennifer
  and her three siblings hadn't been raised with any formal religion\; gr
 owing up\, they weren't taught Hindu practices. Their father married a L
 ondoner\, eventually moved to Canada and had seemingly rejected his cult
 ure. The Holier It Gets documents Dr. Baichwal's four children as they j
 ourney through India and up the Himalayas to fulfill his request. Accomp
 anied by Nick de Pencier\, Jennifer's partner and the film's cameraman\,
  this film is an intimate portrait of a group of Asian Canadians whose e
 ncounters with India are funny\, perplexing\, upsetting and\, ultimately
 \, deeply revealing. "Baichwal is immensely articulate about the family 
 experience\," writes John Doyle in The Globe and Mail.
CATEGORIES:Focus On Jennifer Baichwal
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/theholieritgets_hotdocs2008;js
 essionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61807742-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T140000
DTEND;TZID=America/New_York:20080427T153500
SUMMARY:Betrayal (Nerakhoon)
DESCRIPTION:During the U.S. military's covert operations in Laos in the e
 arly 1970s\, Thavisouk Phrasavath's father was recruited to help the CIA
 . But when the Americans withdrew and the communist regime gained power\
 , Phrasavath's father and thousands of others were declared enemies of t
 he state and imprisoned. At the age of 12\, Phrasavath made a harrowing 
 escape from Laos to Thailand and eventually to New York City\, where the
  hardships of an immigrant's life forced him\, his eight siblings and hi
 s resilient mother to face an entirely different kind of war. The direct
 orial debut of acclaimed cinematographer Ellen Kuras (Eternal Sunshine o
 f the Spotless Mind\, Neil Young: Heart of Gold)\, Betrayal is a lyrical
  film that fluidly incorporates archival footage\, cinema vérité\, revea
 ling personal interviews and visually poetic montages. Beautifully filme
 d over the course of 23 years\, it offers a stirring portrait of life in
  exile\, of the far-reaching consequences of war and the unbreakable bon
 ds of family.
CATEGORIES:Special Presentations
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/betrayalnerakhoon_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:90229820-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T141500
DTEND;TZID=America/New_York:20080427T151400
SUMMARY:Summerchild
DESCRIPTION:Over the summer vacation\, a Finnish couple opens their home 
 to a Russian orphan\, who lives a mere 60 kilometres away. Geographic pr
 oximity is about all that the generous couple and 11-year-old Sveta have
  in common. Sveta doesn't say much and the do-gooders struggle to pull h
 er out of her shell\, addressing her in Finnish\, a language she does no
 t understand. They communicate instead through bedtime stories\, shoppin
 g sprees and apiology. Summerchild is an intriguing and revelatory look 
 at the role that performance and motive play in the act of charity. Are 
 good intentions all that are needed to acclimatize Sveta to the West and
  to restore her childhood? The cultural and economic divide between Finl
 and and Russia is sharply mirrored in Sveta's personal struggle to conne
 ct with Tiina and Peter\, and to express herself freely\, outside the co
 nfines of the orphanage and beyond her role as charity case. \n -Angie D
 riscoll
CATEGORIES:World Showcase
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/summerchild_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61915607-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T143000
DTEND;TZID=America/New_York:20080427T152300
SUMMARY:Anatomy of Failure
DESCRIPTION:In 1998\, controversial author Carlos Castaneda (The Teaching
 s of Don Juan)\, celebrated godfather of the New Age\, died in his Los A
 ngeles home. Five women from his notorious "harem" disappeared within da
 ys of his death. In 2004\, the skeletal remains of one of those women we
 re found at the edge of Death Valley. In a series of Californian road tr
 ips\, filmmaker Minou Norouzi attempts to unravel the women's obsession 
 with Castaneda. Norouzi meets numerous Castaneda friends and acquaintanc
 es ranging from his dentist to a former lover and muse\, all at some tim
 e in their lives drawn to the mysterious figure. As her investigation pr
 ogresses\, Norouzi finds herself seduced by Castaneda's persona\, and fe
 els her life mirroring that of the women who vanished. Anatomy of Failur
 e is a fascinating study of the power of myth and personality.\n -Shanno
 n Abel
CATEGORIES:Make Me A Believer
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/anatomyoffailure_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61931456-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T153000
DTEND;TZID=America/New_York:20080427T171000
SUMMARY:Hold Me Tight\, Let Me Go
DESCRIPTION:Acclaimed doc-maker Kim Longinotto (Sisters in Law\, The Day 
 I Will Never Forget) brings us another incredible film about struggling 
 children living in extraordinary circumstances. Mulberry Bush in Oxford\
 , U.K.\, is a unique boarding school that caters to children who have be
 en expelled from regular schools for extreme behaviour. The three-year p
 rogramme gives them the chance to turn their lives around and re-enter t
 he regular school system. Longinotto spends a year at the school followi
 ng the progress of four charming but troubled boys. All have severe prob
 lems with anger and violence\; they punch\, kick\, spit and curse at the
  remarkably patient teachers who are trained never to raise their voices
  and who encourage the students to express their emotions. The film comp
 assionately captures the battle these children go through to give voice 
 to the hurt they carry inside. It is a sensitive and heart-wrenching stu
 dy of the results of family dysfunction and also stands witness to the e
 ffects-bad and good-adults have on growing children.\n -Shannon Abel
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/holdmetightletmego_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61794454-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T163000
DTEND;TZID=America/New_York:20080427T174000
SUMMARY:The Beetle
DESCRIPTION:Director Yishai Orian is one of the millions of proud Beetlem
 anics sprinkled throughout the world. Despite the vehicle's rough and no
 isy ride\, underpowered motor and dubious distinction as Hitler's "car f
 or the masses\," the Volkswagen Beetle became the most produced car of a
  single design in history (Hitler himself is said to have sketched the p
 rototype for what would become the Beetle). Sadly\, Orian's beloved 40-y
 ear-old car is on its last legs and his beloved and very pregnant wife w
 ants it scrapped. We join the filmmaker on his extremely funny and touch
 ing road trip as he introduces us to the people who owned\, loved and ev
 en gave birth in his cherished car. As fatherhood looms\, Orian is reluc
 tant to let go of the past\, and he debates his options to repair or sel
 l the car. The Beetle was selected as the opening night film at this yea
 r's prestigious DocAviv Festival. \n -Chris McDonald
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/thebeetle_hotdocs2008;jsession
 id=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61823983-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T163000
DTEND;TZID=America/New_York:20080427T175000
SUMMARY:Jesus Loves You
DESCRIPTION:Summer 2006 in Berlin meant one thing to millions of people a
 cross the world: World Cup Soccer. But for 10\,000 born-again Christians
 \, it was an irresistible opportunity to spread the gospel to beer-swill
 ing\, flag-waving rowdy soccer fans. Jesus Loves You follows the efforts
  of a German church organization\, led by the disturbingly "hip" Tilmann
  Pfor\, to host thousands of missionaries from churches around the world
  at a German castle. Their mission\, of course\, is to convert soccer fa
 ns to Christianity. The film follows their awkward encounters with the f
 ans. When a young man shrouded in a German flag is asked if he believes 
 in God\, he responds curtly\, "I believe in Germany." When one American 
 tries to get Turkish Muslims living in Germany to join his congregation\
 , Church 411\, the absurdity of their mission is revealed. Ultimately\, 
 the film is an interesting study of the worldwide battle between religio
 us fundamentalism and conflicting world views.\n -Shannon Abel
CATEGORIES:Make Me A Believer
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/jesuslovesyou_hotdocs2008;jses
 sionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61932056-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T163000
DTEND;TZID=America/New_York:20080427T173300
SUMMARY:Cuban Song
DESCRIPTION:Every image tells a story in this sensitively crafted mosaic 
 that captures the soul of everyday life in Havana. An irresistible sound
 track drives and narrates the camera's sensitive observations of the mun
 dane and the unexpected with lyrics of love\, longing and betrayal. A wo
 man prepares a meal in her tiny kitchen\, construction workers toil as p
 eople sing on the street\, Fidel Castro appears on television playing th
 e paternal role and majestic waves crash into a pier as the song cycle b
 uilds to a crescendo that always leads back to Cuba. This timely glimpse
  into the lives of ordinary Cubans under Castro was the last film made b
 y director and DP\, Fernand Bélanger. Knowing his time was limited\, his
  camera is pulled to moments representing the essential pulse of life. S
 adly\, Belanger died before the film was finished\, so the film was comp
 leted by his co-directors and longtime collaborators\, Louise Dugal and 
 Yves Angrignon. \n -Gisèle Gordon \n\n  Co-presented with the Images Fes
 tival.
CATEGORIES:Canadian Spectrum
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/cubasong_hotdocs2008;jsessioni
 d=E18F176B340A63C50B6A25AA8EF1A8AA
UID:121400869-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T164500
DTEND;TZID=America/New_York:20080427T175400
SUMMARY:Milošević  on Trial
DESCRIPTION:Nicknamed the "Butcher of the Balkans\," Slobodan Milošević  
 was brought up on war crime charges in 2002\, in what has been called th
 e most important legal case since Nuremberg. Milošević  defiantly chose 
 to represent himself against charges of crimes against humanity\, breach
 es of the Geneva Conventions\, violations of the customs of war\, and ge
 nocide\, all the while refusing to recognize the UN tribunal as a legiti
 mate legal body. Mind games\, leading questions and stall tactics were M
 ilošević's preferred legal strategy. His ultimate strategic manoeuvre wa
 s perhaps his own death from a heart attack in 2006\, just prior to the 
 verdict. Milošević on Trial provides insight into the banal and extraord
 inary machinations of the international court system\, through exclusive
  behind-the-scenes access to principal trial attorney Geoffrey Nice and 
 Milošević's advisors. Director Michael Christoffersen sifts through more
  than 2\,000 hours of footage to bring cohesion and understanding to thi
 s history-defining trial. \n -Angie Driscoll
CATEGORIES:World Showcase
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/milosevicontrial_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61911275-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T164500
DTEND;TZID=America/New_York:20080427T171500
SUMMARY:Lovely Andrea
DESCRIPTION:In Tokyo\, filmmaker Hito Steyerl searches for a photo series
  that she posed for in 1987 as a rope-bondage model. Looking at images o
 f herself shot in the nawa-shibari style\, bound and suspended in the ai
 r\, Steyerl broadens the film's scope beyond Japanese fetishes\, beyond 
 her student identity and sexual representation\, to more universal metap
 hors of censorship and pornography. Images of "Spiderman\," other Japane
 se pinups and Guantanamo Bay torture scenes cascade to Depeche Mode and 
 X-Ray Spex beats. Steyerl's sleek and subversive personal story striking
 ly observes that "there is bondage all over the place."
CATEGORIES:Next
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/lovelyandrea_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61927956-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T183000
DTEND;TZID=America/New_York:20080427T195600
SUMMARY:Football Undercover
DESCRIPTION:She shoots\, she scores! An exhilarating and historic match b
 etween an Iranian and a German women's football team is played out in Te
 hran in 2006. Giving girl power its due\, Football Undercover follows th
 e sporty girls as they struggle against what seems like endless bureaucr
 atic oppression to make the game happen. Marlene\, the lead on the Berli
 n-Kreuzberg team\, visits officials in Germany and Tehran to lobby for i
 t. Niloofar\, the main player on the Iranian side\, dresses as a boy to 
 practice in a nearby park. Narmila is living out the dream of her mother
 \, who gave up football when she married. Susu\, a German Muslim\, wants
  to learn what it's like to wear a headscarf while playing. A testimony 
 to women's determination and strength\, Football Undercover is an inspir
 ing story of cross-cultural politics colliding with a group of sports-lo
 ving women who just want to kick some balls and make a few new friends.
CATEGORIES:Special Presentations
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/footballundercover_hotdocs2008
 ;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61793058-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T184500
DTEND;TZID=America/New_York:20080427T204500
SUMMARY:My Life Inside
DESCRIPTION:In January 2003\, 21-year-old Rosa Estela Olera Jiménez\, an 
 illegal immigrant from Mexico working as a nanny in Austin\, Texas\, is 
 brought to trial for the homicide of 21-month-old Bryan Guttierez\, a yo
 ung boy who died under mysterious circumstances while in her care. The p
 rosecution is relentless in its demonization of Jiménez\, a soft-spoken 
 mother of two who was working to one day buy her mother a house and buil
 d a better life for herself in the land of opportunity. With a sweeping\
 , lyrical focus\, the film encompasses the obstacles\, prejudices and Si
 syphean struggles faced by many Mexican migrant workers who leave their 
 lives behind to pursue the American dream. A powerful and heart-wrenchin
 g documentary\, My Life Inside alternates between tense courtroom drama 
 and moving personal profile\, providing a cautionary tale about the expe
 rience of outsiders in the United States.
CATEGORIES:Featured, Made In Mexico
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/mylifeinside_hotdocs2008;jsess
 ionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61918377-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T190000
DTEND;TZID=America/New_York:20080427T200200
SUMMARY:Stalags - Holocaust and Pornography in Israel
DESCRIPTION:The improbable but true story of a wildly popular series of r
 acy paperbacks called 'Stalags'. They became national bestsellers and to
 ok conservative Israel by storm in the early 1960s. Their perverse and b
 izarre narratives\, based on Nazi themes\, were the only erotic 'literat
 ure' available in the country at that time (one of the more lurid books 
 was titled I Was Colonel Shultz’s Private Bitch). \nDisguised as America
 n publications\, it was later discovered that these tales of female SS o
 fficers with boots and whips were in fact penned and published by Israel
 i Jews. The Stalag phenomenon immediately followed the notorious Adolph 
 Eichmann trial\, which was credited as a factor behind the genre’s bruta
 l and sadistic tone. At a time when Holocaust scholarship was in its inf
 ancy\, for many young Israelis these pornographic fictions were their fi
 rst exposure to the brutal realities of the Second World War.
CATEGORIES:World Showcase
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/stalagsholocaustandpornography
 inisrael_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61914680-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T190000
DTEND;TZID=America/New_York:20080427T194500
SUMMARY:Ex-voto for Three Souls
DESCRIPTION:This lyrical doc explores with sensitivity and breathtaking i
 magery the lives of three Mexicans who live\, like many\, on the edge of
  hope. The lives of a boxer\, a fisherman and an ailing old woman are in
 tertwined. Each prays to God to deliver him or her a specific miracle. M
 eanwhile\, they struggle to survive. Ex-voto For Three Souls is a film a
 bout the unbelievable human capacity to resist\, adapt and create.\n -Sh
 annon Abel\n  screening with  SECOND SIGHT 
CATEGORIES:Made In Mexico
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/exvotoforthreesouls_hotdocs200
 8;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917781-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T190000
DTEND;TZID=America/New_York:20080427T195200
SUMMARY:Second Sight
DESCRIPTION:Time is the same as it was 3\,000 years ago. It's we who have
  changed. If we would just slow down\, wander and listen\, maybe we'd se
 e things we currently don't. Step into the rugged vermillion landscapes 
 of Scotland's remote Isle of Skye and meet Donald Angus MacLean\, one of
  the last of a generation raised with the Gaelic oral tradition rather t
 han electricity and television. "Don Angie" is an old charmer\, a man of
  the church who has listened with an open and curious mind to a lot of "
 terribly strange stories" in his long life. The camera roves with him th
 rough gorgeously shot craggy hillsides to the sites of these spine-tingl
 ing stories of spectres\, ghost cars\, death foretold and the "second si
 ght." This softly painted portrait of a vanishing era spins an irresisti
 ble tale that becomes a thoughtful study of life and mortality. \n -Gisè
 le Gordon\n    screening with  EX-VOTO FOR THREE SOULS 
CATEGORIES:Make Me A Believer
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/secondsight_hotdocs2008;jsessi
 onid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61917888-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T190000
DTEND;TZID=America/New_York:20080427T203000
SUMMARY:Nursery University
DESCRIPTION:And you thought getting into college was hard! In post-9/11 N
 ew York City\, a baby boom has turned the preschool admissions process i
 nto a blood sport. With more than 20 applicants for every available spot
 \, $4\,000 consultants are hired and teams are recruited just to acquire
  application forms. Cue the tears\, hysterics and breakdowns - and that'
 s just the parents!  Meet this year's contestants: from the well-heeled 
 Manhattan corner\, Tony and Cynthia\, and Heidi and Roddy are used to ge
 tting what they want\, while Harlem-based Kris and Kim\, and Greenwich's
  Wyatt and Sneha have to be more realistic. Meanwhile\, single mom Aleta
  has double the problem with her twins. What starts as a race to get the
 ir children into the right Ivy League "feeder" schools turns into a real
 ity check when unexpected hiccups arrive with the response envelopes. En
 joy the insanity in this sweeter look at the social issues and the littl
 e darlings at the centre of all the fuss. -Myrocia Watamaniuk
CATEGORIES:World Showcase
LOCATION:Al Green
URL:http://hotdocsaudience.bside.com/films/nurseryuniversity_hotdocs2008;
 jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:121437702-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T191500
DTEND;TZID=America/New_York:20080427T204300
SUMMARY:Triage: Dr. James Orbinski's Humanitarian Dilemma
DESCRIPTION:"I don't think it's heroic...I think it's decent. I think it'
 s normal\," remarks 1999 Nobel Peace Prize winner\, Dr. James Orbinski\,
  former president of Médecins Sans Frontières/Doctors Without Borders\, 
 of his humanitarian aid work. While writing a book about his experiences
 \, Orbinski is accompanied by filmmaker Patrick Reed on a stirring journ
 ey back to Africa\, where he faced the world's most inhumane suffering. 
 Reed and Orbinski paint a compassionate picture of tending to an ever-mo
 re-desperate population during the crises of the Rwandan genocide and So
 mali famine. Facing threats of violence\, lack of supplies and worsening
  corruption by governments who would co-opt even the word "humanitariani
 sm" in support of their destructive agendas\, Orbinski chooses decency o
 ver callousness\, care over cynicism and life over darkness even when ma
 king impossible decisions about who lives and who dies. \n -Angie Drisco
 ll \n\n  Co-presented with Dignitas International.
CATEGORIES:Special Presentations
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/triagedrjamesorbinskishumanita
 riandilemma_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:61795082-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T210000
DTEND;TZID=America/New_York:20080427T223800
SUMMARY:The Art Star and the Sudanese Twins
DESCRIPTION:Vanessa Beecroft\, contemporary art world star\, is as passio
 nate about her life as she is about her art. Her New York dealer Jeffrey
  Deitch aptly notes that\, with Vanessa\, there is no boundary between l
 ife and art. Filmmaker Pietra Brettkelly follows Beecroft during a 16-mo
 nth journey to the Sudan. Beecroft has been drawn to Africa as inspirati
 on for her art. But now her bond to Africa has deepened through her burn
 ing desire to adopt two orphaned babies. In a provocative and highly con
 troversial photograph\, we see Beecroft nurse the black babies on her ex
 posed white bosoms\, composing a provocative tableau that references bot
 h religious iconography and colonialism. As the complexities of the inte
 rnational adoption become apparent\, the process creates ethical and emo
 tional waves that travel from Sudan to New York. Brettkelly's engaging f
 ilm confronts the complex and not easily answerable question: is there a
  suitable reaction to African suffering?\n -Sarah Whitehouse\n\n  Co-pre
 sented with CONTACT Toronto Photography Festival
CATEGORIES:World Showcase
LOCATION:Bloor
URL:http://hotdocsaudience.bside.com/films/theartstarandthesudanesetwins_
 hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:121331872-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T213000
DTEND;TZID=America/New_York:20080427T225500
SUMMARY:Anvil! The Story of Anvil
DESCRIPTION:At the age of 14\, best friends Lips and Robb Reiner make a p
 act to rock together forever. Their band Anvil\, hailed as the "demigods
  of Canadian metal\," influences a musical generation including Metallic
 a\, Slayer and Anthrax. Though Anvil never makes it big\, they never sto
 p playing or believing. Following a calamitous European tour\, Lips and 
 Robb\, now well into their 50s\, set off to record their 13th album\, Th
 is Is Thirteen\, in one last attempt to fulfill their boyhood dream. Whi
 le filmmaker Sacha Gervasi\, a successful screenwriter (The Terminal)\, 
 has an eye for some of the implicit humour here\, what prevails is his r
 espect for the perseverance and passion that drives Anvil. Yes\, they do
  have an actual "11" setting on the volume knob. However\, their stamina
 \, even while hanging onto their day jobs\, makes Anvil the real deal\, 
 and this the rock doc of the year. \n -Sean Farnel
CATEGORIES:Special Presentations
LOCATION:Royal
URL:http://hotdocsaudience.bside.com/films/anvilthestoryofanvil_hotdocs20
 08;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:90222556-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T213000
DTEND;TZID=America/New_York:20080427T225600
SUMMARY:S&M: Short and Male
DESCRIPTION:"A short guy who is sensitive is in deep shit." So begins thi
 s investigation into the relationship between male height\, self-esteem 
 and success. With humour and bite\, 5'3" Howard Goldberg tackles the tal
 l issue of heightism. A few sample facts: over a lifetime\, a 6' man ear
 ns about $280\,000 more than his 5'5" counterpart\, sperm banks have min
 imum height requirements for donors\, and women could be genetically har
 d-wired to pick the tall guy. Around the world\, the bias seems to hold 
 true. In China\, minimum heights are posted in certain job descriptions.
  The French seem to have more enlightened attitudes-short can still be s
 exy\, thanks to Emperor Napoleon. Most disturbing is "stature-lengthenin
 g" surgery\, in which bones are broken\, then stretched in excruciating 
 increments as they heal. No wonder sales for elevator shoes are so stron
 g. All this won't be news for members of the National Organization of Sh
 ort Statured Adults\, but might teach the rest of us a few things. \n -G
 isèle Gordon
CATEGORIES:Canadian Spectrum
LOCATION:Isabel Bader
URL:http://hotdocsaudience.bside.com/films/smshortandmale_hotdocs2008;jse
 ssionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:121277024-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T213000
DTEND;TZID=America/New_York:20080427T223000
SUMMARY:As Slow As Possible
DESCRIPTION:On his 18th birthday\, Ryan Knighton was told he would slowly
  go blind. Now\, 15 years later\, as he loses his last sliver of sight\,
  he wants to travel to an ancient church in Germany to hear the note cha
 nge in the 639-year-long organ performance of the John Cage composition 
 "As Slow as Possible." He compares the note to the North Star\, "somethi
 ng to navigate by" as he prepares to be a non-sighted person. Director S
 cott Smith accompanies him on his journey as he\, like Cage\, embraces c
 hance encounters: he meets a man in a bear suit who has seen miracles in
  India\, young tourists who think he's a rock star. When he gets lost on
  the way to the church\, a young boy miraculously appears to guide him t
 he final steps. As we hear the note change\, we realize that the journey
  and the film are not so much about loss as about the inevitability of t
 ransformation. \n -Lynne Fernie
CATEGORIES:Canadian Spectrum
LOCATION:Innis Town Hall
URL:http://hotdocsaudience.bside.com/films/asslowaspossible_hotdocs2008;j
 sessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:121356898-hotdocsaudience.bside.com
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20090704T050726Z
DTSTART;TZID=America/New_York:20080427T214500
DTEND;TZID=America/New_York:20080427T231300
SUMMARY:Triage: Dr. James Orbinski's Humanitarian Dilemma
DESCRIPTION:"I don't think it's heroic...I think it's decent. I think it'
 s normal\," remarks 1999 Nobel Peace Prize winner\, Dr. James Orbinski\,
  former president of Médecins Sans Frontières/Doctors Without Borders\, 
 of his humanitarian aid work. While writing a book about his experiences
 \, Orbinski is accompanied by filmmaker Patrick Reed on a stirring journ
 ey back to Africa\, where he faced the world's most inhumane suffering. 
 Reed and Orbinski paint a compassionate picture of tending to an ever-mo
 re-desperate population during the crises of the Rwandan genocide and So
 mali famine. Facing threats of violence\, lack of supplies and worsening
  corruption by governments who would co-opt even the word "humanitariani
 sm" in support of their destructive agendas\, Orbinski chooses decency o
 ver callousness\, care over cynicism and life over darkness even when ma
 king impossible decisions about who lives and who dies. \n -Angie Drisco
 ll \n\n  Co-presented with Dignitas International.
CATEGORIES:Special Presentations
LOCATION:ROM
URL:http://hotdocsaudience.bside.com/films/triagedrjamesorbinskishumanita
 riandilemma_hotdocs2008;jsessionid=E18F176B340A63C50B6A25AA8EF1A8AA
UID:90205469-hotdocsaudience.bside.com
END:VEVENT
END:VCALENDAR
